King Kong contre Godzilla


King Kong contre Godzilla

Vue d’ensemble :

Godzilla est libéré accidentellement d'un iceberg par un sous-marin nucléaire et se dirige vers Tokyo. Une expédition découvre l'île de Faro où vit une tribu indigène vénérant le dieu Kong. Après de nombreuses péripéties, l'expédition ramène King Kong au Japon mais il réussit à s'échapper. Il se met à détruire Tokyo. Les autorités dépassées décident d'opposer les deux monstres...

Votes 159 (6,6/10)

Duree : 97 minutes

Date de sortie 07/07/1976

True

Chiffre d’affaires : $12,550,000.00

Slogan : Les deux monstres les plus puissants de tous les temps !

Société de production :

  • Toho Company, Ltd.
  • Tokyo Laboratory

Pays de production :

  • Japan

Genres :

  • Science-Fiction
  • Comédie
  • Aventure

Remorque

Plus d’informations

Osamu Sakurai
Tadao Takashima
Tadao Takashima
Kazuo Fujita
Kenji Sahara
Kenji Sahara
Kinsaburo Furue
Yû Fujiki
Yû Fujiki
Mr. Tako
Ichirô Arishima
Ichirô Arishima
General Masami Shinzo
Jun Tazaki
Jun Tazaki
Dr. Shigezawa
Akihiko Hirata
Akihiko Hirata
Fumiko Sakurai
Mie Hama
Mie Hama
Tamiye
Akiko Wakabayashi
Akiko Wakabayashi
Chikiro's Mother (Dancing Girl)
Akemi Negishi
Akemi Negishi
Farou Island Chief
Yoshio Kosugi
Yoshio Kosugi
Captain of Fujita's ship
Yoshifumi Tajima
Yoshifumi Tajima
Witch Doctor
Ikio Sawamura
Ikio Sawamura
Dr. Onuki
Someshô Matsumoto
Someshô Matsumoto
Official
Ko Mishima
Ko Mishima
Obayashi (Mr. Tako's assistant)
Sachio Sakai
Sachio Sakai
Dr. Makino
Tatsuo Matsumura
Tatsuo Matsumura
TTV Translator Konno
Senkichi Ômura
Senkichi Ômura
Prime Minister
Senshô Matsumoto
Senshô Matsumoto
Commander of Operation Burial
Ren Yamamoto
Ren Yamamoto
Obayashi's assistant
Haruya Katô
Haruya Katô
Captain of Vessel
Shin Ôtomo
Shin Ôtomo
General's Aide
Nadao Kirino
Nadao Kirino
General's Aide #2
Yasuhisa Tsutsumi
Yasuhisa Tsutsumi
Dreary Newscaster
Kenzô Tabu
Kenzô Tabu
Police Executive
Takuzô Kumagai
Takuzô Kumagai
Member of Press Corp
Hideo Shibuya
Hideo Shibuya
Commander Roberts
Douglas Fein
Douglas Fein
Scientist in Seahawk
Harold Conway
Harold Conway
Submariner
Osman Yusuf
Osman Yusuf
King Kong
Shôichi Hirose
Shôichi Hirose
Godzilla
Haruo Nakajima
Haruo Nakajima
Godzilla in iceberg
Katsumi Tezuka
Katsumi Tezuka
Dr. Johnson (US version)
Harry Holcombe
Harry Holcombe
Eric Carter (US Version)
Michael Keith
Michael Keith
Yutaka Omura (US version)
James Yagi
James Yagi
Original Story
Willis H. O'Brien
Willis H. O'Brien
Director
Ishirō Honda
Ishirō Honda
Visual Effects
Eiji Tsuburaya
Eiji Tsuburaya
Producer
Tomoyuki Tanaka
Tomoyuki Tanaka
Screenplay
Shinichi Sekizawa
Shinichi Sekizawa
Director of Photography
Hajime Koizumi
Hajime Koizumi
Production Design
Takeo Kita
Takeo Kita
Story
George Worthing Yates
George Worthing Yates
Original Music Composer
Akira Ifukube
Akira Ifukube
Production Design
Teruaki Abe
Teruaki Abe
Editor
Reiko Kaneko
Reiko Kaneko
Sound Recordist
Masao Fujiyoshi
Masao Fujiyoshi
Lighting Technician
Toshio Takashima
Toshio Takashima

insanenerd101

What is there to say about an early monster movie where two of the worlds biggest monsters come together and beat each other up in clunky looking rubber suits? Alright, well it may not be up to the high tech standards of film we're so use to today, King Kong vs. Godzilla is credited as being one of the first "versus" films to start the now very popular trend of bringing franchises together. What an interesting idea. You take a character from one film and another character from another film and bring them together, now to do what is beyond them. But now studios are taking interest in something that should have been done years ago and with the advent of the Marvel Cinematic Universe, it is now catching on like wild fire. But to the credit, this is the one that started it all. With such a colossal idea, you would imagine that it'd look cleaner. Well to it's credit, it was made in 1962 and Toho was asked by RKO to fork over a giant amount of money for Kong's likeness that substantially hurt the budget. So the real question is, how does it hold up? It's cheesy when it needs to be and serious when it needs to be too. Some people think that the added Americanized footage with Michael Keith and the stock music from films like _The Wolf Man_ and _Creature From the Black Lagoon_ butcher the film. I like to think that it helps set it in the mood among the classic Universal Monster Movies. The fight is a little hokey now but back then, was probably mind boggling. And stop motion techniques spread throughout the film are amazing. On top of that, this has one of the least annoying Americanized dubbings to a Godzilla movie I have ever seen. So is it great? No. Is is bad? No. What is it then? Just good old cheesy fun that needs to be seen to be believed.

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