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Dr. Alan Grant

Sam Neill

Paul Kirby

William H. Macy

Amanda Kirby

Téa Leoni

Erik Kirby

Trevor Morgan

Billy Brennan

Alessandro Nivola

Mr. Udesky

Michael Jeter

Cooper

John Diehl

M.B. Nash

Bruce A. Young

Dr. Ellie Sattler

Laura Dern

Mark Degler

Taylor Nichols

Ben Hildebrand

Mark Harelik

Enrique Cardoso

Julio Oscar Mechoso

Charlie

Blake Michael Bryan

Cheryl Logan

Sarah Danielle Madison

Hannah

Linda Park

Producer

Larry J. Franco

Executive Producer

Steven Spielberg

Producer

Kathleen Kennedy

Art Direction

Doug J. Meerdink

Additional Camera

Philip Lee

Sound Designer

Christopher Boyes

Characters

Michael Crichton

Director

Joe Johnston

Writer

Peter Buchman

Writer

Jim Taylor

Original Music Composer

Don Davis

Director of Photography

Shelly Johnson

Editor

Robert Dalva

Casting

Nancy Foy

Production Design

Ed Verreaux

Stunts

Seth Arnett

Foley

Tony Eckert

Assistant Art Director

Roy Barnes

Production Illustrator

Jack Johnson

Color Timer

Jim Passon

Writer

Alexander Payne

Supervising Art Director

Greg Papalia

Sequence Supervisor

Samir Hoon

Costume Design

Betsy Cox

Set Decoration

Kate J. Sullivan

Production Manager

David Womark

Associate Producer

David Womark

Unit Production Manager

David Streit

Assistant Director

Artist W. Robinson

Production Coordinator

Stiles White

Unit Publicist

Ernie Malik

Steadicam Operator

David Chameides

Loader

Michelle Deal

Best Boy Electric

Dennis Rice

Casting

Wendy Washbrook

Researcher

Patricio M. Farrell

Costume Supervisor

Wendy M. Craig

Construction Coordinator

Steve Callas

Property Master

Brad Einhorn

Sound Effects Editor

Frank E. Eulner

Associate Producer

Cheryl A. Tkach

Visual Effects Supervisor

Craig Barron

Music Editor

Barbara McDermott

Helicopter Camera

Steven J. Winslow

Still Photographer

Zade Rosenthal

Sculptor

Yarek Alfer

Key Hair Stylist

Kathryn Blondell

Transportation Coordinator

Tommy Tancharoen

Hairstylist

Audrey L. Anzures

Supervising Sound Editor

Howell Gibbens

Script Supervisor

Brenda K. Wachel

Set Costumer

Scott R. Hankins

First Assistant Sound Editor

James Morioka

Visual Effects Producer

Mark S. Miller

Visual Effects Editor

Scott Anderson

Rigging Gaffer

Frank Dorowsky

Animation Supervisor

Danny Gordon Taylor

Art Department Coordinator

Beth Bajuk

Greensman

Craig B. Ayers Sr.

Underwater Camera

Michael Ferris

First Assistant Editor

Scott Janush

VFX Production Coordinator

Julie D'Antoni

Stunt Coordinator

Pat Romano

Video Assist Operator

Bryce Shields

Dialogue Editor

Elizabeth Kenton

Makeup Artist

Kimberly Felix

Post Production Supervisor

Lisa Rodgers

Production Sound Mixer

Thomas Causey

Special Effects Coordinator

Donald Elliott

First Assistant Camera

David Eubank

Production Supervisor

Michael J. Malone

Transportation Co-Captain

Tom Whelpey

Driver

Michael W. Broomer

Boom Operator

Jeff Porrello

Rigging Grip

Noah Behar

Production Accountant

Kathy Petty

Projection

Alan Jacques

Storyboard

Rodolfo Damaggio

Propmaker

Fred Apolito

Studio Teachers

Adria Later

Art Department Assistant

Brian Ellison

Construction Foreman

Peter Olexiewicz

Set Decoration Buyer

Lisa Alkofer

Set Designer

J. André Chaintreuil

Standby Painter

Jeffrey Thomas

Set Dressing Artist

Max Bozeman

CG Supervisor

Kevin Barnhill

Craft Service

Jamie Kehoe

Makeup Effects

Tony Buffa

Software Engineer

Ari Rapkin

Electrician

Justin Stroh

Gaffer

John Sprague

Lighting Technician

Michael K. Davis

Casting Associate

Kim Everett

Location Manager

Valerie Y.O. Kim

Digital Compositors

Julie Adrianson-Neary

Visual Effects

Brent Bowers

Visual Effects Coordinator

Adrienne Anderson

Sound Design Assistant

Doug Quinn

Sound

Frank 'Pepe' Merel

Elio Sbrocchi

E siamo al trittico jurassico, che, temiamo, diventerà un polittico. Si mescolano i nomi della ditta e il prodotto cambia, innanzitutto perché Spielberg non è più alla regia ma alla produzione, e poi perché il processo di consunzione è automatico. Insomma non si sa più cosa inventare. Così la formula vuole essere parascientifica. Su un piatto c'è la teoria, più o meno preistoricamente accreditata, di una nuova specie di dinosauri, sempre più cattivi, veloci e intelligenti. Dall'altra la "fiction", dove un padre e una madre ingaggiano uno scienziato (Neill, che si era defilato nel secondo episodio) per sorvolare l'isola dei dinosauri. Hanno promesso un sacco di soldi, in realtà stanno solo cercando il figlio disperso. Il resto è davvero già visto.