Le donne della mia vita


Le donne della mia vita

Trama:

A Santa Barbara, Dorothea Fields è una determinata madre single che a metà degli anni Cinquanta, in un momento pieno di cambiamenti culturali e ribellione, sta crescendo da sola il figlio adolescente Jamie. Per la sua educazione, Dorothea chiede l'aiuto di due giovani donne: Abbie, una artista punk dallo spirito libero, e Julie, una adolescente vicina di casa tanto esperta quanto provocante.

Voti 749 (7,4/10)

Durata: 119 minuti

Data uscita 2016-12-28

Budget: $7,000,000.00

Incassi: $5,664,764.00

Sito web: Link

Prodotto da:

  • Annapurna Pictures
  • Archer Gray
  • Modern People

Paesi:

  • United States of America

Genere:

  • Dramma

Trailer

Ulteriori Informazioni

Dorothea Fields
Annette Bening
Annette Bening
Julie Miller
Elle Fanning
Elle Fanning
Abbie Porter
Greta Gerwig
Greta Gerwig
Jamie Fields
Lucas Jade Zumann
Lucas Jade Zumann
William
Billy Crudup
Billy Crudup
Trish
Alia Shawkat
Alia Shawkat
Julian
Darrell Britt-Gibson
Darrell Britt-Gibson
Gail Porter
Thea Gill
Thea Gill
Lynette Winters
Laura Slade Wiggins
Laura Slade Wiggins
Cindy
Nathalie Love
Nathalie Love
Julie's Mother
Alison Elliott
Alison Elliott
Tim Drammer
Finn Roberts
Finn Roberts
Dorothea's Dinner Guest
Kirk Bovill
Kirk Bovill
Charlie
Waleed Zuaiter
Waleed Zuaiter
Doctor
John Billingsley
John Billingsley
Matt
Curran Walters
Curran Walters
Young Jamie
Vitaly Andrew LeBeau
Vitaly Andrew LeBeau
Mark
Cameron Gellman
Cameron Gellman
Brian
Finnegan Seeker Bell
Finnegan Seeker Bell
Tanya
Zoë Nanos
Zoë Nanos
Michelle
Lauren Foley
Lauren Foley
Bartender
Matthew Cardarople
Matthew Cardarople
Sound Designer
Frank Gaeta
Frank Gaeta
Sound Re-Recording Mixer
Frank Gaeta
Frank Gaeta
Casting
Laura Rosenthal
Laura Rosenthal
Screenplay
Mike Mills
Mike Mills
Director
Mike Mills
Mike Mills
Producer
Anne Carey
Anne Carey
Original Music Composer
Roger Neill
Roger Neill
Editor
Leslie Jones
Leslie Jones
Casting
Mark Bennett
Mark Bennett
Music Supervisor
Howard Paar
Howard Paar
ADR Voice Casting
Mark Sussman
Mark Sussman
Costume Design
Jennifer Johnson
Jennifer Johnson
Executive Producer
Chelsea Barnard
Chelsea Barnard
Director of Photography
Sean Porter
Sean Porter
Producer
Megan Ellison
Megan Ellison
Producer
Youree Henley
Youree Henley
Co-Producer
Geoff Linville
Geoff Linville
Still Photographer
Merrick Morton
Merrick Morton
Costume Supervisor
Claudia Sarbu
Claudia Sarbu
Sound Re-Recording Mixer
Rick Ash
Rick Ash
Aerial Coordinator
Craig Hosking
Craig Hosking
Camera Operator
Michael Merriman
Michael Merriman
Foley
Guy Francoeur
Guy Francoeur
Makeup Artist
Erin Ayanian
Erin Ayanian
Hair Department Head
Shandra Page
Shandra Page
Co-Producer
Jillian Longnecker
Jillian Longnecker
Camera Operator
Jason Oldak
Jason Oldak
Still Photographer
Bonnie Osborne
Bonnie Osborne
ADR Voice Casting
Patty Connolly
Patty Connolly
Key Hair Stylist
Vanessa Price
Vanessa Price
Key Costumer
Bridgitte Ferry
Bridgitte Ferry
Aerial Director of Photography
Dwayne McClintock
Dwayne McClintock
Animal Coordinator
Debbie Pearl
Debbie Pearl
Set Decoration
Aimee Athnos
Aimee Athnos
Seamstress
Jessica R. Lawson
Jessica R. Lawson
Makeup Department Head
Jorjee Douglass
Jorjee Douglass
First Assistant Camera
Ryan Mhor
Ryan Mhor
Music Editor
Michael Baber
Michael Baber
Foley
Jo Caron
Jo Caron
Script Supervisor
Julia Schachter
Julia Schachter
Associate Producer
Andrea Longacre-White
Andrea Longacre-White
Production Design
Chris Jones
Chris Jones
Set Decoration
Neil Wyzanowski
Neil Wyzanowski
Boom Operator
Eva Rismanforoush
Eva Rismanforoush
Property Master
Perry Pascual
Perry Pascual
Assistant Costume Designer
Petra Larsen
Petra Larsen
Set Costumer
Corinne Eckart
Corinne Eckart
Still Photographer
Gunther Campine
Gunther Campine
Key Makeup Artist
Jacqueline Knowlton
Jacqueline Knowlton
First Assistant Editor
Jason F. Voss
Jason F. Voss
Production Coordinator
Wednesday Standley
Wednesday Standley

