Beşten Yediye Cléo


Beşten Yediye Cléo

Genel bakış:

1962 yılında hem Cannes hem de Venedik Film Festivallerinden ödülle dönen, aynı yıl George Meliee ödülünün de sahibi olan Beşten Yediye Cleo, Vardanın yönetmenlik adına ilk başarısı. Kanser olduğu gerçeğiyle yüzleşen genç ve güzel bir Fransız pop şarkıcısı Cleonun öyküsü. Kendince geri dönüşleriyle hayatını irdelediği doksan dakikayı Cleoyla birlikte yaşıyoruz. Aynı zamanda Cleonun hayata dair sorularıyla da karşı karşıya kalıyoruz: Böyle bir zamanda ne yapılabilir?, Nasıl yapılır? Cleo, bu soruların cevaplarını ve kişisel ilişkilerini sorguluyor. Bu soruların cevaplarını hem bugünde, yaşadığı hayatta hem de yeni tanıdığı insanlarda arıyor. Kanser psikozunun, korkusunun çevrelediği filmde zaman ilerledikçe değişik insan yüzlerinin geçtiği Paris sokaklarına, içeriğini kaybetmiş hareketsiz ve durgun bir zamana dönüyoruz...

Oy 192 (7,8/10)

Çalışma süresi: 90 dakika

Yayın tarihi 1962-04-11

Yapım şirketi:

  • Ciné Tamaris
  • Rome Paris Films

Üretim Ülke:

  • France
  • Italy

Türler:

  • Komedi
  • Dram

Römork

Daha fazla bilgi

Florence 'Cléo' Victoire
Corinne Marchand
Corinne Marchand
Antoine
Antoine Bourseiller
Antoine Bourseiller
Angèle
Dominique Davray
Dominique Davray
Dorothée
Dorothée Blanck
Dorothée Blanck
Bob, the Pianist
Michel Legrand
Michel Legrand
The Lover
José Luis de Villalonga
José Luis de Villalonga
Irma
Loye Payen
Loye Payen
Actress in Silent Film
Anna Karina
Anna Karina
Actor in Silent Film
Jean-Luc Godard
Jean-Luc Godard
Renée Duchateau
Renée Duchateau
La conductrice du taxi
Lucienne Marchand
Lucienne Marchand
Plumitif
Serge Korber
Serge Korber
Docteur Valineau
Robert Postec
Robert Postec
L'infirmier
Jean-Claude Brialy
Jean-Claude Brialy
La fiancée noire
Emilienne Caille
Emilienne Caille
Raoul
Raymond Cauchetier
Raymond Cauchetier
Le patron du café
Jean Champion
Jean Champion
L'arroseur
Eddie Constantine
Eddie Constantine
Le conducteur du corbillard et de l'ambulance
Georges de Beauregard
Georges de Beauregard
La vendeuse de fleurs
Danièle Delorme
Danièle Delorme
La fille au café
Fernande Engler
Fernande Engler
Le croque-mort
Sami Frey
Sami Frey
Le vendeur de mouchoirs
Yves Robert
Yves Robert
Le marin
Alan Scott
Alan Scott
Le garçon de café
Jean-Pierre Taste
Jean-Pierre Taste
Art Direction
Jean-François Adam
Jean-François Adam
Producer
Carlo Ponti
Carlo Ponti
Producer
Georges de Beauregard
Georges de Beauregard
Screenplay
Agnès Varda
Agnès Varda
Director
Agnès Varda
Agnès Varda
Producer
Agnès Varda
Agnès Varda
Original Music Composer
Michel Legrand
Michel Legrand
Director of Photography
Jean Rabier
Jean Rabier
Director of Photography
Alain Levent
Alain Levent
Production Design
Bernard Evein
Bernard Evein
Director of Photography
Paul Bonis
Paul Bonis
Editor
Janine Verneau
Janine Verneau
Costume Design
Alyette Samazeuilh
Alyette Samazeuilh
Editor
Pascale Laverrière
Pascale Laverrière

talisencrw

When I think of interesting filmmakers, the world over, whose movies are always a pleasure to watch, I thank God every day for Agnès Varda. I had her '4 Films by' Criterion boxed set, seemingly forever, left unwatched, and I don't really know why. Perhaps I felt her films wouldn't excite me enough, I don't know. I certainly enjoy foreign, and French, filmmaking enough. Maybe it was because she was female, I don't know. I hope not, but I'm simply being honest. Sometimes I'm apprehensive about starting to investigate the works of a director who's different from me: Female, non-English, non-Caucasian. I think it's difficult for me to start, because I'm afraid that I won't be able to fully emphasize with their sphere of reference, and thus won't be able to either appreciate or enjoy the filmic experience as much as I should. Once I start, and watch that first film I see of theirs, I'm fine. But until that point, it's truly a challenge. My university library had her two recent critically-acclaimed films, 'The Gleaners and I' and its sequel, on one DVD, and one of my favourite critics, Roger Ebert, had made a 'Great Movie' article about the original. So I gave that series a viewing, each film a separate night, and I fell in love with her as a person, and found that her films were not going to be a challenge for me at all. Thus I then turned to my previously-imposing, aforementioned boxed set, and went through it chronologically. This, the second film of the set, was extraordinary, basically a real-time cinematic exercise of a lady who is waiting for the results of a biopsy, and thus wondering if her quality of life is going to be seriously challenged or not. In it, as I've found in all of her films so far, there's an extraordinary visual flair, a great and natural storytelling facility present, and you can really tell that Varda both loves people and is glad to be alive, and it shows in everything she does. If you are in a similar boat, and are reluctant to investigate Varda's works, please do yourself a favour and don't hesitate any longer. Appreciate this extraordinary woman and her work while she is still alive. You will never be the same.

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