Il gatto a nove code


Il gatto a nove code

概要:

概要はこの言語で利用できません。

216 (6.6/10)

ランタイム: 112 分

発売日 1971-02-12

予算: $1,000,000.00

売り上げ高: $1,204,739.00

制作会社:

  • Labrador Films
  • Seda Spettacoli
  • Terra-Filmkunst

生産の国:

  • Germany
  • France
  • Italy

ジャンル:

  • ホラー
  • スリラー

さらに詳しい情報

Carlo Giordani
James Franciscus
James Franciscus
Franco Arnò
Karl Malden
Karl Malden
Anna Terzi
Catherine Spaak
Catherine Spaak
Police Supt. Spini
Pier Paolo Capponi
Pier Paolo Capponi
Dr. Braun
Horst Frank
Horst Frank
Bianca Merusi
Rada Rassimov
Rada Rassimov
Dr. Casoni
Aldo Reggiani
Aldo Reggiani
Dr. Calabresi
Carlo Alighiero
Carlo Alighiero
Righetto (cameraman)
Vittorio Congia
Vittorio Congia
Gigi the Loser
Ugo Fangareggi
Ugo Fangareggi
Dr. Esson
Tom Felleghy
Tom Felleghy
Dr. Mombelli
Emilio Marchesini
Emilio Marchesini
Spimi's man
Fulvio Mingozzi
Fulvio Mingozzi
Morsella
Corrado Olmi
Corrado Olmi
Barber
Pino Patti
Pino Patti
Manuel's ex-lover
Umberto Raho
Umberto Raho
Prof. Manera
Jacques Stany
Jacques Stany
Taxi driver
Stefano Oppedisano
Stefano Oppedisano
Telephone operator
Ada Pometti
Ada Pometti
Walter Pinelli
Walter Pinelli
Sascha Helwin
Sascha Helwin
Film starlet
Marie Louise Sinclair
Marie Louise Sinclair
Martial Boschero
Martial Boschero
Lori
Cinzia De Carolis
Cinzia De Carolis
Manuel
Werner Pochath
Werner Pochath
Prof. Fulvio Terzi
Tino Carraro
Tino Carraro
Billiard Player (uncredited)
Ettore Arena
Ettore Arena
Smoker in the Billiard Hall (uncredited)
Aristide Caporale
Aristide Caporale
Chief of Police Salmi (uncredited)
Giovanni Di Benedetto
Giovanni Di Benedetto
Lori's Babysitter (uncredited)
Margherita Horowitz
Margherita Horowitz
Man at Table in the Saint Peter's Club (uncredited)
Giuseppe Marrocco
Giuseppe Marrocco
Man in the Terzi's Institute (uncredited)
Gennarino Pappagalli
Gennarino Pappagalli
(uncredited)
Aldo Parenti
Aldo Parenti
Policeman - Speaks with Morsella About Food (uncredited)
Franco Ukmar
Franco Ukmar
Original Music Composer
Ennio Morricone
Ennio Morricone
Screenplay
Dario Argento
Dario Argento
Director
Dario Argento
Dario Argento
Story
Dario Argento
Dario Argento
Story
Dardano Sacchetti
Dardano Sacchetti
Conductor
Bruno Nicolai
Bruno Nicolai
Editor
Franco Fraticelli
Franco Fraticelli
Producer
Salvatore Argento
Salvatore Argento
Story
Luigi Cozzi
Luigi Cozzi
Makeup Artist
Giuseppe Ferranti
Giuseppe Ferranti
Assistant Set Decoration
Romeo Costantini
Romeo Costantini
Screenplay
Bryan Edgar Wallace
Bryan Edgar Wallace
Costume Design
Luca Sabatelli
Luca Sabatelli
Director of Photography
Erico Menczer
Erico Menczer
Makeup Artist
Pierantonio Mecacci
Pierantonio Mecacci
Production Design
Carlo Leva
Carlo Leva
Costume Design
Carlo Leva
Carlo Leva
Production Manager
Angelo Iacono
Angelo Iacono
Production Manager
Giuseppe Mangogna
Giuseppe Mangogna
Assistant Director
Roberto Pariante
Roberto Pariante
Sound Effects Editor
Massimo Anzellotti
Massimo Anzellotti
Title Designer
Luciano Vittori
Luciano Vittori
Sound
Mario Ronchetti
Mario Ronchetti
Electrician
Carlo Vinciguerra
Carlo Vinciguerra
Sound Effects
Luciano Anzellotti
Luciano Anzellotti
Hairstylist
Maura Turchi
Maura Turchi
Sound Recordist
Romano Pampaloni
Romano Pampaloni
Assistant Editor
Sergio Fraticelli
Sergio Fraticelli
Camera Operator
Roberto Brega
Roberto Brega
First Assistant Editor
Cesarina Casini
Cesarina Casini
Gaffer
Rodolfo Flibotti
Rodolfo Flibotti
Electrician
Francesco Rachini
Francesco Rachini
Boom Operator
Eugenio Fiori
Eugenio Fiori
Grip
Giuseppe Gabrielli
Giuseppe Gabrielli
First Assistant Camera
Renato Mascagno
Renato Mascagno
Still Photographer
Firmino Palmieri
Firmino Palmieri
Administration
Carlo Du Bois
Carlo Du Bois
Second Assistant Camera
Maurizio La Monica
Maurizio La Monica
Assistant Makeup Artist
Vincenzo Marchetti
Vincenzo Marchetti
Assistant Production Design
Franco Pedacchia
Franco Pedacchia
Property Master
Lamberto Verdenelli
Lamberto Verdenelli
Electrician
Roberto Bertozzi
Roberto Bertozzi
First Assistant Camera
Arturo de Castelterlango
Arturo de Castelterlango
Best Boy Electric
Alberico Loreti
Alberico Loreti
Grip
Ettore Migalizzi
Ettore Migalizzi
Grip
Giovanni Migalizzi
Giovanni Migalizzi
Key Grip
Maurizio Migalizzi
Maurizio Migalizzi
Production Secretary
Roberta Leoni
Roberta Leoni

