Take This Waltz


Take This Waltz

Przegląd:

Margot jest znużona swoim pięcioletnim małżeństwem. Pewnego dnia poznaje Daniela i od razu się w nim zakochuje.

Głosów 187 (6,5/10)

Czas działania: 114 minut

Data wydania 2011-11-25

Strona internetowa: Link

Produkcji firmy:

  • Joe's Daughter

Kraj produkcji:

  • Canada
  • Japan
  • Spain

Gatunki:

  • Dramat
  • Komedia

Przyczepa

Dalsze informacje

Margot
Michelle Williams
Michelle Williams
Lou Rubin
Seth Rogen
Seth Rogen
Daniel
Luke Kirby
Luke Kirby
Geraldine
Sarah Silverman
Sarah Silverman
Aaron Rubin
Aaron Abrams
Aaron Abrams
Karen
Jennifer Podemski
Jennifer Podemski
James
Graham Abbey
Graham Abbey
Tony
Vanessa Coelho
Vanessa Coelho
Danielle Miller
Danielle Miller
Diane D'Aquila
Diane D'Aquila
Director
Sarah Polley
Sarah Polley
Producer
Sarah Polley
Sarah Polley
Writer
Sarah Polley
Sarah Polley
Set Decoration
Steve Shewchuk
Steve Shewchuk
Original Music Composer
Jonathan Goldsmith
Jonathan Goldsmith
Director of Photography
Luc Montpellier
Luc Montpellier
Art Direction
Aleksandra Marinkovich
Aleksandra Marinkovich
Producer
Susan Cavan
Susan Cavan
Editor
Christopher Donaldson
Christopher Donaldson
Costume Design
Lea Carlson
Lea Carlson
Casting
Jason Knight
Jason Knight
Casting
John Buchan
John Buchan
Supervising Sound Editor
Jane Tattersall
Jane Tattersall
Music Supervisor
Jody Colero
Jody Colero
Hair Department Head
David R. Beecroft
David R. Beecroft
Makeup Department Head
Leslie A. Sebert
Leslie A. Sebert
Production Design
Matthew Davies
Matthew Davies
Dialogue Editor
David McCallum
David McCallum
Sound Re-Recording Mixer
Lou Solakofski
Lou Solakofski
Script Supervisor
Dug Rotstein
Dug Rotstein
Music Editor
Kevin Banks
Kevin Banks
Still Photographer
Michael Gibson
Michael Gibson
Stunt Coordinator
Alison Reid
Alison Reid
Script Supervisor
Samantha Armstrong
Samantha Armstrong
Camera Operator
Sean Jensen
Sean Jensen
Steadicam Operator
Sean Jensen
Sean Jensen
Sound mixer
John J. Thomson
John J. Thomson
Line Producer
D.J. Carson
D.J. Carson
Sound Re-Recording Mixer
Kirk Lynds
Kirk Lynds
Sound Effects Editor
Kathy Choi
Kathy Choi
Gaffer
Terry Kelly
Terry Kelly

furious_iz

A slow burn of a film about the reality of love, marriage, insecurity and the grass being greener on the other side of the fence. Written and directed by Sarah Polley, this film tells the story of Margot, an ostensibly happily married woman who's eye begins to wander when she meets the charming artist/rikshaw driver across the street. Margot is excellently played by Michelle Williams. She is an interesting mix of quietly confident, insecure, unfulfilled dreamer who doesn't know what she wants from her life. Her husband Lou is played by Seth Rogen in an understated dramatic performance, even if his character is a little thin and 2 dimensional at times. The new love interest Daniel is played by Luke Kirby, and he's kind of the male version of the manic pixie dream girl, except he's all confidence, charm, smouldering intensity and artistic earthiness. Just don't ask how he can pay his rent pulling rikshaws for a living. He's an unrealistic dream character that is there to serve as a distraction and make Margot question her marriage. The film really is all about Margot, and she is great character. She really feels like an actual person, slightly annoying at times, well intentioned, good at embarrassing herself and generally not able to cope with a life that lacks any purpose. Her relationship with Lou feels real when dealing with the minutiae of day to day life. They have silly couple games and favourite ways of annoying each other. Sadly Lou's obtuse nature doesn't feel realistic all of the time. Margot is needy and Lou doesn't know how to deal with that neediness, so he just focuses on the task at hand. They've been married for 5 years, and it can't be just now that Margot's neediness has surfaced, so his inability to even connect with her or console her is one of the few parts of the film that feels unrealistic. Maybe we're supposed to think this neediness is a new thing that has sprung up since Margot has become tempted, but that doesn't ring true to me. The other true star of this film is the city of Toronto. Polley makes it look vibrant and colourful and a place I would like to see for myself. This film isn't for everyone. It has some shortcomings that can't be ignored, and some of the subject matter might irritate people. But where it fails a bit on an intellectual level it makes up for on an emotional level and an artistic level. It really is a beautifully shot film, that deserves a watch if you enjoy romantic dramas. 7/10

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