スケアリーストーリーズ 怖い本


スケアリーストーリーズ 怖い本

概要:

ハロウィンの夜。町外れの幽霊屋敷に入った高校生たちが見つけた本には、数々の怖い話がつづられていた。翌日から本を見つけた仲間が一人ずつ姿を消し、さらに本には毎夜新たな物語が書き加えられていった。主人公は消息不明の高校生たちで、そこには彼らが最も怖いものに襲われる物語が書かれていた。

1517 (6.4/10)

ランタイム: 108 分

発売日 2019-08-08

予算: $25,000,000.00

売り上げ高: $95,438,172.00

ウェブサイト: Link

キャッチ フレーズ: 主人公にしてあげる とびきり怖いお話の・・・

制作会社:

  • 1212 Entertainment
  • Double Dare You Productions
  • Entertainment One
  • CBS Films
  • Rolling Hills
  • Starlight International Media
  • Hivemind

生産の国:

  • Canada
  • China
  • United States of America

ジャンル:

  • ホラー
  • スリラー

トレーラー

さらに詳しい情報

Stella Nicholls
Zoe Colletti
Zoe Colletti
Roy Nicholls
Dean Norris
Dean Norris
Ramón Morales
Michael Garza
Michael Garza
Auggie Hilderbrandt
Gabriel Rush
Gabriel Rush
Chief Turner
Gil Bellows
Gil Bellows
Ruth Steinberg
Natalie Ganzhorn
Natalie Ganzhorn
Tommy Milner
Austin Abrams
Austin Abrams
Chuck Steinberg
Austin Zajur
Austin Zajur
Sarah Bellows
Kathleen Pollard
Kathleen Pollard
Lou Lou
Lorraine Toussaint
Lorraine Toussaint
Mrs. Steinberg
Deborah Pollitt
Deborah Pollitt
Mrs. Milner
Victoria Fodor
Victoria Fodor
Mrs. Hilderbrandt
Marie Ward
Marie Ward
Harold the Scarecrow / Pale Lady
Mark Steger
Mark Steger
Big Toe Corpse
Javier Botet
Javier Botet
Jangly Man
Troy James
Troy James
Mechanic
Will Corno
Will Corno
Deputy Hobbs
Kyle Labine
Kyle Labine
Doctor
David Tompa
David Tompa
Claire Baptiste
Karen Glave
Karen Glave
Reception Nurse
Stephanie Belding
Stephanie Belding
Deodat Bellows
Hume Baugh
Hume Baugh
Delanie Bellows
Jane Moffat
Jane Moffat
Ephraim Bellows
Will Carr
Will Carr
Gertrude Bellows
Amanda Smith
Amanda Smith
Harold Bellows
Brandon Knox
Brandon Knox
Drive-in Manager
Rodrigo Fernandez-Stoll
Rodrigo Fernandez-Stoll
Actress
Anna Fraser
Anna Fraser
Orderly #1
Alex Spencer
Alex Spencer
Mr. Steinberg
Matthew Smith
Matthew Smith
Letterman #1
Daniel Gravelle
Daniel Gravelle
Letterman #2
Colton Gobbo
Colton Gobbo
Lou Lou (8 Yrs.)
Ajanae Stephenson
Ajanae Stephenson
Student (uncredited)
Divan Meyer
Divan Meyer
Himself (archive footage)
Lyndon B. Johnson
Lyndon B. Johnson
Himself (archive footage)
Richard Nixon
Richard Nixon
Himself (archive footage)
Walter Cronkite
Walter Cronkite
Original Music Composer
Marco Beltrami
Marco Beltrami
Production Design
David Brisbin
David Brisbin
Producer
Sean Daniel
Sean Daniel
Screenstory
Marcus Dunstan
Marcus Dunstan
Producer
Guillermo del Toro
Guillermo del Toro
Screenstory
Guillermo del Toro
Guillermo del Toro
Costume Designer
Ruth Myers
Ruth Myers
Director of Photography
Roman Osin
Roman Osin
Art Direction
Brandt Gordon
Brandt Gordon
Makeup Department Head
Colin Penman
Colin Penman
Co-Executive Producer
Jacky Cheung
Jacky Cheung
Producer
J. Miles Dale
J. Miles Dale
Unit Production Manager
J. Miles Dale
J. Miles Dale
Executive Producer
Joshua Long
Joshua Long
Music Supervisor
Howard Paar
Howard Paar
Director
André Øvredal
André Øvredal
Casting Director
Rich Delia
Rich Delia
Screenplay
Dan Hageman
Dan Hageman
Screenplay
Kevin Hageman
Kevin Hageman
Property Master
Mary Arthurs
Mary Arthurs
Still Photographer
George Kraychyk
George Kraychyk
Second Unit Director of Photography
Colin Hoult
Colin Hoult
Sound Designer
Joe Dzuban
Joe Dzuban
Supervising Sound Editor
Jill Purdy
Jill Purdy
Script Supervisor
Dug Rotstein
Dug Rotstein
Supervising Sound Editor
J.R. Fountain
J.R. Fountain
Gaffer
Michael L. Hall
Michael L. Hall
Editor
Patrick Larsgaard
Patrick Larsgaard
Sound Re-Recording Mixer
Andrew Tay
Andrew Tay
Hair Department Head
Cliona Furey
Cliona Furey
Set Decoration
Patricia Larman
Patricia Larman
Foley Artist
Steve Hammond
Steve Hammond
Sound Re-Recording Mixer
Mike Woroniuk
Mike Woroniuk
First Assistant Director
Myron Hoffert
Myron Hoffert
Sound Mixer
Glen Gauthier
Glen Gauthier
Production Manager
Regina Robb
Regina Robb
Novel
Alvin Schwartz
Alvin Schwartz
Producer
Jason F. Brown
Jason F. Brown
Executive Producer
Roberto Grande
Roberto Grande
Producer
Elizabeth Grave
Elizabeth Grave
Sound Mixer
Erika Schengili-Roberts
Erika Schengili-Roberts
Sound Mixer
Greg Chapman
Greg Chapman
Special Effects Coordinator
Geoff Hill
Geoff Hill
Set Designer
Sorin Popescu
Sorin Popescu
Second Assistant Director
Tyler Delben
Tyler Delben
Stunt Coordinator
Darren McGuire
Darren McGuire
Set Designer
Etienne Gravrand
Etienne Gravrand
Original Music Composer
Anna Drubich
Anna Drubich
Executive Producer
Alex Ginno
Alex Ginno
Screenstory
Patrick Melton
Patrick Melton
Executive Producer
Peter Luo
Peter Luo
Co-Executive Producer
Zhitang Chen
Zhitang Chen
Sound Editor
Tyler Whitam
Tyler Whitam
Sound Editor
Steve Medeiros
Steve Medeiros
Second Unit Director
Nic Osborne
Nic Osborne

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed. It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started. André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself… It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough. The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie. Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating. All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes. However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it! Rating: B-

SWITCH.

There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you

Gimly

I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

brightonguy

I have no idea why I was expecting an anthology before I started watching this film. Anyway, it doesn’t matter. While I dislike the increasingly high number of horror films which take place in 1960s/70s/80s nowadays, I still enjoyed watching this one. Surprisingly, each scary scene in the film is better than the one before, which makes the film better as you keep watching it. Would I watch it again? Yes. Would I make my friends watch it? Why not?

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