John Chard

Sixth Sense and Nine Avenues. Il gatto a nove code (The Cat O’ Nine Tails) is written and directed by Dario Argento. It stars Karl Malden, James Franciscus, Catherine Spaak, Horst Frank, Aldo Reggiani, Carlo Alighiero and Rada Rassimov. Music is by Ennio Morricone and cinematography by Erico Menczer. Blind puzzle solver Franco Arno (Malden) and newspaper man Carlo Giordani (Franciscus) team up to see if they can solve the mystery of the murders that are terrifying the city. With their own lives becoming increasingly in danger, and the lines of investigation splintered all over the place, the men are drawn to the mysterious Terzi Institute where geneticists are tampering with gene patterns… Argento doesn’t like it and the fans are very much divided about the worth of it on the Argento curriculum vitae, yet The Cat O’ Nine Tails is a delightfully entertaining oddity. The plot is labyrinthine with relish on top, spinning the viewers into the same convoluted investigative maze that Messrs Arno and Giordani find themselves in. In fact, it’s near genius that it rarely makes sense under inspection, yet still there’s a fascinating edge to the story, with its characterisations, sexual kinks and cruel murders, there’s a power to the piece that rewards if you can just run with it, buy into Argento’s Giallo singed world. With Malden turning in a great performance and Franciscus performing to a level nobody thought was in him, the lead characters really come to life. Add to that Morricone’s creepy jazzy-garde fuelled score underlining the skew-whiff nature of the beast, and Menczer’s photography tonally muted, tech credits are at one with the themes ticking away in the narrative, a narrative that has observation, ironically, on vision, sight and minds eye. While there’s a couple of rug-pulls jostling for our attention just to keep things twisty. Then there is the director himself. The Cat O’ Nine Tails finds him restrained compared to the excess of style over substance films that would dominate his oeuvre post release of The Cat. That’s not to say there isn’t style here, there’s plenty as Argento dallies in POV, iris vision, and a nifty trick that gives the blind Arno “sight”, further ensuring that the supposed handicapped character is the key player and potential saviour of all. A number of scenes are bursting at the seams with suspense, with a cemetery/mausoleum sequence top draw, for sure Argento is firmly getting in his stride here. It’s not a gore movie, something which I personally think has led to some of Argento’s fans giving the film the cold shoulder, but it’s the tale (or tails of course) and characterisations that hold it up as being under valued. It’s a Giallo whodunit flecked with sexual stings and no little amount style draped all over it. 7/10

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