iheardthatmoviewas

The year is 1979 and Dorothea Fields finds herself in her 50s raising a teenage boy, Jaime, while running a house in Santa Barbara that is always going through renovations. Jaime’s father is not in the picture but who needs a father when your mother rents rooms to a handful of particular individuals ranging from different generations. Director Mike Mills casts three powerful actresses, Annette Bening, Greta Gerwig and Elle Fanning, to fill the roles of the different women in Jaime’s life and they help create three compelling female characters that pulls you in. The problem? These three exceptional characters are subsided for a coming-of-age narrative that fails to compare to the women that help raised it. > Set in Santa Barbara, the film follows Dorothea Fields (Annette Bening), a determined single mother in her mid-50s who is raising her adolescent son, Jamie (newcomer Lucas Jade Zumann, in a breakout performance) at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women in Jamie's upbringing - via Abbie (Greta Gerwig), a free-spirited punk artist living as a boarder in the Fields' home, and Julie (Elle Fanning), a savvy and provocative teenage neighbor. Being a single parent is tough, it is even tougher when your son is a teenager dealing with romances, the freeing energy of punk music and playing games which entails panting real hard while someone pulls on their diaphragm. After a trip to the hospital, Annette Bening’s Dorothea realizes she might not be able to raise her son by herself and requests the aide of the different women in Jaime’s life. Dorothea does not need help with the physical needs of raising a child in providing shelter and nutrition but the psychological needs of raising in a child in providing the knowledge about life, women and what it means to be a man. Each female was born in a different generation and dealing with their own issues that life has handed them and this leads to Jaime becoming that much more confused about life. Annette Bening is absolutely fantastic as Dorothea and you grow a connection with her because Dorothea isn’t developed as a motherly character but as a human. It isn’t all Dorothea’s fault as she was raised during the Depression as Jaime loves to points out. She put a barrier around her and her son when his father left and this is shown through her moments of conservatisms despite being a free spirit of sorts. She tasks these females with a job that she should be doing but that doesn’t mean she is taking a step from the spotlight. She joins them to a trip to a punk rock club so she could not only understand her son but these females as well. The first to tackle the challenge of raising Jaime is Greta Gerwig’s Abbie who is influenced by feminism, punk music and photography. Abbie uses the first two influences to help guide Jaime into an understanding of what it means to be a man. As titles such as Our Bodies, Our Selves and Sisterhood is Powerful find a way onto Jaime’s lap and words such as clitoris stimulation and menstruating find a way into Jaime’s ears, Abbie’s attempts to help Jaime define what a man is by allowing herself define herself through a the perceptive of past males in her life. This is a trend that could be found in all three women as Ellie Fanning’s Julie uses her promiscuity to rebel against her therapist mother and the world. Ellie, who is closest to Jaime’s age, is the last one to tackle the task given to her and if she wasn’t already sneaking into Jaime’s bed every night, she probably would have avoided the task altogether. Jaime yearns for Ellie and she informs him that he just wants the idea of her. Jaime is confused, after all he is a teenage boy, and all the hormones and feminist literature is not helping. The definition of what a man and woman is changes every generation. My great grandfather would tell me that a man buys a woman flowers, write her love letters and a bunch of other things males in 2016 no longer consider tasks a man does. Three different females are attempting to define these terms through the scope of their generation and how their generation saw it and unfortunately, majority of those definitions are no longer validated for Jaime’s generation. 20th Century Women takes things one step further and gives us backstories and what is to come of everyone living within the house. There is no real problem with this except for the fact that these backstories don't offer any real reflection which adds to the frustration that the film does not have an arc, well not one I could point out. At one point, I thought the film was concluding as we learn what is to come of Dorothea early on. I was later surprised that there was still an hour left within the film. Dabbled with nostalgia, 20th Century Women would have made for a better coming-of-age if the film decided to follow our titular women than just a boy that connected the three together.

Reno

**Rather a 20th century tale!** You have seen films like this often. This is where a chick film meets art. Art means not the flick full of inspiration, message, awareness. But the presentation was so pleasant. The screenplay carefully picked the right events, and the dialogues were good. The book fanatics would go and look for the original source it was adapted from. But the truth is it was an originally written screenplay, and that's why it got a nomination at the recent Oscars. Another way to say, it inspired by the director's own childhood life, being raised by his mother and sister. This is the story of a single mother, whose teenage son is struggling to blend with the world. Then they have two roommates, one a woman in her 20s and a middle aged man. Beside a girl of her son's age visits regularly and sometimes secretly. So how all these people influence in the boy's life is the story that revealed. His mother being from different generation and not understanding the present world, which was the year 1979, where the film sets in. From the director of 'Beginners', yet another unique film. Thematically there's nothing special, though it was carved with the excellent bunch of actors made the difference. I'm not sure the title was perfect for what the film narrated. Yes, if it was Annette Bening's Dorothea's story, then it justifies. But the story does not have one perspective of narration. All the main characters like Bening, Elle, Greta, Crudup and Zumann, shared screen equally. So, instead I would have preferred the title, '20th Century Tale'. Greta kind of reminded me Kristen Stewart with the hair like that. Two hours long drama with some funs. Really a good film. The topics it brings in for discussion were interesting, especially which is in the current era. Films like this should be watching. It is about the life, people with different characters and ambitions. _7/10_

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