הבת


הבת

סקירה:

אחרי שנים רבות בארה"ב, חוזר כריסטיאן אל עיירת הולדתו באוסטרליה כדי להשתתף בחתונה של אביו, שנישא מחדש לבחורה הצעירה ממנו בעשרים שנה. השהות בעיירה, בה לא ביקר מאז מות אמו, מציפה בכריסטיאן רגשות מעורבים של זכרונות מהעבר, שגוברים כאשר הוא נתקל באוליבר, ידיד ותיק, שעבד עד לא מזמן במפעל של אביו. אוליבר מכיר לכריסטיאן את משפחתו: אשתו, אביו ובתו הצעירה והמיוחדת, שמתיידדים עימו. אלא שבעיצומן של ההכנות לחתונה, מגלה כריסטיאן סוד משפחתי שעלול לשנות את עתידן של שתי המשפחות לנצח.

הצבעות 44 (6.4/10)

זמן ריצה: 96 דקות

תאריך שחרור 2015-10-09

חברת הפקה:

  • Screen NSW
  • Roadshow Films

ארץ ייצור:

  • Australia

ז ' אנרים:

  • דרמה

טריילר

מידע נוסף

Henry
Geoffrey Rush
Geoffrey Rush
Walter
Sam Neill
Sam Neill
Christian
Paul Schneider
Paul Schneider
Oliver
Ewen Leslie
Ewen Leslie
Charlotte
Miranda Otto
Miranda Otto
Anna
Anna Torv
Anna Torv
Hedvig
Odessa Young
Odessa Young
Julianne
Kate Box
Kate Box
Jane
Sara West
Sara West
Peterson
Nicholas Hope
Nicholas Hope
Craig
Richard Sutherland
Richard Sutherland
Taxi Driver
Robert Menzies
Robert Menzies
Caterer
Eden Falk
Eden Falk
Greg
Gareth Davies
Gareth Davies
Adam
Wilson Moore
Wilson Moore
Grace
Ivy Mak
Ivy Mak
Siobhan
Nicola Frew
Nicola Frew
Headmaster
Steve Rodgers
Steve Rodgers
Doctor
Shelia Kumar
Shelia Kumar
Emergency Nurse
Danielle Blakey
Danielle Blakey
Receptionist
Ann Furlan
Ann Furlan
Marriage Celebrant
Jessie Cacchillo
Jessie Cacchillo
Producer
Jan Chapman
Jan Chapman
Editor
Veronika Jenet
Veronika Jenet
Casting
Nikki Barrett
Nikki Barrett
Screenplay
Simon Stone
Simon Stone
Director
Simon Stone
Simon Stone
Art Direction
Maxine Dennett
Maxine Dennett
Production Design
Steven Jones-Evans
Steven Jones-Evans
Set Decoration
Sara Mathers
Sara Mathers
Costume Design
Margot Wilson
Margot Wilson
Author
Henrik Ibsen
Henrik Ibsen
Producer
Nicole O'Donohue
Nicole O'Donohue
Director of Photography
Andrew Commis
Andrew Commis
Production Manager
Lorelle Adamson
Lorelle Adamson
Line Producer
Lorelle Adamson
Lorelle Adamson
Sound Designer
Liam Egan
Liam Egan
Steadicam Operator
Peter Barta
Peter Barta
Stunt Coordinator
Tony Lynch
Tony Lynch
Music
Mark Bradshaw
Mark Bradshaw
Electrician
Andy MacRae
Andy MacRae
Sound Effects Editor
Yulia Akerholt
Yulia Akerholt
Foley
Les Fiddess
Les Fiddess
Makeup Artist
Jennifer Stanfield
Jennifer Stanfield
Dialogue Editor
Tony Murtagh
Tony Murtagh
Still Photographer
Mark Rogers
Mark Rogers
Makeup Designer
Chiara Tripodi
Chiara Tripodi
Stunt Double
Olga Miller
Olga Miller
Casting Associate
Natalie Wall
Natalie Wall
Music Supervisor
Andrew Kotatko
Andrew Kotatko
Construction Manager
Peter 'Babylon' Owens
Peter 'Babylon' Owens
Script Supervisor
Kristin Voumard
Kristin Voumard
Foley Mixer
Martin Oswin
Martin Oswin
Storyboard Artist
Peter Pound
Peter Pound
First Assistant Camera
Scott Dolan
Scott Dolan
Key Grip
David Nichols
David Nichols
Gaffer
Zac Murphy
Zac Murphy
Sound Recordist
Nick Emond
Nick Emond
Visual Effects Supervisor
Craig Deeker
Craig Deeker
Art Department Coordinator
Annie Clapton
Annie Clapton
Costume Supervisor
Lyn Askew
Lyn Askew
First Assistant Camera
Marco Stefanoni
Marco Stefanoni
Armorer
Tad Pride
Tad Pride
VFX Artist
Lucas Newton
Lucas Newton
VFX Editor
Walter Ratcliffe
Walter Ratcliffe
ADR & Dubbing
James Andrews
James Andrews
First Assistant Editor
Paul Booth
Paul Booth
Production Coordinator
Jasmin Lyford
Jasmin Lyford
Boom Operator
Mike Bakaloff
Mike Bakaloff
Publicist
Jessica Carrera
Jessica Carrera
Production Accountant
Sandie Morris
Sandie Morris
Associate Producer
Alex White
Alex White
Second Assistant Camera
Zane Kamat
Zane Kamat
Dolly Grip
Ian Barton
Ian Barton
First Assistant Director
Deborah Antoniou
Deborah Antoniou
Assistant Makeup Artist
Michelle Beeckman
Michelle Beeckman
Visual Effects Producer
Daniel Durao
Daniel Durao
Extras Casting
Morgan Smallbone
Morgan Smallbone
Assistant Makeup Artist
Micheala Macrae
Micheala Macrae
Unit Manager
Djuro Bandur
Djuro Bandur
Third Assistant Director
Jay Corry
Jay Corry
Second Assistant Director
Nerida Groth
Nerida Groth
Property Master
Adrian Dalton
Adrian Dalton
Foley Mixer
Tobi Armbruster
Tobi Armbruster
Stunts
Simon Mak Murrell
Simon Mak Murrell
Post Production Consulting
Jane Maguire
Jane Maguire
Post Production Coordinator
Melina Maraki
Melina Maraki
Dialect Coach
Danielle Roffe
Danielle Roffe

