Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)


Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

Pregled:

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Glasova 2404 (7,1/10)

-A: 109 minuta

Datum objave 2020-02-05

Proračun: $75,000,000.00

Prihod: $199,158,461.00

Web stranica: Link

Produkcijska kuća:

  • DC Entertainment
  • LuckyChap Entertainment
  • Kroll & Co Entertainment
  • Warner Bros. Pictures
  • DC Comics
  • DC Films
  • Clubhouse Pictures

Zemlja proizvodnje:

  • United States of America

Žanrovi:

  • Action
  • Crime
  • Comedy

Prikolica

Daljnje informacije

Harleen Quinzel / Harley Quinn
Margot Robbie
Margot Robbie
Roman Sionis / Black Mask
Ewan McGregor
Ewan McGregor
Helena Bertinelli / Huntress
Mary Elizabeth Winstead
Mary Elizabeth Winstead
Dinah Lance / Black Canary
Jurnee Smollett-Bell
Jurnee Smollett-Bell
Detective Renee Montoya
Rosie Perez
Rosie Perez
Victor Zsasz
Chris Messina
Chris Messina
Cassandra Cain
Ella Jay Basco
Ella Jay Basco
Ellen Yee
Ali Wong
Ali Wong
Happy
Matthew Willig
Matthew Willig
Doc
Dana Lee
Dana Lee
Patrick Erickson
Steven Williams
Steven Williams
Stefano Galante
Robert Catrini
Robert Catrini
Sionis' Chauffeur
Daniel Bernhardt
Daniel Bernhardt
Mr. Keo
François Chau
François Chau
Mrs. Keo
Miyuki Matsunaga
Miyuki Matsunaga
Miss Keo
Anna Mikami
Anna Mikami
Franco Bertinelli
Paul Lasa
Paul Lasa
Maria Bertinelli
Charlene Amoia
Charlene Amoia
Young Helena Bertinelli
Ella Mika
Ella Mika
Tim Evans
Derek Wilson
Derek Wilson
Erika
Bojana Novaković
Bojana Novaković
Erika's Date
Andy Hoff
Andy Hoff
Sal
Bruno Oliver
Bruno Oliver
Officer Dargo
Michael Masini
Michael Masini
Bespectacled Secretary
Judy Kain
Judy Kain
Henchman
David Bianchi
David Bianchi
Tough Guy
Rj Wayne
Rj Wayne
Helena's Bodyguard
Eddie Alfano
Eddie Alfano
Cell Guard
Simon Rhee
Simon Rhee
Production Design
K.K. Barrett
K.K. Barrett
Production Designer
K.K. Barrett
K.K. Barrett
Director of Photography
Matthew Libatique
Matthew Libatique
Editor
Jay Cassidy
Jay Cassidy
Executive Producer
David Ayer
David Ayer
Executive Producer
Walter Hamada
Walter Hamada
Stunt Coordinator
Jonathan Eusebio
Jonathan Eusebio
Executive In Charge Of Production
Kelley Smith-Wait
Kelley Smith-Wait
ADR Mixer
Mark DeSimone
Mark DeSimone
Sound Designer
Paula Fairfield
Paula Fairfield
Executive Producer
Hans Ritter
Hans Ritter
Location Manager
Brittany Petros
Brittany Petros
Executive Producer
Geoff Johns
Geoff Johns
Producer
Margot Robbie
Margot Robbie
Still Photographer
Claudette Barius
Claudette Barius
Original Music Composer
Daniel Pemberton
Daniel Pemberton
Casting
Rich Delia
Rich Delia
Supervising Art Director
Kasra Farahani
Kasra Farahani
Sound Effects Editor
Luke Gibleon
Luke Gibleon
Costume Designer
Erin Benach
Erin Benach
Sound Re-Recording Mixer
Brandon Proctor
Brandon Proctor
Boom Operator
Craig Dollinger
Craig Dollinger
Sound Effects Editor
Michael W. Mitchell
Michael W. Mitchell
Set Designer
Rich Romig
Rich Romig
Editor
Evan Schiff
Evan Schiff
Sound Effects Editor
Phil Barrie
Phil Barrie
Sound Effects Editor
Darren Maynard
Darren Maynard
Fight Choreographer
Jon Valera
Jon Valera
Visual Effects Producer
Annemarie Griggs
Annemarie Griggs
Screenplay
Christina Hodson
Christina Hodson
Supervising Sound Editor
Katy Wood
Katy Wood
Storyboard Artist
Amy Lynn Umezu
Amy Lynn Umezu
Sound Mixer
Steven Morrow
Steven Morrow
Special Effects Supervisor
Mark Hawker
Mark Hawker
Producer
Bryan Unkeless
Bryan Unkeless
Art Direction
Julien Pougnier
Julien Pougnier
Visual Effects Supervisor
Kenneth Au
Kenneth Au
Director
Cathy Yan
Cathy Yan
Producer
Sue Kroll
Sue Kroll
Costume Assistant
Julia Saeri Lee
Julia Saeri Lee
Utility Sound
Bryan Mendoza
Bryan Mendoza
Creator
Chuck Dixon
Chuck Dixon
Comic Book
Chuck Dixon
Chuck Dixon
Key Art Production Assistant
Beatrice Cerezo
Beatrice Cerezo
Art Department Coordinator
Molly Hunter Flick
Molly Hunter Flick
Creator
Jordan B. Gorfinkel
Jordan B. Gorfinkel
Comic Book
Jordan B. Gorfinkel
Jordan B. Gorfinkel
Creator
Greg Land
Greg Land
Executive Producer
Galen Vaisman
Galen Vaisman
Visual Effects Coordinator
Samira Khan
Samira Khan

