野性の呼び声


野性の呼び声

概要:

カリフォルニア州に住むミラー判事(ブラッドリー・ウィットフォード)のもとで暮らしていた雑種犬のバックは、4歳のときにさらわれて売り飛ばされ、そり犬として働いていた。その後再び売られて厳しい環境で重労働を強いられていたところを、一人で旅をしていたソーントン(ハリソン・フォード)に助けられる。世話をされるうちに、ソーントンとの間に信頼と友情が芽生え、彼らは地図にない地を目指す冒険に出る。

1048 (7.3/10)

ランタイム: 100 分

発売日 2020-02-19

予算: $109,000,000.00

売り上げ高: $107,604,626.00

ウェブサイト: Link

制作会社:

  • 3 Arts Entertainment
  • 20th Century Studios
  • TSG Entertainment

生産の国:

  • Canada
  • United States of America

ジャンル:

  • ドラマ
  • アドベンチャー
  • ファミリー

トレーラー

さらに詳しい情報

John Thornton
Harrison Ford
Harrison Ford
Hal
Dan Stevens
Dan Stevens
Charles
Colin Woodell
Colin Woodell
Mercedes
Karen Gillan
Karen Gillan
Perreault
Omar Sy
Omar Sy
Pastry Chef
Raven Scott
Raven Scott
Mountie
Wes Brown
Wes Brown
Françoise
Cara Gee
Cara Gee
Katie Miller
Jean Louisa Kelly
Jean Louisa Kelly
Buck
Terry Notary
Terry Notary
Teenager
Preston Bailey
Preston Bailey
Edenshaw
Michael Horse
Michael Horse
Miner
Alex Solowitz
Alex Solowitz
Postmaster
Stephanie Czajkowski
Stephanie Czajkowski
James
Adam Fergus
Adam Fergus
Skagway Dog Seller
Brad Greenquist
Brad Greenquist
Dawson Dog Seller
Scott MacDonald
Scott MacDonald
Man on the Ladder
Anthony Molinari
Anthony Molinari
Proprietor
Karl Makinen
Karl Makinen
Grocer
Larry Cedar
Larry Cedar
Saloon Girl
Chase Victoria
Chase Victoria
Blacksmith
Chris Graham
Chris Graham
Weary Climber
Kirk Geiger
Kirk Geiger
Judge Miller
Bradley Whitford
Bradley Whitford
Producer
James Mangold
James Mangold
Director of Photography
Janusz Kamiński
Janusz Kamiński
Editor
William Hoy
William Hoy
Producer
Erwin Stoff
Erwin Stoff
Executive Producer
Diana Pokorny
Diana Pokorny
Original Music Composer
John Powell
John Powell
Art Direction
Andrew Max Cahn
Andrew Max Cahn
Sound Re-Recording Mixer
David Giammarco
David Giammarco
Supervising Sound Editor
Warren Hendriks
Warren Hendriks
Sound Re-Recording Mixer
Warren Hendriks
Warren Hendriks
Director
Chris Sanders
Chris Sanders
Novel
Jack London
Jack London
Set Decoration
Danielle Berman
Danielle Berman
Location Manager
Brittany Petros
Brittany Petros
Screenplay
Michael Green
Michael Green
Costume Design
Kate Hawley
Kate Hawley
Production Design
Stefan Dechant
Stefan Dechant
Visual Effects
Brian Adler
Brian Adler
Editor
David Heinz
David Heinz
Executive Producer
Ryan Stafford
Ryan Stafford
Visual Effects
Farid K. Yazami
Farid K. Yazami
Art Direction
Iain McFadyen
Iain McFadyen
Art Direction
Jason T. Clark
Jason T. Clark
Sound Effects Editor
Troy Prehmus
Troy Prehmus
Visual Effects
Bhardwaj Divyanshu
Bhardwaj Divyanshu
Visual Effects
Adam Kunsberg
Adam Kunsberg
Visual Effects
Adam Maier
Adam Maier

