FILLIB

Περαιτέρω πληροφορίες

Zak Gibbs

Jesse Bradford

Francesca

Paula Garcés

Dr. Earl Dopler

French Stewart

Henry Gates

Michael Biehn

Dr. Gibbs

Robin Thomas

Jenny Gibbs

Julia Sweeney

Kelly Gibbs

Lindze Letherman

Richard

Jason George

NSA Agent Moore

Ken Jenkins

Administrator

Tony Abatemarco

Meeker

Garikayi Mutambirwa

Car Salesman (uncredited)

Brian J. Williams

Jay

Linda Kim

Ticket Agent

Esperanza Catubig

Security Officer

Jennifer Manley

Tourist Dad

Scott Thomson

Tourist Mom

Deborah Rawlings

Bright Freshman

Jodie Milks

Confused Freshman

Brad "Chip" Pope

Graduate Student

Oanh Nguyen

Hot Skates Sports Boy

Andrew James Armstrong

Hot Skates Saleswoman

Rachel Arieff

Rick Ditmar

Joey Simmrin

Ditmar's Friend

Finneus Egan

Vice Principal

Pamela Dunlap

Meter Maid

Gina Hecht

Tagger

Eric Michael Baugh

Nose-Ring Boy

Dwight Armstrong

Flavius' Opponent

DJ Midas

Q.T. Agent

Billy Mayo

Doctor

Jenette Goldstein

Officer Meyers

Jeff Ricketts

Night Manager

Melanie Mayron

Newscaster

Larry Carroll

Convention Worker

Caroline Fogarty

Young Dopler

Miko Hughes

Bystander

Jonathan Frakes

Writer

Rob Hedden

Casting

Barbara Cohen

Producer

Gale Anne Hurd

Writer

Andy Hedden

Producer

Julia Pistor

Casting

Mary Gail Artz

Costume Design

Deborah Everton

Director

Jonathan Frakes

Special Effects Coordinator

Gary Monak

Supervising Sound Editor

Geoffrey G. Rubay

Sound Designer

Lon Bender

Set Decoration

Brana Rosenfeld

Set Designer

Joel Ariniello

Visual Effects Editor

Steve Rhee

Production Design

Marek Dobrowolski

Art Direction

Kevin Kavanaugh

Makeup Department Head

Kenny Myers

Set Costumer

Steve Constancio

Script Supervisor

Judi Brown

Assistant Art Director

Natalie Richards

Sound Effects Editor

Harry Cohen

Sound Effects Editor

Tony Lamberti

Visual Effects Supervisor

Michael L. Fink

Transportation Coordinator

Michael Menapace

Studio Teachers

Lucas Moore

Production Supervisor

Diane L. Sabatini

Camera Operator

Jeffrey Greeley

Camera Operator

David Gasperik

Location Manager

Lisa Blok-Linson

Construction Foreman

Randall S. Coe

Special Effects Coordinator

Lynn Garrido

Still Photographer

Claudette Barius

Steadicam Operator

Lawrence Karman

Location Manager

Deborah J. Page

Sound Effects Editor

Bruce Tanis

Visual Effects Art Director

Lubo Hristov

Stunt Coordinator

Rick Avery

Set Costumer

Maggie Bailey

Editor

Peter E. Berger

Sound Effects Editor

Randy Kelley

Scenic Artist

Aprile Lanza Boettcher

Visual Effects Producer

Jacqui Lopez

Unit Publicist

David Mortimer

Editor

Jeff Canavan

Construction Foreman

Alan Allinger

Art Department Coordinator

Pam Cartmel

Construction Coordinator

Rodney Armanino

Special Effects Coordinator

Richard O. Helmer

Visual Effects Producer

Gayle Busby

Camera Operator

Michael J. Walker

Location Manager

Robert Brooks Mendel

Choreographer

Hi-Hat

Director of Photography

Tim Suhrstedt

Property Master

Bill MacSems

Original Music Composer

Jamshied Sharifi

Second Unit Director of Photography

Paul Hughen

Dialogue Editor

Vic Radulich

Boom Operator

Mark C. Grech

Supervising Dialogue Editor

Mike Szakmeister

ADR Supervisor

Zack Davis

Writer

