Le crime de l'Orient-Express


Le crime de l'Orient-Express

Vue d’ensemble :

En décembre 1935, le célèbre train de l'Orient-Express quitte Istanbul à destination de Calais, qu'il atteindra au terme de trois jours de voyage. Pressé de rentrer à Londres, Hercule Poirot, le détective belge, a pu trouver une place au tout dernier moment. Le train s'ébranle. L'un des passagers, Ratchett, un riche Américain, vient trouver Hercule Poirot et lui raconte qu'une terrible menace pèse sur sa propre personne. Au matin, Ratchett est retrouvé mort, le corps lardé de coups de couteau. L'assassin est forcément parmi les voyageurs puisque le wagon à destination de Calais est verrouillé et séparé du reste du train. C'est alors qu'Hercule Poirot entre véritablement en scène, à la recherche du moindre indice qui lui permettrait de retrouver la trace du meurtrier...

Votes 687 (7,2/10)

Duree : 130 minutes

Date de sortie 16/04/1975

True

Chiffre d’affaires : $27,634,716.00

Société de production :

  • EMI Films
  • G.W. Films
  • Paramount

Pays de production :

  • United Kingdom

Genres :

  • Drame
  • Thriller
  • Mystère

Remorque

Plus d’informations

Hercule Poirot
Albert Finney
Albert Finney
Mrs. Harriet Belinda Hubbard
Lauren Bacall
Lauren Bacall
Signor Bianchi
Martin Balsam
Martin Balsam
Greta Ohlson
Ingrid Bergman
Ingrid Bergman
Countess Andrenyi
Jacqueline Bisset
Jacqueline Bisset
Pierre Paul Michel
Jean-Pierre Cassel
Jean-Pierre Cassel
Colonel Arbuthnot
Sean Connery
Sean Connery
Mr. Beddoes
John Gielgud
John Gielgud
Prinzessin Dragomiroff
Wendy Hiller
Wendy Hiller
Hector MacQueen
Anthony Perkins
Anthony Perkins
Mary Debenham
Vanessa Redgrave
Vanessa Redgrave
Mr. Ratchett
Richard Widmark
Richard Widmark
Count Andrenyi
Michael York
Michael York
Mr. Cyrus Hardman
Colin Blakely
Colin Blakely
Hildegarde Schmidt
Rachel Roberts
Rachel Roberts
Doctor
George Coulouris
George Coulouris
Foscarelli
Denis Quilley
Denis Quilley
Concierge
Vernon Dobtcheff
Vernon Dobtcheff
A.D.C.
Jeremy Lloyd
Jeremy Lloyd
Chief Attendant
John Moffatt
John Moffatt
Director of Photography
Geoffrey Unsworth
Geoffrey Unsworth
Director
Sidney Lumet
Sidney Lumet
Editor
Anne V. Coates
Anne V. Coates
Sound Editor
Jonathan Bates
Jonathan Bates
Screenplay
Paul Dehn
Paul Dehn
Makeup Artist
Charles E. Parker
Charles E. Parker
Art Direction
Jack Stephens
Jack Stephens
Original Music Composer
Richard Rodney Bennett
Richard Rodney Bennett
Sound
Bill Rowe
Bill Rowe
Novel
Agatha Christie
Agatha Christie
Makeup Artist
Stuart Freeborn
Stuart Freeborn
Production Design
Tony Walton
Tony Walton
Costume Design
Tony Walton
Tony Walton
Producer
John Brabourne
John Brabourne
Producer
Richard B. Goodwin
Richard B. Goodwin
Production Manager
Jack Causey
Jack Causey
Makeup Artist
John O'Gorman
John O'Gorman
Hair Supervisor
Ramon Gow
Ramon Gow
Unit Manager
Jim Brennan
Jim Brennan
Sound
Peter Handford
Peter Handford
Wardrobe Supervisor
Brenda Dabbs
Brenda Dabbs
First Assistant Director
Ted Sturgis
Ted Sturgis

John Chard

All star cast deliver an Agatha Christie adapted treat. Murder on the orient Express is directed by Sidney Lumet and adapted to screenplay by Paul Dehn from the novel of the same name written by Agatha Christie. It stars Albert Finney, Lauren Bacall, Sean Connery, Ingrid Bergman, Michael York, Vanessa Redgrave, Richard Widmark, Anthony Perkins, Martin Balsam, Jacqueline Bisset and John Gielgud. Music is by Richard Rodney Bennett and photography by Geoffrey Unsworth. 1935 and the Orient Express is on route from Istanbul to London. On board is legendary Belgian detective Hercule Poirot. He is called into investigative action when a passenger is found brutally stabbed to death, just as the train is ground to a halt due to heavy snow. This will not be easy for it's a case where any number of the passengers appear to have links to the deceased. The best of the big screen adaptations of Christie's Poirot works, "Orient Express" is given a consummate sheen by director Lumet and his all star cast. Finney's Poirot has a hard edge to him, which is perfectly in keeping with the story that unfolds. From the beginning, which brings a sad and potent piece of news to our viewing experience, right to the Poirot deconstruction of the crime-perpetrator-motive sequence, picture has dark tints framing the array of thespians gathered for the occasion. The setting is gorgeous, but the confines of the period train add credible claustrophobic tension to the plot, and the reveal, while not surprising to the observant, is still a doozy that is given added emotional heft by a neat character development. Darker than you may expect, but still a bunch of fun to be had playing spot the star and deducing who has done the foul deed. 8/10

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