Michael Banks
Ben Whishaw
Jane Banks
Emily Mortimer
Annabel Banks
Pixie Davies
John Banks
Nathanael Saleh
Georgie Banks
Joel Dawson
Tatiana "Topsy" Topotrepolovsky
Meryl Streep
William "Weatherall" Wilkins / Wolf (voice)
Colin Firth
Hamilton Gooding / Badger (voice)
Jeremy Swift
Templeton Frye / Weasel (voice)
Kobna Holdbrook-Smith
Mr. Dawes Jr.
Dick Van Dyke
Balloon Lady
Angela Lansbury
Admiral Boom
David Warner
Miss Penny Farthing
Noma Dumezweni
Park Keeper
Steve Nicolson
The Milkman
Christian Dixon
Information Desk Clerk
Christopher Godwin
Lady On Cherry Tree Lane
Karen Dotrice
Pub Landlord
Ian Conningham
Street Urchin
Billy Barratt
Street Urchin
Felix Collar
Street Urchin
Kate Attwell
Shamus the Coachman Dog (voice)
Chris O'Dowd
Clyde the Horse (voice)
Mark Addy
Mary Poppins' Parrot Umbrella (voice)
Edward Hibbert
Female Dancer
Tara Nicole Hughes
Fun Fair Couple (uncredited)
Bernardo Santos
Fairground Attendee (uncredited)
Johanna Thea
Corporate Internal Bank Customer
Jag Patel
Bank Customer (uncredited)
Nina Kumar
Fair Ground Attendee (uncredited)
David Gambier
Bank Customer 110 (uncredited)
Jeremy Azis
Bank Teller (uncredited)
Bern Collaço
Tramp (uncredited)
Steve Carroll
Cherry Tree Lane Resident (uncredited)
Nick Owenford
Banker (uncredited)
Martyn Mayger
Bank Customer (uncredited)
Alex Jaep
St Paul's Passerby (uncredited)
Richard Price
Homeless Soup kitchen (uncredited)
Fran Targ
Bank Customer (uncredited)
Raj Awasti
Leerie
Jack Harrison-Cooper
Leerie
Aston Newman Hannington
Female Dancer
Teneisha Bonner
Female Dancer
Lavinia Fitzpatrick
Female Dancer
Hannah Kenna-Thomas
Female Dancer
Jennifer Leung
Female Dancer
Rachel Muldoon
Female Dancer
Cassie Rogers
Female Dancer
Lorraine Stewart
Boy (uncredited)
Antonio Raul Corbo
Director of Photography
Dion Beebe
Costume Design
Sandy Powell
Executive Music Producer
Michael Higham
Music Supervisor
Michael Higham
Original Music Composer
Marc Shaiman
Set Decoration
Gordon Sim
Production Design
John Myhre
Executive Producer
Callum McDougall
Production Manager
Callum McDougall
Animation Supervisor
Jim Capobianco
Casting Associate
Sarah Trevis
Art Direction
Steve Carter
First Assistant Camera
Julian Bucknall
Art Direction
Elaine Kusmishko
Casting
Tiffany Little Canfield
Supervising Art Director
Niall Moroney
Production Supervisor
Bertie Spiegelberg
Special Effects Supervisor
Steven Warner
Production Sound Mixer
Simon Hayes
Costume Supervisor
Yvonne Duckett
Costume Supervisor
David Davenport
Property Master
Ty Teiger
Camera Operator
Damien Beebe
Art Direction
Vicki Stevenson
Script Supervisor
Lisa Vick
Music Editor
Lewis Morison
Still Photographer
Jay Maidment
Camera Operator
John Gamble
Art Direction
Simon Elsley
Set Costumer
Ian Foweraker
Draughtsman
Lotta Wolgers
Steadicam Operator
Peter Robertson
Art Department Assistant
Lottie McDowell
Post Production Supervisor
Jennifer Lane
Visual Effects Editor
Kent Blocher
Location Manager
Ali James
Dialect Coach
Jill McCullough
Stunt Coordinator
Mark Mottram
Unit Production Manager
Angus More Gordon
Co-Producer
Angus More Gordon
Key Hair Stylist
Paula Price
Key Makeup Artist
Paula Price
Supervising Sound Editor
Renée Tondelli
Second Unit Director of Photography
Alan Stewart
Draughtsman
Candice White
Assistant Art Director
Lauren Briggs-Miller
Assistant Costume Designer
Oliver Garcia
Visual Effects Editor
Shawn Broes
Visual Effects Producer
Laurence Berkani
Visual Effects
Michael Huber
Conceptual Illustrator
Josue Clotaire Fleurimond
Animation Manager
Tyler Cordova
First Assistant Camera
David Penfold
Visual Effects Producer
Leslie Lerman
Assistant Costume Designer
Charlotte Law
Carpenter
Jeff Woodbridge
First Assistant Editor
Meagan Costello
Production Manager
Alex D. da Silva
First Assistant Camera
Alan Hall
First Assistant Director
Ben Howarth
VFX Supervisor
Matt Johnson
Video Assist Operator
Adam McGrady
Assistant Art Director
Richard Hardy
Casting Associate
Conrad Woolfe
First Assistant Camera
Tobias Eedy
Makeup Artist
Tamsin Dorling
Rigging Supervisor
Ben Wilson
Co-Producer
Michael Zimmer
Production Manager
Hannah Godwin
Art Direction
Amanda Dazely
VFX Supervisor
Christian Irles
CG Supervisor
Jason Quintana
Visual Effects Editor
Maxime Sirven
First Assistant Camera
David Cozens
Costume Coordinator
Caroline Fallon
Character Designer
James Woods
Assistant Art Director
Sarah Ginn
Visual Effects Technical Director
Phoenix Woung-Bi Lee
Key Set Costumer
Carlos Fontanarrosa
Visual Effects Coordinator
Sara Woomer
Third Assistant Director
Grant Butler
Drone Operator
Gareth Harfoot
Assistant Costume Designer
Courtney McClain
Location Manager
Charlie Hayes
Key Set Costumer