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I couldn't catch The Call of the Wild when it premiered. Therefore, I didn't remember a single thing about it when I went to watch it yesterday at an empty screening (yei). Once again, I stayed away from trailers, but a few images popped up at the time. The CGI dog didn't look good at all. With reviews coming out and weeks passing by, I couldn't avoid concluding that most of the negative opinions are due to the "distracting animation". Knowing that the visuals would probably be disappointing compared with the story, I still watched it with moderate expectations. I'm genuinely surprised by so much negative feedback. I really enjoyed it, and it's one of my favorite films of the year, so far. Yes, it doesn't mean much, having in mind it's only March, and it will very likely not even receive an honorable mention by the year's end. Nevertheless, the supposedly distracting CGI dog (Buck) didn't bother me in the slightest. Buck might not be a perfect animated animal, but as long as people go in with the right mindset, the chances of enjoying the story are much higher. It's an animated dog. Accept it, move on, and everything will flow a lot easier. I believe it belongs in that "uncanny valley" category. Something weird might work well for some people, and horribly for the rest. I didn't mind it at all, and I go as far as saying that a few moments are elevated exclusively due to the dog's expressions. I also defend that this movie needed the CGI dog instead of a real one. It's not an ordinary dog: Buck is stronger, bigger, taller, and he has a special wild instinct that home dogs lack. To be clear: Buck isn't visually perfect. Sure, there are a few scenes where the CGI becomes too overwhelming and awkward. However, it doesn't detract from the heartfelt narrative. Buck is undoubtedly the main character. He has emotional conflicts, personal motivations, a distinct personality that changes along with his adventures, and a part of him that he needs to explore. The first half of the film is packed with action, fun, and a clear purpose. It's extremely captivating and entertaining, even if it follows the usual, predictable storylines. Good performances from Omar Sy (Perrault) and Cara Gee (Françoise) during this portion. The second half is when Harrison Ford's character (John Thornton) finally comes in (he scarcely shows up until then). From now until the end, the movie employs a slower pace, focusing on Ford's reflection about his life, and Buck's journey to find the place where he ultimately belongs. Harrison Ford delivers such a subtle, emotional performance. I can't remember the last time I saw Ford so committed to a role. John possesses a devastating, tragic past, and Buck is able to bring some joy and fulfillment into his life. For a dog lover like myself, it's such a tear-inducing, genuine, heartwarming story. The only aspect I truly dislike is, unfortunately, Dan Stevens's character (Hal). He's just an incredibly cliche, despicable "villain", who doesn't fit with the rest of the film. I love the actor, but his over-the-top display doesn't always work, and Hal suffers a lot from his exaggerated manners and expressions. In my opinion, he could have been completely removed from the movie, and it would have been a lot better. Totally unnecessary, and lazily written subplot, to be honest. Oh, and Karen Gillan (Mercedes)? I literally just discovered she was in the film as well... The Call of the Wild is one of those movies that suffer from bad trailers. People either skip it or go in with a pre-defined negative mindset. It proves that the best (and only) way to judge a film is to simply watch it. CGI Buck isn't an animated work of art, sure, but he's far from being distracting or annoying. To be honest, I feel that he elevates a lot of emotional moments. Buck is exceptionally well-written, standing out as a complex and emotionally compelling protagonist. I laughed, I cried, and I felt entertained by all of his crazy adventures. Harrison Ford delivers his best performance of the last couple of years in a slower-paced second half of the movie, after a frenetic, action-heavy first half. Dan Stevens' character is definitely the worst aspect of the story. An unnecessary, cliche, horrible "villain" with no place in the narrative. All in all, I highly recommend giving this film a chance! Avoid its trailers, accept the fact that Buck is, indeed, an animated dog, and try to enjoy the genuinely heartfelt story at its core. Rating: B+

SWITCH.

While 'The Call of the Wild' is ultimately a weak adaptation of the novel - it may be impossible to ever adapt it faithfully - it's still an okay family flick hampered by an over-reliance on CGI. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-call-of-the-wild-a-mild-journey-into-the-uncanny-valley

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