Dirk Pitt
Matthew McConaughey
Admiral Jim Sandecker
William H. Macy
General Zateb Kazim
Lennie James
Yves Massarde
Lambert Wilson
Dr. Frank Hopper
Glynn Turman
Captain Tombs
Robert Cavanah
Train Driver
Christopher Bello
Ambassador Polidori
Patrick Malahide
Gunboat 1 Officer
Nicholas Beveney
Pick Up Truck Guard
Empotoe Bosage
1st Lieutenant, Ironclad
Matthew Flynn
Tuareg Village Boy #1
Ouahbou Houcine
Kazim's Officer Asselar
Emmanuel Ighodaro
Tuareg Sangare
Daniel Njo Lobé
Fuse Cutter
Francis Magee
Pick Up Truck Driver
Thierno Amath Mbaye
Modibo's Tuareg #2
Femi Ogunbanjo
Gun Captain
Nathan Osgood
Tuareg Village Boy #2
Lahcen Ouezgane
NUMA Crew Member
Robert Paterson
Azikiwe Nwokolo
Tosin Sanyalo
Pilot, Ironclad
Christopher Saul
Powder Monkey
Billy Seymour
Solar Plant Guard
Mark Springer
Old Woman in Labbezanga
Celestine Vita
Sailor Who Drops Gold
Mark Wells
Set Decoration
Anna Pinnock
Director of Photography
Seamus McGarvey
Producer
Stephanie Austin
Co-Producer
William H. Brown
Costume Design
Anna B. Sheppard
Original Music Composer
Clint Mansell
Executive Producer
Matthew McConaughey
Production Design
Allan Cameron
Art Direction
Tony Reading
Art Direction
Giles Masters
Special Effects Technician
Adam Aldridge
Co-Producer
Henning Molfenter
Script Supervisor
Jean Bourne
Sound Effects Editor
Mark Auguste
Co-Producer
Thierry Potok
Sound Designer
Leslie Shatz
Prosthetic Designer
Neill Gorton
Screenplay
Thomas Dean Donnelly
Screenplay
John C. Richards
Producer
Karen Elise Baldwin
Second Unit Director
E. J. Foerster
Orchestrator
Nicholas Dodd
Stunt Coordinator
Lee Sheward
Executive Producer
William J. Immerman
Line Producer
Chris Thompson
Co-Producer
Mike Phillips
Co-Producer
Denise O'Dell
Production Assistant
Ben Pugh
Camera Trainee
Susan Luciani
Associate Producer
Lis Kern
Production Manager
Scott Thaler
Line Producer
Scott Thaler
Associate Producer
Andrew Reif
Executive Producer
Gus Gustawes
First Assistant Director
Christopher Newman
Assistant Art Director
Marc Homes
Dolby Consultant
James Seddon
Visual Effects Supervisor
Mara Bryan
Special Effects Coordinator
Carmila Gittens
Foley Artist
Felicity Cottrell
Aerial Director of Photography
John Marzano
First Assistant Sound Editor
Paul Apted
First Assistant Editor
Tom Harrison-Read
Art Department Coordinator
Anna Skrein
Makeup Artist
Whitney James
Digital Intermediate Producer
Marcus Alexander
Apprentice Sound Editor
Sze-Wun Li
Visual Effects Producer
Tim Keene
Still Photographer
Keith Hamshere
Matte Painter
Neil Miller
Prosthetic Makeup Artist
John Cormican
Wardrobe Supervisor
Daryl Bristow
Supervising Sound Editor
Nigel Mills
Assistant Camera
Steve Brooke Smith
Costume Supervisor
Cristina Sopeña
Visual Effects Coordinator
Charles Howell
Makeup Artist
Karen Dawson
Hairstylist
Martin Samuel
Unit Publicist
Susan d'Arcy
Executive Producer
Vicki Dee Rock
Assistant Costume Designer
Jane Clive
Location Scout
David Manzanares
Hair Assistant
Kathy Ducker
Pyrotechnician
Conor Coughlan
Stunt Double
Guiomar Alonso
Special Effects Supervisor
Dominic Tuohy
Standby Painter
Paul Couch
Hair Designer
Aileen Seaton
Aerial Coordinator
Marc Wolff
Dialect Coach
Brendan Gunn
Second Assistant Director
Ben Howarth
Screenplay
Joshua Oppenheimer
Scenic Artist
Stuart Clarke
ADR Recordist
Alexander Beddow
ADR Voice Casting
Vanessa Baker
Additional Script Supervisor
Kathy Hughes
Dialogue Editor
Philip Alton
Sound Recordist
Antonio Bloch
Music Supervisor
Lindsay Fellows
Production Accountant
Sophie Drouin
Title Designer
Matt Curtis
Storyboard Artist
Temple Clark
Assistant Production Coordinator
Usha Chaman
Additional Sound Re-Recording Mixer
David Raines
Assistant Set Dresser
Sylvia Steinbrecht
Supervising Carpenter
Stephen Challenor
Visual Effects Editor
Gavin Buckley
Art Department Assistant
Saskia Green
Painter
Bradley Woodbridge
First Assistant Camera
Nigel Permane
Carpenter
Stephen McGregor
Clapper Loader
Stephen Evans
Set Production Assistant
Karim Khakahni
Technical Supervisor
David Hyde
Unit Production Manager
Hafid Balafrej
Best Boy Electric
Peter Chester
Rigging Gaffer
Gavin Walters
Location Manager
Bill Barringer
Production Coordinator
Katryna Samut-Tagliaferro
Digital Compositors
Richard Briscoe
Additional Second Assistant Director
Tarik Ait Ben Ali
Executive Assistant
Diane Conn
Negative Cutter
Mark Wright
Costume Illustrator
Silvana Sacco
Focus Puller
Tim Battersby
Second Assistant Camera
Rodrigo López
Costume Assistant
Lahcen Abbana
Assistant Location Manager
Mustapha Adidou
Second Second Assistant Director
Luis Casacuberta
Second Assistant Accountant
Kristine Bochum
Construction Buyer
Jack Dyer
Costume Mistress
Marta Ortega Gonzalez
Third Assistant Director
Tom Glaisyer
Dressing Prop
Stephen Conway
Graphic Designer
Toby Glover
Special Props
Scott MacIntyre
Wardrobe Assistant
Gary Lane
Wardrobe Master
Peter Hornbuckle
Post Production Coordinator
Christopher Russell
Location Assistant
Elabdi Abdelhadi
Location Coordinator
Naima Alaoui
Assistant Accountant
Ahmed Achouba
Generator Operator
Larry Knox
Health and Safety
Michael Conran
Production Executive
Jan Hogevold
Production Runner
Ahmed Hajji
Production Secretary
Mercedes Barbod
Kamurai
Decent watch, might watch again, but can't recommend unless you're running out of things to watch or are an action archaeology fan.
This was a weird attempt created a 2005 version of Indiana Jones, or, since this is in Africa, Alex Quartermaine with Matthew McConaughey, of all people. I'm not aware of Matthew McConaughey or Steve Zahn being big action stars, but they surprisingly manage to handle their own, even if it isn't always believeable. Rainn Wilson and Penelope Cruz get in on the action as well....if that helps.
The premise is a little interesting: they're looking for a U.S. Confederate boat in Africa. Because it's not interesting enough on it's own, Penelope Cruz is a doctor trying to stop a plague coming from a war-torn country. It all feels a like ridiculously improbable things happening in a world that is far too realistic rather than a world created of fiction that houses an incredible story.
The movie is heavy with plot armor, despite any cleverness the characters have.
It's fine to watch, but there has to be something else that you can watch that is likely going to be better.
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