Счастливого нового дня смерти


Счастливого нового дня смерти

Обзор:

На прошлый день рождения судьба преподнесла ей сомнительный подарок — праздник повторялся снова и снова, а в финале её неизменно убивал маньяк в маске. То ли дело в этом году: какое счастье проснуться с утра пораньше и оказаться в той же самой петле времени! Только теперь с тобой умирают все твои друзья…

Голоса 1628 (6,2/10)

Время выполнения: 100 минут

Дата выпуска 28.02.2019

True

Бюджет: $9,000,000.00

Доход: $25,327,500.00

Веб-сайт: Link

Слоган: «Отпразднуем ещё разок?»

Производственная Компания:

  • Digital Riot Media
  • Blumhouse Productions

Страна производства:

  • United States of America

Жанры:

  • комедия
  • ужасы
  • фантастика

Трейлер

Дополнительная информация

Tree Gelbman
Jessica Rothe
Jessica Rothe
Carter Davis
Israel Broussard
Israel Broussard
Samar Ghosh
Suraj Sharma
Suraj Sharma
Dean Bronson
Steve Zissis
Steve Zissis
Lori Spengler
Ruby Modine
Ruby Modine
Ryan Phan
Phi Vu
Phi Vu
Dre Morgan
Sarah Yarkin
Sarah Yarkin
Danielle Bouseman
Rachel Matthews
Rachel Matthews
Gregory Butler
Charles Aitken
Charles Aitken
Stephanie Butler
Laura Clifton
Laura Clifton
Julie Gelbman
Missy Yager
Missy Yager
David Gelbman
Jason Bayle
Jason Bayle
Tim Bauer
Caleb Spillyards
Caleb Spillyards
Nick Sims
Blaine Kern III
Blaine Kern III
Police Officer
Jimmy Gonzales
Jimmy Gonzales
Student Protester
Tenea Intriago
Tenea Intriago
Emily
Tran Tran
Tran Tran
John Tombs
Rob Mello
Rob Mello
Police Officer
Peter Jaymes Jr.
Peter Jaymes Jr.
Dr. Parker
Kenneth Israel
Kenneth Israel
Homeless Man
James W. Evermore
James W. Evermore
Angry Student
Johnny Ballance
Johnny Ballance
Waitress
Lindsey G. Smith
Lindsey G. Smith
Casting
Terri Taylor
Terri Taylor
Executive Producer
Samson Mucke
Samson Mucke
Executive Producer
John Baldecchi
John Baldecchi
Director
Christopher Landon
Christopher Landon
Writer
Christopher Landon
Christopher Landon
Original Music Composer
Bear McCreary
Bear McCreary
Art Direction
Jason Baldwin Stewart
Jason Baldwin Stewart
Director of Photography
Toby Oliver
Toby Oliver
Executive Producer
Angela Mancuso
Angela Mancuso
Producer
Jason Blum
Jason Blum
Characters
Scott Lobdell
Scott Lobdell
Production Design
Bill Boes
Bill Boes
Set Decoration
Andrew W. Bofinger
Andrew W. Bofinger
Casting
Elizabeth Coulon
Elizabeth Coulon
Co-Producer
Ryan Turek
Ryan Turek
Co-Producer
Beatriz Sequeira
Beatriz Sequeira
Editor
Ben Baudhuin
Ben Baudhuin
Makeup Artist
Ignacia Soto-Aguilar
Ignacia Soto-Aguilar
Costume Design
Whitney Anne Adams
Whitney Anne Adams
Makeup Department Head
Ashley Levy
Ashley Levy
Executive In Charge Of Production
Jennifer Scudder Trent
Jennifer Scudder Trent
Associate Producer
Erin Vitali
Erin Vitali
Casting
Sarah Domeier Lindo
Sarah Domeier Lindo
Makeup Artist
William Spataro
William Spataro