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Since Wonder Woman that the DCEU has not missed a beat. Even though the latter is still my favorite of the universe, I have mostly a positive opinion about Justice League, Aquaman, and Shazam! Yes, these are not the greatest comic-book movies of all-time, but I would be lying if I denied that I was entertained. Birds of Prey follows the same path: it's fun, action-heavy, and it boasts a phenomenal cast. It has some issues regarding the actual plot and a few characters, but I'll get there. First of all, let me get the mandatory compliments to Margot Robbie's performance out of the way. If there's a DC character better than Harley Quinn for Robbie to portray, please let me know, because I think she's absolutely perfect as a lunatic, over-the-top psychiatrist-turned-psychopath. Suicide Squad might be a total mess, but I doubt anyone denies how Robbie fits seamlessly into the Harley persona. From her looks to the way she speaks and from her physical movement to her facial expressions, there's just no better casting. She embodies the whole film's chaotic vibe and even contributes to the (very) colorful set design. However, she's not the only one who delivers a spectacular performance. Jurnee Smollett-Bell offers a surprisingly captivating display as Dinah Lance / Black Canary. Even though Harley Quinn is the main character, I found myself caring a lot about Dinah. Her way of living suits the character's personality like a glove, and she's undoubtedly the best-written secondary character of the movie. Unfortunately, I can't say the same about the others, and this is one of my biggest issues. It's a film packed with cliches and attempts of making the characters aware of those cliches, which is also, well, something pretty overused. What's more generic? Having the bad guy telling the hero their masterplan or having the hero stating how the bad guy is incredibly dumb by thinking of doing that? At first, I laughed, and I thought it was funny the way Christina Hodson was avoiding to write straight-up cliche characters by making everyone else aware of the way these talk or move. But the whole "I know you're cliche, so you can get away with saying or doing cliche things" only works for a couple of scenes, not an entire movie. This is why I wasn't able to connect with Renee Montoya or care about her narrative at all. Mary Elizabeth Winstead is one of my favorite actresses, but she has the least screentime of the entire cast. I never criticize a film for not giving an actor/actress I like a more important role (unlike other people, I believe it would be unfair to do so). Still, I do complain if I think a particular character should have been given more screentime, which is the case of Huntress. I find her backstory way more exciting and emotionally investing than Rosie Perez's character, but sadly Huntress' personal story serves only as a not-that-surprising third act twist. There are several past-present transitions in the storytelling, most work, but some feel extremely abrupt. Nevertheless, Winstead is outstanding every single time she's on camera! Ewan Mcgregor offers a good performance as the villain, but he leads me to my other major issue: the central plot. Trivia time: a MacGuffin is an object, device, or event necessary to the narrative and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself. The thread that connects every single character is based on one of the most overused MacGuffins ever. Now, don't get me wrong: a MacGuffin is NOT a synonym of bad writing or of a bad plot! It's merely something that leads to nothing. Having in mind that Birds of Prey is a character-driven movie, a plot centered around a MacGuffin is not unusual. As long as every character works, the primary story can simply be a passenger (Quentin Tarantino's Once Upon a Time in Hollywood applies this method). However, in Birds of Prey, not every character has an interesting story... Basically, Christina Hodson's screenplay isn't exactly bad, but it isn't great too. Just like the film, it has its ups and downs, and I saved some of the ups for last because I do want to end this review on a positive note. Finally, a DCEU movie where the action isn't overwhelmed with CGI, but with detailed choreography and long takes instead! Thank you, Cathy Yan, for bringing some of the best action sequences in this universe. Even if the third act gets a little sloppy due to the amount of characters, it's still a very satisfying ending. The score beautifully accompanies the action, and the visuals are truly gorgeous to look at. The comedy bits are on-point, I laughed quite often, but my final remark goes to a topic I rarely address... Birds of Prey is a filmmaking lesson on how to produce an incredibly diverse movie without it feeling forced or unnatural. Only AFTER leaving the theater, I acknowledged the fact that the cast and characters are from various races, cultures, and have different sexual preferences. Why? Because this film doesn't waste its runtime by having its characters mention how black, white, Latinas, Chinese, gay, or whatever they are. They simply are what they are, and we all have eyes to see them. Congrats to Yan, Hodson, and everyone else who decided to treat the characters as if they're humans like every one of us. In the end, Birds of Prey (and the ridiculously long subtitle) continues DCEU's streak of (at least) good movies since Wonder Woman came out. With a phenomenal cast led by an outstanding Margot Robbie as Harley Quinn, Cathy Yan delivers some of the best action of the entire universe in a genuinely entertaining superhero flick. A colorful, chaotic, and fun vibe is present throughout the whole runtime, as well as a pretty neat score. However, Christina Hodson's screenplay lacks creativity. The main plot revolves around the most overused MacGuffin ever, and some characters are straight-up taken from the book of cliches. It's a generic comic-book film with a formulaic narrative, but one that possesses enough fun and entertainment to overlook the typical story. Rating: B-