Reno

**When a secret long hidden makes its way out...** A very surprising Aussie film. Not all the Australian film makes big at the world stage. So this film was not known to many people, but I am lucky to watch this. The film was based on the Norwegian play called 'The Wild Duck'. It was adapted several times for the screen, but this is the latest and a modernised version. The first film for the director and he was amazing in handling the screenplay as well. Obviously I did not know anything about the film. The cast looked good and also the storyline, so that's my reason to watch it. It began like a simple drama about a family who are going through a difficult time after the wood mill was shut down in their small town. Their's daughter, Hedvig, who is studying in the high school worries that she's going to lose her boyfriend if they move out of the town. That's not it, the narration had layers like from other people surrounding this small family and their perspective too has a big impact on the storytelling. Not just this family, but many from the town were out of the job and that leads to some unexpected decisions. Another family who ran that wood mill for nearly a century, welcomes their son, Christian from the United States who is having a tough time with his girlfriend and also to attend his father's wedding. He accidentally meets his childhood friend which is actually a Hedvig's father. They spend lots of time together and that's where a new issue arises. Christian reveals some hidden truth for the decades between their two families. Everything breaks loose and becomes impossible to fix it. From all this, the daughter is the one who directly get affected, but to learn how is why you should watch this film. You won't immediately understand the meaning of the title. The film very smartly progresses like bit by bit with lots of suspense around. The best part is, it never reveals the actual secret at any length of the film, but still the viewers going understand the situation very clearly. That's really amazing, particularly the writing being so clever. I don't know the original material which is more than a hundred year old, but I loved this to tell the story in a smart way. > "You do not need to be scared of the truth." The characters were the best part of the story. The switching time was excellently done. Like the whole film is not intended to deal with one particular issue, but multiple. Everybody had something to deal with, some were personal and some were concerned for their whole family. The story always engaged with details, so there's no time for relaxation for the viewers. In the first half it succeeds to keep everything neat, despite the story developed from different angles. Because the end pulls them all together to conclude the tale on high. High mean, neither happy or sad, the timing when the twist takes place was a perfect setting. If you are a melodrama fan, this must not be missed. I haven't seen a good tearjerker for a long time and then I found this one unexpectedly. I did not know the film would turn this way, but that's one of the reasons why I liked it a lot. The twist at the final act was kind of predictable if you were focused enough in the early part, but nobody gets a clear picture of how it all ends. That's the point. Despite how the film characters react when the suspense was revealed, we have our own respond too, but unable to deliver where it requires. That is funny, but the film gets very serious towards the final segment and you get no time to react, you will be like unmoved till the end credits roll up. But sensing a tragedy is certain. I recently saw 'Fathers & Daughter', that I anticipated something what this film offered. The story lines are completely different from these two films, but that father and daughter relationship thing, I liked very much from this one. Especially the emotions are the most crucial to narrate the tale and this film was way better in that perspective. Comparison between these two titles only on the sentimental side, other than that it's not fair to bring a debate on them. Anyway, both are the fine melodrama. This film definitely would appeal strongly to the family audience and I highly recommend it to them. There's no strong nudity or the sex scenes, but thematically it goes some length to record the required event. Other than those couple of parts, this is a film for everybody. Very satisfied with the overall film. I might not consider it my favourite, but very close to be called one. Like I said the story was thoroughly written, so I'm feeling this film won't go unnoticed. I am not talking about it would find its audience, but the remakes. European, Korean, Bollywood, even a Hollywood version might come. So fingers crossed, but I suggest this one to watch if you are convinced with my review. _8.5/10_

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