뉴욕의 상류1%만이 가입할 수 있는 익명제 비밀클럽. 월스트리트, 아이비리그출신 등 상류층들로만 구성되어 있는 고객들의 섹스클럽이자 철저히 익명성을 보장하는 섹스리스트로, 전화를 통해 ‘ARE YOU FREE TONIGHT?라는 그들만의 멘트로 스케줄 확인 후, 뜨거운 원나잇 스탠드를 보내는 규칙이 존재한다. 뉴욕의 잘나가는 회계사지만 일상이 무료한 조나단(이완 맥그리거)은 사무실을 찾아온 변호사 와이어트(휴 잭맨)와 친구가 되고, 그를 통해 뉴욕 최상류층만 가입할 수 있는 비밀클럽을 알게 된다. 조나단은 스페셜 전화로 약속을 정하고 이름은 묻지 않는 채 뜨거운 관계를 갖는 이 클럽에 빠져든다. 어느 날, 지하철역에서 한눈에 반했던 여성이 비밀 클럽의 파트너로 나타나자, 조나단은 규칙을 어기고 이니셜S(미셸 윌리엄스)인 그녀와 가까워지게 된다. 하지만 함께 하룻밤을 보낸 뒤 그녀는 실종되고, 조나단은 2천만 달러를 횡령한 용의자로 지목 받게 되는데…
런타임: 107 분
출시 날짜 2008-04-24
예산: $25,000,000.00
수익: $17,741,298.00
생산 회사:
생산 국가:
장르:
Sunbeam and Bashful Boy. Deception is directed by Marcel Langenegger and written by Mark Bomback. It stars Ewen McGregor, Hugh Jackman and Michelle Williams. Music is by Ramin Djawadi and cinematography by Dante Spinotti. Jonathan McQuarry (McGregor) is a timid New York accountant who whilst working late one night meets Wyatt Bose (Jackman). Bose is the complete opposite to McQuarry, he's highly sexed, confident and supremely cool. So when a mix up with the pair's mobile phones introduces McQuarry to an exclusive sex group, he's spun into a world completely alien to him. If you have watched a lot of film noir, both classic era and neo, Deception will come off as irritatingly stale. What we have here is very much a case of the title revealing far too much! You would hope that with the makers going for broke with such a title then they would have the nous to fill out the story with surprises, take us and the principal characters down some twisty streets, not so, sadly. Within ten minutes you catch on to what is happening, the writing so poor as to not cleverly challenge the narrative drive. It could maybe be argued that McQuarry's journey, and how the character evolves, is something of a veer from the noir norm? But it has no dramatic worth and renders the finale as dull (the alternate ending is even worse). It's not a total wash out as such, the cast are engaging in their roles, good actors straining to make a weak screenplay work, while cameos from Natasha Henstridge, Charlotte Rampling and Maggie Q impact to come off as better than novelty value. And then there's Spinotti's (Manhunter, L.A. Confidential, Heat) cinematography, the best character in the play. His nighttime city scapes are electric, his colour lenses beautiful (golds and blues are poetic), his work deserves a better film. But that's about it, leaving us with a shallow noir cover version that's in search of its own identity. For those not familiar with the noir form, then this is just about average enough for a look see. For noir fans, though, it's neither erotic or thrilling and as unadventurous as it gets. 5/10