La Femme Reptile


La Femme Reptile

Vue d’ensemble :

L'histoire d'une jeune fille qui peut se transformer en serpent.

Votes 41 (6,2/10)

Duree : 86 minutes

Date de sortie 1966-03-06

Société de production :

  • Hammer Film Productions

Pays de production :

  • United Kingdom

Genres :

  • Horreur

Remorque

Plus d’informations

Dr. Franklyn
Noel Willman
Noel Willman
Valerie Spalding
Jennifer Daniel
Jennifer Daniel
Harry George Spalding
Ray Barrett
Ray Barrett
Anna Franklyn
Jacqueline Pearce
Jacqueline Pearce
Tom Bailey
Michael Ripper
Michael Ripper
Mad Peter
John Laurie
John Laurie
The Malay
Marne Maitland
Marne Maitland
Charles Edward Spalding
David Baron
David Baron
The Vicar
Charles Lloyd Pack
Charles Lloyd Pack
Producer
Anthony Nelson Keys
Anthony Nelson Keys
Art Direction
Don Mingaye
Don Mingaye
Makeup Artist
Roy Ashton
Roy Ashton
Director of Photography
Arthur Grant
Arthur Grant
Production Design
Bernard Robinson
Bernard Robinson
Writer
Anthony Hinds
Anthony Hinds
Original Music Composer
Don Banks
Don Banks
Hairstylist
Frieda Steiger
Frieda Steiger
Director
John Gilling
John Gilling
Editor
Roy Hyde
Roy Hyde
Continuity
Lorna Selwyn
Lorna Selwyn

John Chard

Fine entry in the Hammer Horror cycle. Upon the mysterious death of his brother, Harry Spalding (Ray Barrett) and his wife Valerie (Jennifer Daniel) decide to move to the inherited cottage in a small village in the Cornish countryside. On arrival in the village they are received coldly by the locals, with one exception, bartender and owner of the village pub, Tom Bailey (Michael Ripper). The couple are further mystified when their odd neighbours, Dr. Franklyn (Noel Willman) and daughter Anna (Jacqueline Pearce), try to persuade them to sell the house and leave the place as soon as possible. Deciding to stay, Harry and Valerie come to learn that their brothers' death was not the only one to have happened mysteriously. Is there any truth in the Black Death rumours? And does the strange Franklyn family hold the key? Quality Hammer production that belies it's problematic shoot. As common knowledge now dictates, The Reptile was filmed back to back with Plague Of The Zombies and thus used the same, and excellent, sets. However, with a tight budget, make up problems and constant rewrites of the script, it was a far from a happy production. So somewhat surprising then that it's actually a real tight and effective picture. There is a lovely sense of mystery dripping throughout the piece, and it's real nice to see a Hammer film being driven by its characters. Yes we are all desperate to see the "creature" of the title, but this is astutely kept from us by director John Gilling. So when the last quarter arrives and the story unravels its mystery, the impact is doubled, while make up problems be damned, the "creature" is excellent and a nice addition to the Horror genre. The performances from the cast are uniformly strong, particularly from the stoic Ripper, while Don Banks' music is right on the money. Released as the support feature to Rasputin The Mad Monk, The Reptile is a little Hammer gem waiting to be discovered by more people outside of Britain. 8/10

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