Közöttünk az űr


Közöttünk az űr

Áttekintés:

Gardner Elliot az első ember, aki a Marson született. Most már 16 éves, aki senki mást nem ismer, csak a bolygón kutató tudósokat. Az internethez azonban van hozzáférése, így megismerkedik egy földi lánnyal. Gardner nagyon szeretné őt személyesen is látni, de teste nem biztos, hogy kibírná a Föld Marsétól eltérő gravitációját. A szerelmes fiatalt azonban ez cseppet sem képes megállítani!

Szavazat 1930 (7,1/10)

Futási idő: 121 perc

Kiadás dátuma 2017-01-26

Költségvetés: $30,000,000.00

Bevétel: $14,793,385.00

Honlap: Link

Gyártó cég:

  • Los Angeles Media Fund
  • Southpaw Entertainment
  • STX Entertainment
  • Scarlet Fire Entertainment
  • Huayi Brothers Pictures

Termelési ország:

  • China
  • United States of America

Műfajok:

  • Romantikus
  • Kaland
  • Sci-Fi
  • Dráma

Pótkocsi

További információk

Gardner Elliot
Asa Butterfield
Asa Butterfield
Tulsa
Britt Robertson
Britt Robertson
Kendra
Carla Gugino
Carla Gugino
Nathaniel Shepherd
Gary Oldman
Gary Oldman
Sarah Elliot
Janet Montgomery
Janet Montgomery
Roland
David House
David House
Reporter
Sarah Minnich
Sarah Minnich
Student
John-Paul Howard
John-Paul Howard
Genesis Director Chen
BD Wong
BD Wong
Screaming Girl
Mia Stallard
Mia Stallard
Harrison Lane
Trey Tucker
Trey Tucker
NASA Guide
Lora Martinez-Cunningham
Lora Martinez-Cunningham
Alice Meyers
Lauren Myers
Lauren Myers
Dream Chaser Pilot
Bernardo P. Saracino
Bernardo P. Saracino
Maid
Kristen Rakes
Kristen Rakes
Idaho
Luce Rains
Luce Rains
Susanne
Jenny Gabrielle
Jenny Gabrielle
Dr. Gary Loh
Scott Takeda
Scott Takeda
NASA Doctor
Beth Bailey
Beth Bailey
Sarah's Brother
Colin Egglesfield
Colin Egglesfield
Debate Moderator
William Sterchi
William Sterchi
Centaur (voice)
Peter Chelsom
Peter Chelsom
NASA Executive
Morse Bicknell
Morse Bicknell
Entitled Teen
Stafford Douglas
Stafford Douglas
Scott Hubbard
Adande 'Swoozie' Thorne
Adande 'Swoozie' Thorne
Police Officer
Jacob Browne
Jacob Browne
Ms. Tupelo
Esodie Geiger
Esodie Geiger
Valet
David Devereaux
David Devereaux
Young NASA Secretary
Aurora Antonio
Aurora Antonio
ER Doc
Eli Goodman
Eli Goodman
Control Room Technician
Ryan Jason Cook
Ryan Jason Cook
E. Marks / Security
Frank Powers
Frank Powers
Social Services Man
Drago Sumonja
Drago Sumonja
ER Clerk
Nate Warren
Nate Warren
Alice Myers
Lauren Myers
Lauren Myers
Little Bewley Brother
Zacciah Hanson
Zacciah Hanson
Big Bewley Brother
Jesse Romero
Jesse Romero
Chuck Woodruff
Tim Janis
Tim Janis
Colorado State Trooper
Travis Armstrong
Travis Armstrong
Havasupai Woman
Jenny Gabrielle
