Kronika


Kronika

Przegląd:

Trzech przyjaciół nieoczekiwanie zyskuje niezwykłe moce, stawiające przed nimi możliwości, o których zwykli ludzie mogą tylko marzyć. Czy są przygotowani, by z nich skorzystać? W rolach głównych: Dane DeHaan (serial TV ”Czysta krew”) i Michael Kelly (”Władcy umysłów”). [opis dystrybutora dvd]

Głosów 3741 (6,7/10)

Czas działania: 84 minut

Data wydania 03.02.2012

True

Budżet: $15,000,000.00

Dochody: $145,000,000.00

Dewiza: Nie wszyscy bohaterowie są super.

Produkcji firmy:

  • Dune Entertainment
  • Davis Entertainment
  • Adam Schroeder Productions
  • 20th Century Fox

Kraj produkcji:

  • United States of America

Gatunki:

  • Sci-Fi
  • Dramat
  • Thriller

Przyczepa

Dalsze informacje

Andrew Detmer
Dane DeHaan
Dane DeHaan
Matt Garetty
Alex Russell
Alex Russell
Steve Montgomery
Michael B. Jordan
Michael B. Jordan
Richard Detmer
Michael Kelly
Michael Kelly
Monica
Anna Wood
Anna Wood
Casey Letter
Ashley Grace
Ashley Grace
Michael Ernesto
Joe Vaz
Joe Vaz
Samantha
Crystal-Donna Roberts
Crystal-Donna Roberts
Sean
Luke Tyler
Luke Tyler
Karen Detmar (voice)
Daisy Tormé
Daisy Tormé
Austin (voice)
Matt Nolan
Matt Nolan
Park Ranger (voice)
Popeye Vogelsang
Popeye Vogelsang
Police Officer (voice)
Steve Kramer
Steve Kramer
School Flyer Girl (voice)
Ashley Peldon
Ashley Peldon
Priest (voice)
Paul Pape
Paul Pape
Thug (voice)
Jeff Fischer
Jeff Fischer
Howard (voice)
Byron Thames
Byron Thames
Casting
Ronna Kress
Ronna Kress
Producer
John Davis
John Davis
Supervising Art Director
Johnny Breedt
Johnny Breedt
Production Design
Stephen Altman
Stephen Altman
Sound Re-Recording Mixer
Tony Lamberti
Tony Lamberti
Set Decoration
Fred Du Preez
Fred Du Preez
Costume Design
Diana Cilliers
Diana Cilliers
Producer
Adam Schroeder
Adam Schroeder
Executive Producer
James Dodson
James Dodson
Director of Photography
Matthew Jensen
Matthew Jensen
Screenplay
Max Landis
Max Landis
Story
Max Landis
Max Landis
Foley
James Moriana
James Moriana
Foley
Jeffrey Wilhoit
Jeffrey Wilhoit
Screenplay
Josh Trank
Josh Trank
Director
Josh Trank
Josh Trank
Editor
Elliot Greenberg
Elliot Greenberg
Digital Intermediate
Paul Lavoie
Paul Lavoie
Sound Re-Recording Mixer
Joe Barnett
Joe Barnett
Sound Effects Editor
Kerry Ann Carmean
Kerry Ann Carmean
Visual Effects Supervisor
Sean Findley
Sean Findley
Visual Effects Supervisor
Robert Habros
Robert Habros
Visual Effects Supervisor
Simon Hansen
Simon Hansen
Visual Effects Supervisor
Andrew Karr
Andrew Karr
Visual Effects
Sergey Muraviev
Sergey Muraviev
Publicist
Dezi Rorich
Dezi Rorich
Camera Operator
Peter Belcher
Peter Belcher
Visual Effects Supervisor
Bryan Godwin
Bryan Godwin
Sound Designer
Tim Walston
Tim Walston
Sound Designer
Karen Vassar Triest
Karen Vassar Triest
Visual Effects Producer
Alexandr Gorokhov
Alexandr Gorokhov
Makeup Department Head
Megan Tanner
Megan Tanner
Hair Department Head
Megan Tanner
Megan Tanner
Visual Effects Supervisor
Dennis Sedov
Dennis Sedov
Visual Effects Editor
John Berri
John Berri
First Assistant Editor
Matt Tassone
Matt Tassone
Still Photographer
Alan Markfield
Alan Markfield
Visual Effects Art Director
Chris Grun
Chris Grun
Location Manager
Danny McWilliams
Danny McWilliams
Art Direction
Patrick O'Connor
Patrick O'Connor
Hairstylist
Simone Stubbs
Simone Stubbs
Hairstylist
Francesca Van Der Feyst
Francesca Van Der Feyst
Production Manager
Marisa Soneman
Marisa Soneman
Production Manager
Drew Locke
Drew Locke
Art Department Coordinator
Andrew Sheel
Andrew Sheel
Assistant Art Director
Cecelia van Straaten
Cecelia van Straaten
Greensman
Clint Gordon
Clint Gordon
Property Master
Willow Howell
Willow Howell
Leadman
Michael Rossouw
Michael Rossouw
Set Designer
Vivienne Gray
Vivienne Gray
Visual Effects Editor
Simon Assekritov
Simon Assekritov
Visual Effects Producer
Sergei Gritsenko
Sergei Gritsenko
Visual Effects Producer
Victoria Plis
Victoria Plis
Visual Effects Producer
David Van Dyke
David Van Dyke
Visual Effects Producer
Balakrishnan
Balakrishnan
Visual Effects Supervisor
Raymond Chen
Raymond Chen
Stunt Coordinator
Kerry Gregg
Kerry Gregg
Second Unit Cinematographer
Grant Appleton
Grant Appleton
Camera Operator
Dale Rodkin
Dale Rodkin
Gaffer
J.S. Mackay
J.S. Mackay
Rigging Gaffer
Tell Reid
Tell Reid
First Assistant Editor
Tessa Verfuss
Tessa Verfuss
Music Editor
Terry Wilson
Terry Wilson
Transportation Coordinator
David Halliday
David Halliday
Picture Car Coordinator
Iain McGreer
Iain McGreer
Script Supervisor
Lorna Bennet
Lorna Bennet
Location Manager
Robert Bentley
Robert Bentley
Animation
Andrew Malesky
Andrew Malesky
Visual Effects Producer
Julie D'Antoni
Julie D'Antoni
Visual Effects Editor
Darren Griffiths
Darren Griffiths
Supervising Sound Editor
Kelly Oxford
Kelly Oxford
Music
Youssef Guezoum
Youssef Guezoum

