Koyaanisqatsi


Koyaanisqatsi

Trama:

Il film non ha né trama né dialogo. Si tratta di un collage di vari filmati, spesso accelerati o rallentati, che vogliono principalmente raffigurare lo sviluppo della civiltà attuale così come la conosciamo noi. Il film guida lo spettatore attraverso un viaggio che inizia con la natura per passare successivamente all'intervento dell'uomo e diventa sempre più frenetico, il tutto sottolineato da una colonna sonora minimalista.

Voti 376 (8/10)

Durata: 83 minuti

Data uscita 1983-11-10

Incassi: $1,723,872.00

Tagline: Fino ad ora, non hai mai visto veramente il mondo in cui vivi.

Prodotto da:

  • IRE Productions
  • Santa Fe Institute for Regional Education

Paesi:

  • United States of America

Genere:

  • Documentario

Trailer

Ulteriori Informazioni

Self (archive footage) (uncredited)
Marilyn Chambers
Marilyn Chambers
Self (archive footage) (uncredited)
Lou Dobbs
Lou Dobbs
Self (archive footage) (uncredited)
Ted Koppel
Ted Koppel
Executive Producer
Francis Ford Coppola
Francis Ford Coppola
Original Music Composer
Philip Glass
Philip Glass
Music
Philip Glass
Philip Glass
Sound Effects
Randy Thom
Randy Thom
Screenplay
Michael Hoenig
Michael Hoenig
Screenplay
Godfrey Reggio
Godfrey Reggio
Director
Godfrey Reggio
Godfrey Reggio
Producer
Godfrey Reggio
Godfrey Reggio
Screenplay
Ron Fricke
Ron Fricke
Director of Photography
Ron Fricke
Ron Fricke
Editor
Ron Fricke
Ron Fricke
Sound Mixer
Steve Maslow
Steve Maslow
Screenplay
Alton Walpole
Alton Walpole
Editor
Alton Walpole
Alton Walpole

Peter M

This is an art film of sorts, eschewing dialogue or narration or a recognizable plot for a visual and musical banquet of images and scenes. So if you are into art films (or want to appear like you are), this is the film for you. The photographic techniques remind me of nature films, which may not be a coincidence since the subject matter seems to Focus on what is seen as being against nature. So it is all here: explosions and collapsing of buildings, a bridge, about five times, even what looked like a nuclear blast; then time lapse photography of city and highway traffic and masses of people walking; plus slow motion clips of masses of people walking; and shots of tenements and abandoned building and kids playing in water from fire hydrants — well, you get the idea. I like Philip Glass’s music, but there were times I didn’t think what they used quite fit what was being shown on the screen. But like he apparently told the producers more than once before they convinced him to take it on, movie scores weren’t his thing. So as the William Hurt character says in The Big Chill, just let the art flow over you. If nothing else, check out the dress and hair styles of folks in the wacky 1980s!

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