Jenny Gabrielle
Shaman Neka
Gil Birmingham
Gil Birmingham
Reception Nurse
Ramona King
Ramona King
Air Force Colonel
Eb Lottimer
Eb Lottimer
Himself
Cesar Miramontes
Cesar Miramontes
NASA Scientist
Bruce McIntosh
Bruce McIntosh
College Student
Anthony Jarvis
Anthony Jarvis
Astronaut / Shuttle Crew (uncredited)
Shad Adair
Shad Adair
Alfonso (uncredited)
Nathaniel Augustson
Nathaniel Augustson
Dr. Cox (uncredited)
Danny Winn
Danny Winn
Doctor (uncredited)
Edsel Pete
Edsel Pete
Nurse (uncredited)
Marika Day
Marika Day
East Texas Tech (uncredited)
Jamie H. Jung
Jamie H. Jung
Banquet Attendee (uncredited)
Heather Bash
Heather Bash
NASA Security (uncredited)
Shawn Lecrone
Shawn Lecrone
Genesis Shareholder (uncredited)
Johnny Palomarez Jr.
Johnny Palomarez Jr.
Genesis Shareholder (uncredited)
Lluvia Almanza
Lluvia Almanza
Genesis Shareholder (uncredited)
Thomas Kemp
Thomas Kemp
Mars Inhabitant (uncredited)
Alma Sisneros
Alma Sisneros
Genesis Shareholder (uncredited)
Rene Herrera
Rene Herrera
NASA Executive (uncredited)
Brian Barela
Brian Barela
Genesis Shareholder (uncredited)
Jon Erik Castro
Jon Erik Castro
Genesis Shareholder (uncredited)
Lorraine Sanchez
Lorraine Sanchez
Buff College Kid
Logan Paul
Logan Paul
Producer
Richard Barton Lewis
Richard Barton Lewis
Story
Richard Barton Lewis
Richard Barton Lewis
Casting
Cathy Sandrich Gelfond
Cathy Sandrich Gelfond
Editor
David Moritz
David Moritz
Production Design
Kirk M. Petruccelli
Kirk M. Petruccelli
Executive Producer
Cathy Schulman
Cathy Schulman
Executive Producer
Oren Aviv
Oren Aviv
Executive Producer
Robert Simonds
Robert Simonds
Screenplay
Allan Loeb
Allan Loeb
Executive Producer
Allan Loeb
Allan Loeb
Story
Allan Loeb
Allan Loeb
Director
Peter Chelsom
Peter Chelsom
Costume Design
Christopher Lawrence
Christopher Lawrence
Art Direction
Domenic Silvestri
Domenic Silvestri
Executive Producer
Ryan Kavanaugh
Ryan Kavanaugh
Executive Producer
Steven Pearl
Steven Pearl
Director of Photography
Barry Peterson
Barry Peterson
Executive Producer
Tucker Tooley
Tucker Tooley
Executive Producer
Sasha Harari
Sasha Harari
Executive Producer
Wang Zhonglei
Wang Zhonglei
Executive Producer
Robbie Brenner
Robbie Brenner
Casting
Jo Edna Boldin
Jo Edna Boldin
Original Music Composer
Andrew Lockington
Andrew Lockington
Supervising Sound Editor
Todd Toon
Todd Toon
Executive Producer
Douglas Urbanski
Douglas Urbanski
Executive Producer
Simon Horsman
Simon Horsman
Executive Producer
Kevin Halloran
Kevin Halloran
Executive Producer
Wang Zhongjun
Wang Zhongjun
Story
Stewart Schill
Stewart Schill
Sound Re-Recording Mixer
