レイチェルの結婚


レイチェルの結婚

概要:

鬼才ジョナサン・デミ監督がアン・ハサウェイを主演に撮り上げた、リアルな家族のストーリー。姉の結婚式のために帰宅したドラッグ中毒の妹の姿を通じ、家族の心の痛みと見えない絆を描く。

364 (6.3/10)

ランタイム: 113 分

発売日 2008-10-03

制作会社:

  • Clinica Estetico

生産の国:

  • United States of America

ジャンル:

  • ドラマ

トレーラー

さらに詳しい情報

Kym
Anne Hathaway
Anne Hathaway
Rachel
Rosemarie DeWitt
Rosemarie DeWitt
Walter
Sebastian Stan
Sebastian Stan
Rosa
Roslyn Ruff
Roslyn Ruff
Paul
Bill Irwin
Bill Irwin
Carol
Anna Deavere Smith
Anna Deavere Smith
Abby
Debra Winger
Debra Winger
Quick Stop Cashier
Annaleigh Ashford
Annaleigh Ashford
Kieran
Mather Zickel
Mather Zickel
Sidney
Tunde Adebimpe
Tunde Adebimpe
Violin Friend
Zafer Tawil
Zafer Tawil
Singing Friend
Tamyra Gray
Tamyra Gray
Emma
Anisa George
Anisa George
Angela Paylin
Marin Ireland
Marin Ireland
Wedding Czar
Beau Sia
Beau Sia
Bridesmaid
Victoria Haynes
Victoria Haynes
12-Step Receptionist
Quincy Tyler Bernstine
Quincy Tyler Bernstine
12-Step Group Leader
Darrell Larson
Darrell Larson
12-Step Reader
Michelle Federer
Michelle Federer
12-Step First-Timer
Matt Stadelmann
Matt Stadelmann
12-Step Meeting Member
Paul Sparks
Paul Sparks
12-Step Meeting Member
Jill Dalton
Jill Dalton
12-Step Meeting Member
Big Jim Wheeler
Big Jim Wheeler
12-Step Meeting Member
Tiffany Little Canfield
Tiffany Little Canfield
Rachel's Stylist
DeQuina Moore
DeQuina Moore
Inspired Stylist
Andre B. Blake
Andre B. Blake
Andrew
Jerome Le Page
Jerome Le Page
Wedding Valet
Van Hughes
Van Hughes
Wedding Guest
Robert Merrill
Robert Merrill
Wedding Guest
Roger Corman
Roger Corman
Wedding Guest
David Neumann
David Neumann
Wedding Guest
Maria Dizzia
Maria Dizzia
Wedding Guest
Joshua Elrod
Joshua Elrod
Wedding Guest
Tymberly Canale
Tymberly Canale
Wedding Guest
Joey Perillo
Joey Perillo
Rehearsal Dinner Guest
Robert W. Castle
Robert W. Castle
Editor
Tim Squyres
Tim Squyres
Director
Jonathan Demme
Jonathan Demme
Producer
Jonathan Demme
Jonathan Demme
Set Decoration
Chryss Hionis
Chryss Hionis
Director of Photography
Declan Quinn
Declan Quinn
Production Design
Ford Wheeler
Ford Wheeler
Producer
Marc Platt
Marc Platt
Executive Producer
Ilona Herzberg
Ilona Herzberg
Casting
Bernard Telsey
Bernard Telsey
Executive Producer
Carol Cuddy
Carol Cuddy
Producer
H.H. Cooper
H.H. Cooper
Writer
Jenny Lumet
Jenny Lumet
Original Music Composer
Zafer Tawil
Zafer Tawil
Original Music Composer
Donald Harrison Jr.
Donald Harrison Jr.
Art Direction
Kim Jennings
Kim Jennings
Producer
Neda Armian
Neda Armian
Producer
Innbo Shim
Innbo Shim
Producer
Alyssa St. Vincent
Alyssa St. Vincent
Producer
Emily Woodburne
Emily Woodburne
Producer
Elizabeth Hayes
Elizabeth Hayes

DoryDarko

Rachel Getting Married left me feeling quite ambivalent. On the one hand I was really impressed with the acting (most notably from Anne Hathaway), on the other I just couldn't get myself to care. But that's really the director's doing; after all, it's his job to get me involved and to make me care about the story he's telling, and unfortunately, Jonathan Demme failed to do so with this film. Something that throws you off right from the start is the incredibly shaky hand-held camera. There isn't a steady shot throughout the entire film. It actually gave me a headache during the first five minutes. This, in combination with the lack of proper story- and character build-up makes you feel like you're watching a home video of some stranger's wedding. And it's not particularly interesting… Strangely enough, during some parts of the film I felt like I was watching a Louis Theroux documentary, because that's exactly the way it was filmed. I expected a gangly Englishman with dark glasses to walk in at any moment and start asking questions. Actually, that might have done this film a world of good… Scenes go on way too long without there being a clear point to it, and I just have to wonder why Demme decided to go this way. I mean, he has made some really good films in the past, and I was strangely surprised to see he directed this. It looks and feels more a graduation project from some film student, which isn't necessarily a bad thing, but it is when your name is Jonathan Demme. I even fast-forwarded some parts because the scenes were really dragging and I got bored. I actually felt like turning it off a few times, and that doesn't happen to me lot. In the end though, I'm glad I stuck with it, because the second half of the film picks up the pace and finally introduces some real character drama. Simply put, this film is about a drug addict who gets leave from rehab for a few days to attend her sister's wedding and pretty much ruins the whole thing. Anne Hathaway is very impressive as Kym, a self-centred, reckless addict, and she plays her role convincingly. So much so even, that she manages to make you feel NOT sympathetic towards her character at all. She is completely self-absorbed and unlikable, and even steals her sister Rachel's thunder when she (Rachel) announces to her family that she is pregnant, and Kym immediately turns the conversation around and makes it all about her again, and does so on many more occasions. I know that many people who are related to drug addicts will be able to relate to these typical symptoms, so in that sense, it was all very real. On her part, Rosemarie DeWitt, who plays Rachel, was equally impressive as she firmly stood her ground as the loyalty-torn older sister who only asks to be in the spotlight for one day of her life, without her troubled sister claiming all the attention. However, the part that mostly struck a nerve with me was that of their dad, played by Bill Irwin, who is, more than anyone, caught in loyalty limbo, not wanting to have to choose sides between his two daughters. He doesn't overact his inner conflict in any way, yet he garners more sympathy than anyone, because he makes his pain so understandable. In fact, everything about Rachel getting married is all very human and relatable. The story (written by Jenny Lumet, daughter of Sidney!) is not one any of us have never heard before, but that's alright. We don't always need super complicated psycho-analysis with characters talking like they all studied Freud for the past twenty years. Sometimes, simple stories about human troubles are enough to carry a film. It may be somewhat predictable, with a quasi-happy ending, but it's still credible enough to leave you satisfied. And yet, I don't feel this film deserves much more than a 6, maybe a 7. And the fault of this lies entirely with the direction. The shaky home video style I mentioned earlier might work for The Blair Witch project, but not for a slow-paced character drama. And the pacing was just horrible. Some scenes were completely unnecessary and could have easily been cut down or even left out completely and nobody would have noticed. In fact, that would have helped a lot. It's really a shame, because the story is decent and the acting is great, but this is not a great film and it never will be. I do think it's worth the watch, especially if you want to see Anne Hathaway in what is probably a career-defining role. But from the man who made Philadelphia, this is a bitter disappointment. _(October 2011)_

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