LastCaress1972

Awkward loner Andrew (Dane DeHaan, soon to appear as Harry Osborn in The Amazing Spider-Man 2) is invited by his more affable cousin Matt (Alex Russell, Bait, Carrie) to go to a party, to help cheer him up. Andrew has problems at home; his mother is dying of cancer, the cost of her medication has become prohibitive, and his dad is an abusive drunk. Andrew brings with him the bulky old video camera he's been using of late to document... I dunno, the misery of his life I suppose. Anyway, once at the party Matt, mildly embarrassed by his cousin following him around with a camera, peels off away from Andrew to hang with some of the cooler kids, including the impossibly popular but genuinely decent Steve (Michael B. Jordan, The Wire, Friday Night Lights). The camera causes further problems for Andrew and he's unceremoniously ejected from the party. He's found outside by the aforementioned Steve, and invited to come with him and Matt to check out a weird hole in the ground in the woods nearby (elements of the party had spilled outside into the darkness, as these things do from time to time). Andrew, Matt and Steve venture down this hole, which turns out to be more of a tunnel, leading to... what is that? A space rock of some sort? Something mineral, and glowing, and a bit scary. Upon exiting the hole, the trio find that they possess mild levels of telekinesis, the ability to move objects with their minds. They also find that with practice, they can strengthen that ability. They soon graduate from levitating Lego bricks to flying through the air. Andrew proves to be particularly adept with this new "talent", and that proves to be problematic, because where Matt and Steve are content to limit their telekinetic use to mild pranks and perhaps flying somewhere interesting on holiday, Andrew's home life, general isolation and subsequent mood swings as a result of each cause him to want to embrace his power - and for him, it's grown into a potentially deadly power, now - in altogether different ways indeed. With Chronicle, writer Max Landis (son of John "An American Werewolf in London" Landis) and director Josh Trank have taken some fairly tired areas (cinéma vérité, superhero origin tales) and made something decent and fresh with them, for comparatively little money (budget was $12m apparently, looks like five times that). It's not a perfect film - the first-person narrative's need to justify its camera angles leads to one or two bum notes despite the fairly ingenious device of having Andrew telekinetically "float" the camera around behind him; some of Andrew's worst rages during the second act - including one with devastating consequences - seem badly disproportionate to the infraction, disconnecting us from the character (though perhaps that's the idea); and the abusive father (Michael Kelly, Dawn of the Dead, Did You Hear About the Morgans?) seems unrealistically so. But these are things I thought about after having seen the movie. The movie's tone and pace, and the performances of the three newly-empowered young men particularly, carry the movie very well right to the brisk 78th minute end (minus the credits). Recommended.

Per Gunnar Jonsson

Why this movie seem to get a lot of 7 and above ratings is beyond me. It’s certainly not my cup of tea. The three high school friends are behaving annoyingly stupid, reckless and irresponsibly. Only one of them is showing any sign of intelligence. One of them is just silly and the other one is a nutcase. Of course the film actually revolves around the nutcase. It starts of kind of okay with the three friends finding this glowing alien thing which gives them superpowers and there are some mildly funny scenes when they experiment with them. After that it spirals out of control when the nutcase goes more and more insane. I can live with the drama and bizarre behaviours if the movie would have had some other redeeming factors such as imagery or acting but none of it is present here. Rather the inverse since the film shot in this wobbling-about handycam/documentary style which I really do not like. I’m afraid that I found this movie not very entertaining.

Kamurai

Great watch, will watch again, and can recommend. I am partial to found footage style of shooting, so I understand if that's not for you. Dane DeHaan does a lot of the heavy lifting in this movie, but Michael B. Jordan is right behind him, alongside Alex Russell. It is almost literally just these 3 guys filming each other as they gain, experiment, and grow their supernatural abilities. There are some supporting cast, but they're more there as plot devices, and another camera angle. Found footage is not easy to do, which is why everyone complains about it. This is a very natural feeling movie with some dark aspects too it. I really think you can feel when the mood changes in this movie. It also brings up some great points on the "reality" of if people gained super powers. While most people would claim to be Captain America, the reality is that people tend to do whatever they can get away with, so creating a checks and balances with one's co-supernaturals makes sense, but the reality is enforcing that turns it into super "hero" versus super "villain". Surprisingly, this movie reminds a little bit of "Hancock", but probably not quite as good, mostly just different. If you like dark, edgy super power stuff or found footage, give it a go.

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