A sus 21 años, Violet Sanford llega a Nueva York con la esperanza de convertirse en letrista. Pero sus sueños de dedicarse al mundo de la música quedan aparcados momentáneamente por el éxito que alcanza trabajando como camarera en el bar Coyote. El bar Coyote es un nuevo club nocturno y el punto más caliente de la ciudad. Cuenta con un ambicioso plantel de chicas, todas jóvenes y muy atractivas. Lil es el cerebro y la estricta propietaria del local, que reina con autoridad sobre sus chicas. Entre ellas están la coqueta Cammie, la cabezota y variable Rachel y Zoe, la que más propinas consigue. Las "chicas Coyote", como las llaman cariñosamente, provocan a los clientes y a los medios de comunicación con sus atrevidos atuendos, y convierten el bar Coyote en el punto de atracción de los chicos que merodean por la zona.
Tiempo de ejecución: 94 minutos
Fecha de lanzamiento 2000-07-30
Presupuesto: $45,000,000.00
Ingresos: $113,916,474.00
Lema: Aquí la fiesta nunca termina
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I managed to see this movie on it's first day of screening in New York, back in 2000, just before I went back to Europe. 'Coyote Ugly' is a nice romantic comedy, perfectly fit for the generation who didn't grow up with 'Flashdance', Saturday Night Fever etc. Piper Perado plays the young aspiring song-writer who wants to get a major record-deal, write songs and then safely watch others perform her music. But then there's this little snag, called reality. Although the story is not very surprising it is solid and consistent told. We understand why she ends up on the bar dancing (no spoiler here). And at the same time we understand why her father is disappointed. A fine part played by John Goodman. At times their relationship reminded me of the one Madonna and Danny Aiello had in the 'Father Don't Preach' music-video. Father reluctantly sees his daughter grow up. And she only wants him to be proud of her. After I saw the trailer on television I immediately went to the REAL Coyote Ugly Saloon on 1st Avenue on which this film was based (unless there's another one, of course). The real bar is not nearly as flashy as it's celluloid counterpart. But they DO hose down annoying customers with beer and there IS dancing on the bar. However by the female customers, rather than the waitresses. But they do get fresh with you if you happen to order something they don't serve. (anything besides beer and Jack Daniels) And they do drink shots with the costumers. Funny detail is that in the movie is explained why they don't get drunk. I know, I know, we already have Flashdance. (Also from Bruckheimer) but I don't mind if this type of story is being updated now and then, right? Although the soundtrack could sound a bit more contemporary.