Anthony Brookman
Makeup Artist
Georgie Whittle
Art Department Coordinator
Sarah Iovino
Draughtsman
Rosie Hardwick
Aerial Camera
Adam Sculthorp
Drone Operator
Angus Benson-Blair
Assistant Property Master
Martin Kingsley
Draughtsman
Jamie Burrows
Special Effects
Neil Toddy Todd
Set Costumer
Cynthia Black
VFX Supervisor
Christian Kaestner
Set Dresser
Laura Collins
Set Decorating Coordinator
Claire Grainger
Conceptual Illustrator
Simon Gustafsson
Rigging Supervisor
Scott Hillier
Modeling
Caitlin Murray Jones
Draughtsman
Dominique Pace
Art Department Assistant
Grace Taylor
Special Effects Supervisor
Robin Beavis
Visual Effects Coordinator
Zaid Babeel
Line Producer
Amanda Barrios
Digital Compositors
Stephane Brisson
Visual Effects Coordinator
Carolina Cedres
Digital Compositors
Tracie Donais
Visual Effects Technical Director
Thomas Dotheij
Production Manager
Talia Felber
Animation Supervisor
Eric Guaglione
Digital Compositors
Patrick Hall
Compositors
Russell Hopwood
Digital Compositors
Sam Horgan
VFX Supervisor
Jack Hughes
Digital Compositors
Ricky Leach
Digital Compositors
Gabriel Naveau
Digital Compositors
Camille Paleni
Digital Compositors
Leo Pean de Ponfilly
Digital Compositors
Jason Pethtel
Production Manager
Stewart Probert
Visual Effects Coordinator
Michelle Roll
Digital Compositors
Jorge Sanchez Fresno
Lead Animator
Brett Schroeder
Digital Compositors
Brock J. Stearn
Compositors
Joshua Toonen
Aerial Camera Technician
Andrew Bradley
Best Boy Electrician
Billy Gamble
First Assistant Camera
Harry Gamble
Electrician
Harry Langston
Video Assist Operator
Dominic Rau
Steadicam Operator
Robert Stoneman
Storyboard Artist
James S. Baker
Animation Department Coordinator
Brandon Brocker
Animation Production Assistant
Stasia Fong
Casting Assistant
Rachel Nadler
Set Costumer
Anna Cavaliere
Key Set Costumer
Lara Newman
Assistant Costume Designer
Debbie Scott
Location Manager
Rob Campbell-Bell
Location Manager
Eleanor Downey
Music Editor
Jim Bruening
Transportation Captain
Phil Allchin
Transportation Coordinator
Katerina Ruskova
Driver
David Rosenbaum Jr.
Production Accountant
Susan Chika Anisiobi
Assistant Production Coordinator
Monique Brown
Production Office Assistant
Elliott Cobley
Production Office Assistant
Taro Smith
Per Gunnar Jonsson
The original Mary Poppins was one of my favorite movies when I was a kid and it kind of still is. Thus I was indeed a bit worried when I sat down to watch this one with the kids yesterday. After all there is really so many ways a incompetent writer could have screwed this one up. Especially one with an agenda.
Luckily this was not the case and I have to say that I quite liked this movie. Disney actually managed to keep the ambiance of the original movie and it actually felt like a Disney movie from the good old days. The days before every easily offended retard tried to make every movie into a preaching mouth piece for their personal crusade.
I think I liked the first half of the movie best. It was an explosion of song, magic and, for me, nostalgia. Apart from the hugely improved technology this movie had available to make the magic bits it actually felt like it could have been made back to back with the original. They really managed to capture the atmosphere from back then.
If I had to compare the two directly I would still go with the original as the best one. It was more imaginative and it just felt a bit better two me.
The story is a bit of a rehash of the original. They could have come up with something more original. Also, the second movie seemed to fizzle out a bit compared to the first half. I would have liked to see some more Mary Poppins coolness and magic, like we saw in the first half of the movie, instead of, mostly, conventional stuff. Also the take down of the bad guy was a bit underwhelming.
Apart from that I think sequel was not bad at all.
narrator56
I enjoyed this movie just as I love the original Mary Poppins. I think it is largely a thankless task doing sequels for beloved films: Christopher Robin and Hook had to pass through a crucible of dislike by lovers of similar original flicks. Remakes are similarly unpopular, perhaps for better reason, in my opinion. O
The makers of Mary Poppins Returns aren't trying to reinvent the wheel, just entertain by using a bit of imagination to bring the original tale to a more savvy modern audience. No reason for us to rhetorically throw our toys out of the sandbox. Okay, I may not watch this new offering as often as I have the original, but it was entertaining without being rude, profane, crude or violent. Kind of rare, that.
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