J. David Stem

Writer

David N. Weiss

Executive Producer

Albie Hecht

Makeup Artist

Vivian Baker

Unit Production Manager

David B. Householter

Second Unit Director

Rick Avery

Second Unit First Assistant Director

Carla Bowen

Second Assistant Director

Rosemary C. Cremona

Second Second Assistant Director

Ruby Stillwater

First Assistant Director

Ian Woolf

Set Designer

Thomas Betts

Assistant Property Master

Jennifer Dawson

Storyboard Artist

Fireball Tim Lawrence

Assistant Property Master

David Rottenberg

Sound Re-Recording Mixer

David E. Fluhr

Sound Mixer

Jim Stuebe

Stunts

Joni Avery

Stunt Driver

Hubie Kerns Jr.

Best Boy Electric

Matt Bardocz

Rigging Grip

Damon Doherty

First Assistant "A" Camera

Paul V. Ferrazzi

Key Grip

Paul Goodstein

Second Assistant Camera

Matt Guiza

Extras Casting

Jennifer Bender

Casting Associate

Leanna Sheldon

Assistant Costume Designer

Carlos Rosario

Assistant Editor

J.P. "Brendan" Bernardo

Colorist

Donald Freeman

Music Coordinator

James Sall

Set Medic

Robert Allen

Production Accountant

Carol Sue Byron

Production Coordinator

Jennifer Campbell

Sound Designer

Geoffrey G. Rubay

Chief Lighting Technician

Paul W. McIlvane

Dolly Grip

Thomas J. Ruffner

Dolly Grip

Clint J. Borden

Assistant Editor

Michael T. Wilson

Foley Artist

Sarah Monat

Foley Artist

Robin Harlan

Foley Mixer

Randy Singer

Hair Department Head

Joy Zapata

Key Hair Stylist

Linda Arnold

Key Makeup Artist

Richard Snell

Art Department Assistant

Cindy Murphy

Set Dresser

Chuck Coffman

Set Dresser

Michael C. Magno

Standby Painter

Jay Koiwai

Visual Effects Art Director

Kino Scialabba

Digital Effects Supervisor

Jason Piccioni

Digital Effects Supervisor

David Altenau

Modelling Supervisor

Lynn Basas

Pre-Visualization Supervisor

Andrew Honacker

Roto Supervisor

Serena Rainbow Naramore

VFX Director of Photography

Christopher Duddy

VFX Director of Photography

Eric Swenson

Visual Effects Coordinator

Karl Rumpf

Visual Effects Coordinator

Tiffany Smith

Visual Effects Technical Director

Ramprasad Sampath

Digital Compositor

Karen Klein

Digital Compositor

Christopher Lance

Digital Compositor

Kenneth Littleton

Digital Compositor

Tony Noel

Digital Compositor

Kim O'Donnell

Digital Compositor

Philip Sisk

Digital Compositor

Ken Sjogren

Digital Compositor

Renée Tymn

Digital Compositor

Steve Wright

Stunts

Leigh Hennessy

Storyboard Artist

John Mann

Kamurai

Decent watch, could watch again, and can recommend, probably more for a younger audience. For a movie about technology that would make you into a speedster, you'd think this would be phenomenal. The "hyperspeed" effect itself and it's presentation in the movie is amazing, even with the "mad scientist" trope accompanying it. The cast isn't bad by far, but, for this, they could have been quite better to really sell the effects and create a better atmosphere for the story. The story itself is good, it makes a lot of sense, the character interaction is pretty good, and it actually structures a compelling narrative. It's not like the production value is bad either; this is a good example of being able to tick all the boxes and still falling short without actually failing.