Tales of Terror


Tales of Terror

Overview:

Three stories adapted from the work of Edgar Allen Poe: 1) A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. 2) A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. 3) A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences.

Votes 35 (6.3/10)

Runtime: 89 minutes

Release Date 1962-07-04

Tagline: A Trilogy of Shock and Horror!

Production company:

  • Alta Vista Productions

Production country:

  • United States of America

Genres:

  • Thriller
  • Comedy
  • Horror
  • Mystery

Trailer

Further Information

Locke / Fortunato / Valdemar
Vincent Price
Vincent Price
Montresor
Peter Lorre
Peter Lorre
Carmichael
Basil Rathbone
Basil Rathbone
Helene
Debra Paget
Debra Paget
Annabel
Joyce Jameson
Joyce Jameson
Lenora
Maggie Pierce
Maggie Pierce
Dr. James
David Frankham
David Frankham
Morella
Leona Gage
Leona Gage
Barman Wilkins
Wally Campo
Wally Campo
Chairman of Wine Society
Alan DeWitt
Alan DeWitt
Director
Roger Corman
Roger Corman
Producer
Roger Corman
Roger Corman
Screenplay
Richard Matheson
Richard Matheson
Director of Photography
Floyd Crosby
Floyd Crosby
Original Music Composer
Les Baxter
Les Baxter
Production Design
Daniel Haller
Daniel Haller
Editor
Anthony Carras
Anthony Carras
Set Decoration
Harry Reif
Harry Reif
Visual Effects
Ray Mercer
Ray Mercer
Special Effects
Pat Dinga
Pat Dinga
Story
Edgar Allan Poe
Edgar Allan Poe
Executive Producer
Samuel Z. Arkoff
Samuel Z. Arkoff
Executive Producer
James H. Nicholson
James H. Nicholson

John Chard

Corman, Poe & Price. The fourth venture into Poe adaptations for Roger Corman and Vincent Price sees them taking on the portmanteau format with a trilogy of creepers. First off is Morella, which finds Price as a typecast loner living in a big old mansion with the dead corpse of his wife! Enter his daughter, who at birth was the reason for Morella’s death and thus Price originally holds a grudge, but of course there is a twist in the tale. Secondly is The Black Cat, with Peter Lorre joining Price in the best of the three tales. Price is a wine tasting dandy, Lorre a complete drunk and once Price meets Lorre’s beautiful put upon wife, things are going to end badly. Finally is The Case of M Valdemar which pits Basil Rathbone into the mix as a devious hypnotist who uses his powers for what he thinks will be sexually tinged deeds. Price is in this as well, but spends most of the story as a corpse. It’s a short sharp shock piece of film making, fun and sometimes stylish, it doesn’t however have the requisite scares to marry up with the welcome black humour that makes the second instalment the standout. Still, having three legends of cinema in one picture has to be a bonus, and The Black Cat alone is worth investing time with this one. 7/10

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