The Girl from Missouri


The Girl from Missouri

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Ψήφοι 8 (7/10)

Χρόνος εκτέλεσης: 75 λεπτά

Ημερομηνία έκδοσης 1934-08-03

Εταιρία παραγωγής:

  • Metro-Goldwyn-Mayer

Χώρα παραγωγής:

  • United States of America

Είδη:

  • Ρομαντική
  • Κωμωδία

Ρυμουλκό

Περαιτέρω πληροφορίες

Eadie
Jean Harlow
Jean Harlow
T.R. Paige
Lionel Barrymore
Lionel Barrymore
T.R. Paige, Jr.
Franchot Tone
Franchot Tone
Frank Cousins
Lewis Stone
Lewis Stone
Kitty Lennihan
Patsy Kelly
Patsy Kelly
Lord Douglas
Alan Mowbray
Alan Mowbray
Miss Newberry
Clara Blandick
Clara Blandick
Charlie Turner
Hale Hamilton
Hale Hamilton
Senator Titcombe
Henry Kolker
Henry Kolker
Life Guard
Nat Pendleton
Nat Pendleton
George - Eadie's Stepfather (uncredited)
William 'Stage' Boyd
William 'Stage' Boyd
Paige's Palm Springs Doorman (uncredited)
Francis X. Bushman Jr.
Francis X. Bushman Jr.
Miss Ulricks (uncredited)
Lita Chevret
Lita Chevret
New Bellboy with Vase (uncredited)
Douglas Fowley
Douglas Fowley
Paige's Manicurist (uncredited)
Alice Lake
Alice Lake
Screenplay
Anita Loos
Anita Loos
Art Direction
Cedric Gibbons
Cedric Gibbons
Costume Design
Adrian
Adrian
Director of Photography
Ray June
Ray June
Sound Director
Douglas Shearer
Douglas Shearer
Original Music Composer
William Axt
William Axt
Director
Jack Conway
Jack Conway
Producer
Jack Conway
Jack Conway
Screenplay
John Emerson
John Emerson
Editor
Tom Held
Tom Held
Producer
Bernard H. Hyman
Bernard H. Hyman

talisencrw

After seeing this, my third film from the 7-DVD 'Jean Harlow 100th Anniversary Collection' from Warner Archives, I'm very tempted to say, without exaggerating, that perhaps she was the first 'modern' actress (though Barbara Stanwyck and Joan Crawford would also be in the running). Her speech was very fast by that era's standard, she displayed a huge range of emotion, was incredibly sexy and was great at both comedy and drama. This was great, as she's a chorus girl from a poor family in the Midwest who wants to marry a millionaire but the right way, and without sacrificing her values in the process. At first she's not taken seriously, as she meets a wealthy banker (finely played by Lionel Barrymore) who knows what it's like to be on the poor side of the tracks, and enters his social circle. Then his playboy son (a very good performance by Franchot Tone, whom I liked best in 'Mutiny on the Bounty', his only Oscar-nominated work) takes a shine to her, unsure if she's the real thing or just another floozy. Heartily recommended. Not a great script, but it's lifted with Harlow's personality, jolly comedic relief by Patsy Kelly and a solid supporting cast, decently directed. For single-handedly saving Warner Brothers from bankruptcy just the previous year, she deserved better but this wasn't a bad showcase at all for her considerable talents.

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