kmai01

Pretty good Movie, I did not expect Harvey Quinn can kick ass like that. I can see some guy can be turn off this movie because all women hero team. I find it very entertaining and well made.

TalisBriedis

Garbage. Nothing, and I REALLY MEAN NOTHING good to say about this.

Louisa Moore - Screen Zealots

I really dug “Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)” because it is unlike any movie I’ve seen before. There are the conventional-minded and flashy action scenes that accompany most superhero characters, but this is a violent, R-rated, naughty-joke, potty-mouthed comic book tour de force made for women over 25. It’s a boisterous good time for feminists and girl nerds everywhere. The film is told from the twisted and deliciously sarcastic point of view of Harley Quinn (Margot Robbie), ex-girlfriend of the Joker. When the evil Roman Sionis (Ewan McGregor) puts out a hit on a young petty thief (Ella Jay Basco), the most nefarious villains turn Gotham City upside down looking for her. When Harley crosses paths with Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), and cop Renee Montoya (Rosie Perez), the women learn they have no choice but to team up in order to take Sionis down once and for all. The heartbeat of the film lies in Robbie’s iconic character interpretation of Harley Quinn. She is terrific in making her naughty character with a mean streak easy to love. Harley isn’t exactly a woman you want to emulate, but it sure would be fun to hang out and be friends with her. All of the supporting performances here really are first-rate too. McGregor chews scenery with audacious glee, and his villain is truly terrifying. With the addition of a diverse, kick-ass female supporting cast playing equally bad-ass superheros, the film takes a multicultural feminist slant that thankfully doesn’t seem forced by committee. “Birds of Prey” is the type of scrappy mayhem that gives a sparkle of excitement to the mostly bland and boring DCEU. It’s colorful and chaotic, reckless and energetic, and I am surprised that I enjoyed this movie as much as I did. This is a really, really fun spectacle that could bring new fans to the genre.

SWITCH.

'Birds of Prey' its absolute thrill ride. It's unapologetically fun and crude and violent. To quote Saoirse Ronan from 'Little Woman'... "Women." - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-birds-of-prey-im-here-to-report-a-terrible-crime-dc-has-saved-cinema

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