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Jessica Rothe leads the follow-up to Blumhouse's surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead. Jason Blum once again produces, and Christopher Landon returns to write and direct this next chapter. I don’t have a Happy Death Day review online, but I agree with the adjectives above-mentioned. It was one of last year’s surprises, and I genuinely had great fun with it. Overall, I would have rated it a B/B+, in case you’re wondering. But let’s get to its sequel and find out if it stood up to the original’s level… Short answer: no. Not even close. Honestly, it even diminishes what the first one accomplished. The 2017 original flick was a refreshing surprise because it took a different concept and mixed a bunch of genres in an unexpectedly entertaining way. It was funny, imaginative and Jessica Rothe proved to be a star in the making. 2U just has Rothe. That’s it. Its comedy bits only worked a couple of times throughout the whole runtime, and there wasn’t a single scary sequence that didn’t remind me of thousands of other familiar scenes done better in other films. This movie is simply an easy money-grab, and BlumHouse doesn’t mind if it doesn’t stand up to the original as long as it succeeds in the box office, which it already did. Unfortunately, that’s how Hollywood and the world of cinema works nowadays. If an unique and even risky film, one that was only planned to be a single installment, becomes a box office hit, chances are that a sequel is going to be produced, even if it has to wrongly retcon what happened in the original movie, consequently taking some of its value. This rarely works quality-wise, but I can’t deny that, as a marketing strategy, it’s very profitable for studios. My main issue with Happy Death Day 2U is that it risks too much with no reasonable payoff. Story-wise, it has tons of logical incongruencies, and I don’t buy the ending, at all. Christopher Landon asks too much of the audience since we have to accept so much nonsense in order to actually enjoy the film. In the original movie, the only thing we needed to “go with” was the actual concept, but that was pretty clear from the get-go. In 2U, there’s a compelling and captivating moral dilemma at its core, but that same dilemma becomes less and less like one by the end of it. It’s still a complicated situation, but it’s like they forgot what was really important and went with other poorly explained route. It doesn’t matter the genre from which you analyze this film. If you look at it as a comedy, you’ll barely laugh. If you think of it as a scary movie, you’ll never get scared. If you want to be intrigued by who the killer is this time around, you won’t be because the mystery is pretty straightforward. I really don’t want to rant on this film because I do love its cast and I really enjoyed the first movie, but it’s really hard not to be upset since it damages an eventual second viewing of the first one now. When the original installment doesn’t have an open door to other adventures, just don’t try to make a sequel for the sake of it. I know, I know… Money. Bah. I don’t want to end this review on a sad note, so I left the brilliant cast to the end. Everyone is fantastic, and I hope that at least this film can catapult some of these actors into the spotlight, especially Jessica Rothe. She has a tremendous range of expressions and incredible ease in changing between emotions. She can look scared, sad and happy in a matter of seconds, with tears and all. She’s a full package. I hope that she can grab either a major role on a big TV series or a supporting role in a blockbuster or Oscar-bait movie in the next couple of years. Surely, Jason Blum has some plans for her. All in all, Happy Death Day 2U does not deserve the box office success that it is having. It’s receiving a lot of credit due to the 2017 original’s surprise hit, and that’s unfair to the first installment. This sequel not only wrongly retcons unnecessary plot details of its predecessor, but it makes that correction its main plot, continuously reminding the audience that we just have to accept it. It’s not as funny, scary, unique or surprisingly entertaining as the original, and if the returning cast didn’t deliver strong performances, this would be one of the worst films of the year. Fortunately, there are a couple of good moments here and there, and Jessica Rothe alone saves the movie from a much more negative review. Oh, and please, do NOT make a third one! Just leave it alone. Rating: C-

Gimly

A notable step down from the first _Happy Death Day_ but I was still pretty happy with this. There are some problems though. Calling it repetitive seems like a no-brainer, given the content, but it's not so much that _2U_ is doing mostly the same thing as the first one, as that it's doing the same thing as the first one, and that all of the things that are changed are **worse**. I didn't need an explanation or really much of anything that I saw in _2U_. But I guess something had to give if _Happy Death Day_ was going to get a sequel, and as I said, I didn't dislike this. I actually actively did like it. I just don't think it was up to the standard off the first, which even then, was good but not great. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

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