Patrick Cyccone Jr.
Patrick Cyccone Jr.
Hair Department Head
Larry Waggoner
Larry Waggoner
Co-Producer
John Albanis
John Albanis
Makeup Department Head
Michelle Vittone
Michelle Vittone
Foley
Vince Nicastro
Vince Nicastro
Executive Producer
Jerry Ye
Jerry Ye
Dialogue Editor
Julie Feiner
Julie Feiner
Still Photographer
Jack English
Jack English
Script Supervisor
Sharron Reynolds-Enriquez
Sharron Reynolds-Enriquez
Aerial Director of Photography
Hans Bjerno
Hans Bjerno
Steadicam Operator
Peter Rosenfeld
Peter Rosenfeld
ADR Editor
Hugh Waddell
Hugh Waddell
Supervising Dialogue Editor
Hugh Waddell
Hugh Waddell
Sound Re-Recording Mixer
Myron Nettinga
Myron Nettinga
Art Department Coordinator
Sara M. Pennington
Sara M. Pennington
Foley
Melissa Kennelly
Melissa Kennelly
Music Editor
Jordan Corngold
Jordan Corngold
Sound Designer
Martyn Zub
Martyn Zub
First Assistant Camera
Brett Carroll
Brett Carroll
Camera Operator
Tyler Allison
Tyler Allison
First Assistant Sound Editor
Pernell L. Salinas
Pernell L. Salinas
Underwater Camera
Robert Settlemire
Robert Settlemire
Property Master
Douglas T. Madison
Douglas T. Madison
Digital Intermediate
Jeff Halsey
Jeff Halsey
Set Costumer
Liz Pecos
Liz Pecos
Key Costumer
Donna Casey-Aira
Donna Casey-Aira
Key Costumer
Roberta Bilé
Roberta Bilé
Casting Associate
Marie A. Kohl
Marie A. Kohl
Construction Coordinator
Steven DeSantis
Steven DeSantis
Sound Effects Editor
Ando Johnson
Ando Johnson
Assistant Costume Designer
Stacy Caballero
Stacy Caballero
Rigging Grip
Brian Malone
Brian Malone
Executive Producer
Adam Fogelson
Adam Fogelson
Executive Producer
Donald Tang
Donald Tang
Set Decoration
Jessica Anderson
Jessica Anderson
Key Hair Stylist
Chase Heard
Chase Heard
Key Makeup Artist
Karla Muenze
Karla Muenze
Digital Intermediate
Kostas Theodosiou
Kostas Theodosiou
Music Supervisor
Jason Markey
Jason Markey
Executive Producer
Jeffrey Soros
Jeffrey Soros
Art Department Assistant
Loren Marie Story
Loren Marie Story
Aerial Coordinator
Louis Delavenne
Louis Delavenne
Aerial Camera
Jeffrey Steven Brink
Jeffrey Steven Brink
Gaffer
James M. Cox
James M. Cox
Dolly Grip
Lea E. Miller
Lea E. Miller
Drone Operator
Michael Craig Ferguson
Michael Craig Ferguson
Sound Effects Editor
Charlie Campagna
Charlie Campagna
Sound Effects Editor
Ryan Meadows
Ryan Meadows
Prosthetic Designer
Stephen Bettles
Stephen Bettles
Costume Supervisor
Donna L. May
Donna L. May
Ager/Dyer
Wynema Chavez
Wynema Chavez
Co-Producer
Gabrielle Jerou
Gabrielle Jerou
Associate Producer
Cherilyn Hawrysh
Cherilyn Hawrysh
Associate Producer
Patrick Murray
Patrick Murray

