her/世界でひとつの彼女


her/世界でひとつの彼女

概要:

近未来のロサンゼルスで、セオドアは相手に代わって思いのたけを手紙にしたためる代筆ライターをしていた。長きにわたり共に生活してきた妻キャサリンと別れ、悲嘆に暮れていた彼はある日、人工知能型OSサマンサと出会う。次第にセオドアは声だけで実態のない彼女の魅力のとりこになる。

9338 (7.9/10)

ランタイム: 126 分

発売日 2013-12-18

予算: $23,000,000.00

売り上げ高: $47,351,251.00

ウェブサイト: Link

キャッチ フレーズ: 人生にときめく、AI(人工知能)。声だけの君と出会って、世界が輝いた。

制作会社:

  • Annapurna Pictures
  • Warner Bros. Pictures
  • Ascot Elite - Ascot Life!

生産の国:

  • United States of America

ジャンル:

  • ロマンス
  • サイエンスフィクション
  • ドラマ

トレーラー

さらに詳しい情報

Theodore Twombly
Joaquin Phoenix
Joaquin Phoenix
Samantha (voice)
Scarlett Johansson
Scarlett Johansson
Amy
Amy Adams
Amy Adams
Catherine Klausen
Rooney Mara
Rooney Mara
Blind Date
Olivia Wilde
Olivia Wilde
Paul
Chris Pratt
Chris Pratt
Charles
Matt Letscher
Matt Letscher
Mark Lewman
Luka Jones
Luka Jones
Surrogate Date Isabella
Portia Doubleday
Portia Doubleday
Dr. Johnson
Sam Jaeger
Sam Jaeger
Katherine Boecher
Katherine Boecher
Bikini Beach Babe
Kelly Sarah
Kelly Sarah
Alien Child (voice)
Spike Jonze
Spike Jonze
Chat Room Friend #2 (voice)
Bill Hader
Bill Hader
SexyKitten (voice)
Kristen Wiig
Kristen Wiig
Alan Watts (voice)
Brian Cox
Brian Cox
Letter Writer #1
Lynn Adrianna
Lynn Adrianna
Letter Writer #2
Lisa Renee Pitts
Lisa Renee Pitts
Letter Writer #3
Gabe Gomez
Gabe Gomez
Text Voice (voice)
Artt Butler
Artt Butler
Sexy Pregnant TV Star
May Lindstrom
May Lindstrom
Theodore's Divorce Attorney
David Azar
David Azar
Marriage Counselor
Guy Lewis
Guy Lewis
Nice Lady
Melanie Seacat
Melanie Seacat
Pizza Vendor
Pramod Kumar
Pramod Kumar
Mother Who Dated Pricks
Evelyn Edwards
Evelyn Edwards
New Sweet Boyfriend of Mother Who Dated Pricks
Steve Zissis
Steve Zissis
Son
Dane White
Dane White
Daughter
Nicole Grother
Nicole Grother
Catherine's Dad
James Ozasky
James Ozasky
Mother of Newborn
Samantha Sarakanti
Samantha Sarakanti
Jocelyn
Gracie Prewitt
Gracie Prewitt
Uncomfortable Waitress
Claudia Choi
Claudia Choi
Tatiana
Laura Kai Chen
Laura Kai Chen
Isabella (voice)
Soko
Soko
Grocery Shopper
Wendy Leon
Wendy Leon
Busker / Dancer
Lil Buck
Lil Buck
Guy On the Buy(uncredited)
Ian Solorio
Ian Solorio
Additional Photography
Lance Acord
Lance Acord
Production Design
K.K. Barrett
K.K. Barrett
Editor
Jeff Buchanan
Jeff Buchanan
Executive Producer
Daniel Lupi
Daniel Lupi
Director
Spike Jonze
Spike Jonze
Producer
Spike Jonze
Spike Jonze
Writer
Spike Jonze
Spike Jonze
Set Decoration
Gene Serdena
Gene Serdena
Producer
Vincent Landay
Vincent Landay
Editor
Eric Zumbrunnen
Eric Zumbrunnen
Costume Design
Casey Storm
Casey Storm
Supervising Sound Editor
Ren Klyce
Ren Klyce
Art Direction
Austin Gorg
Austin Gorg
Makeup Department Head
Steve Artmont
Steve Artmont
Director of Photography
Hoyte van Hoytema
Hoyte van Hoytema
Executive Producer
Natalie Farrey
Natalie Farrey
Executive Producer
Chelsea Barnard
Chelsea Barnard
Producer
Megan Ellison
Megan Ellison
Original Music Composer
Owen Pallett
Owen Pallett
Original Music Composer
Will Butler
Will Butler
Still Photographer
Merrick Morton
Merrick Morton
Production Sound Mixer
Drew Kunin
Drew Kunin
Steadicam Operator
Chris Haarhoff
Chris Haarhoff
Stunt Coordinator
Scott Rogers
Scott Rogers
Hair Department Head
Cydney Cornell
Cydney Cornell
Script Supervisor
Tracy Scott
Tracy Scott
Art Department Coordinator
Venessa De Anda
Venessa De Anda
Set Production Assistant
Sam Schweikert
Sam Schweikert
Driver
Mark W. Jones
Mark W. Jones

treestannn

The opposite of garbage

kineticandroid

In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.

tmdb39513728

**Not a Keeper** The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in. Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off? Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.

Andres Gomez

This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor. The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.

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