Frank Ochieng

Somehow Hollywood continues to search for different outlets in conveying young love at the box office. Sure, the goal is always the same in terms of tapping into the youth market by promoting yet another transparent teen weepie but this time among the planetary stars. Hey, youngsters need catering at the movie theaters as well, right? However, one is not so convinced that the Young Adults (YA) genre is convincingly elevated by a flimsy frontier sci-fi romancer among the Clearasil crowd. Hence, **The Space Between Us** fits the bill as a scattershot and schmaltzy pimple-faced love story that has all the emotional stability of moon dust in front of a heavy duty oscillating fan. Writer-director Peter Chelsom (“Funny Bones”, “Serendipity”) and fellow screenwriters Allan Loeb and Tinker Lindsay delve into the conventional cliches of a lame star-crossed lovers theme that wreaks of saccharine-coated simplicity wrapped in scientific triteness. The awkward mixture of lightweight sci-fi drama, pandering gooey-eyed overtures toward teenage girls still nostalgically embracing their _Twilight_ fixation and space-age elements as filler exploration makes for a paper-cutter potency that creates unwanted space between us or any other species watching this cosmic claptrap. Give Chelsom some credit–at least his young protagonists are not another incarnation of obligatory hairy werewolves or fanged vampires, right? The adolescent pen pals in **The Space Between Us** are truly from different worlds although this does not stop these particular kids from bonding deeply. Advanced academic in sixteen-year old Gardner Elliot (Asa Butterfield) is having a time of his life in corresponding with the edgy Tulsa (Britt Robertson) in the chat rooms. Whereas Gardner is a whiz in robotics and comes from prestigious stock (his late mother was a pioneering astronaut) his object of affection Tulsa is a motorcycle-loving wild child that had bounced around in the foster care system. The glaring differences between the unlikely young couple is that the scientifically gifted Gardner is located on Mars and Tulsa is a gritty gal living on Earth in the state of Colorado. Geez…talking about long distant relationships, huh? Poor Gardner has always entertained the thought of traveling to Earth–the home planet of his deceased explorer mother who died giving birth to him during her mission to colonize Mars. So now there is more of an incentive for Gardner to yearn for visiting Earth now that his curiosity and fascination with Tulsa has heightened. At this point all Martian Gardner has going for him socially is his guardian/”second” mother in astronaut/scientist Kendra Wyndham (Carla Gugino) and his robotic pal he built to provide him companionship. The cruel reality for Gardner not being able to take a trip to Earth has something to do with his sensitive Martian-bred bodily functioning not being able to withstand the atmospheric gravity settings on our planet (huh…is he not half Earthling?). All Gardner wants to do is come to terms with connecting to the planet Earth and finding some self-discovery about himself and self-fulfillment with his Colorado-based crush in the leather-clad Tulsa. Of course the film figures out–in convoluted fashion no doubt–how to place the inquisitive Gardner on earth-related soil through the far-fetched means of a billionaire Nathaniel Shepherd (Gary Oldman) funding the experimentation and expedition of the Red Planet-raised tyke whose dream of reaching the planet that houses his unknown father and his precious Tulsa. Soon, the inevitability of Gardner meeting up with his dreamgirl comes true as the teenage twosome take off and find liberation in each other’s company as the authorities are hot on their trail. Look out Romeo and Juliet…you have a cheesy carbon copy coupling seeking to steal your familiar thunder. **The Space Between Us** produces more sappy substance than a row of Vermont trees. The fish-out-of-water routine that Butterfield’s Gardner undergoes when reaching Earth is mechanically clumsy and predictable. Butterfield does what he can to portray Gardner as an alien just not from another planet but from his own skin and this notion is philosophically ambitious to pull off for an interstellar teen tearjerker that has all the complexity of a sofa cushion. Robertson’s Tulsa is the typical rebellious chick but her and Butterfield’s Gardner become tiresome as they engage in manufactured chase scenes, teen-angst lovey-dovey lameness and the dragged-out space travel drivel that beleaguers this simplistic sci-fi yarn. The results in **The Space Between Us** is alarming more than charming because once the payoff is realized where Gardner and Tulsa draw energy from each other’s worldly vibes as they cuddle in zero gravity one will be left wondering where the next asteroid is coming to act as the needed wrecking ball to obliterate this toothless sci-fi saga aimed at the indiscriminate teen targets. **The Space Between Us (2017)** STX Entertainment 2 hrs. STARRING: Asa Butterfield, Brit Robertson, Gary Oldman, Gina Gugino, Janet Montgomery, Trey Tucker, Scott Takeda, Adande “Swoozie” Thorne, Sarah Minnich DIRECTED BY: Peter Chelsom WRITTEN BY: Peter Chelsom, Tinker Lindsay Allan Loeb MPAA Rating: PG-13 GENRE: Action & Adventure/Science Fiction/Fantasy & Romance Critic’s rating: ** stars (out of 4 stars) (c) **Frank Ochieng** 2017

Reno

**What's your favourite thing about Earth?** You might ask that question for yourself while/after watching this film. This is not a great film, but surely different and enjoyable. This kind of storyline can be acceptable for the todays space ambition by the humans they have to accomplish. A couple of decades ago, it was called a fiction, still it is, but quite close to realistically possible. So we had seen many films based on human connection with the red planet, Mars, but this one was a little different. It is romance theme, though not like east meets west. It is Mars meets Earth. The story of a boy from Mars and the girl from Earth. That's how it ends, but not that how it was initiated. It was the boy who searched for his connection with the Earth, and doing that, all the usual things happen, like some people come after him, like running and chasing. Well made film. It was not a complicated screenplay, but the twist was unexpected at the end yet I did not think it was strong. Explained everything with details, as well as intentionally added some of scenes to cover up later parts when the narration takes the unexpected route. Best cast for sure. Britt Robertson played the role ten years younger than her she is. But it does not matter, she still looks like a teenager. And Asa Butterfield was quite good too. The only usual thing about the film was the road adventure, though it did not take the usual route. Nothing was like you have already seen them. That's where it hand upper hand. The end was good, yet I felt it softened to bring a certain type of ending than a relevant one. Because it is a PG13 film and they wanted the conclusion that satisfy their target audience. So, it is a nice film and once watchable. _7/10_

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