eXistenZ


eXistenZ

Resumen:

Refleja una sociedad en la que los diseñadores de juegos son venerados como ídolos y los jugadores pueden entrar orgánicamente en los juegos. Alegra Geller es la autora Existenz, el juego más original, que impide a los usuarios distinguir los límites entre la realidad y la fantasía.

Votos 1037 (6,9/10)

Tiempo de ejecución: 97 minutos

Fecha de lanzamiento 1999-04-14

Presupuesto: $15,000,000.00

Ingresos: $2,856,712.00

Productora:

  • Dimension Films
  • Alliance Atlantis Communications
  • Natural Nylon Entertainment
  • Serendipity Point Films
  • Téléfilm Canada
  • The Harold Greenberg Fund
  • The Movie Network
  • Union Générale Cinématographique
  • Canadian Television Fund

País de producción:

  • Canada
  • France
  • United Kingdom

Géneros:

  • Acción
  • Suspense
  • Ciencia ficción
  • Terror

Trailer

Para obtener más información

Allegra Geller
Jennifer Jason Leigh
Jennifer Jason Leigh
Ted Pikul
Jude Law
Jude Law
Kiri Vinokur
Ian Holm
Ian Holm
Gas
Willem Dafoe
Willem Dafoe
Yevgeny Nourish
Don McKellar
Don McKellar
Chinese Waiter
Oscar Hsu
Oscar Hsu
Hugo Carlaw
Callum Keith Rennie
Callum Keith Rennie
Seminar Leader
Christopher Eccleston
Christopher Eccleston
Merle
Sarah Polley
Sarah Polley
D'Arcy Nader
Robert A. Silverman
Robert A. Silverman
Noel Dichter
Kris Lemche
Kris Lemche
Male Assistant
Vik Sahay
Vik Sahay
Female Assistant
Kirsten Johnson
Kirsten Johnson
Landry
James Kirchner
James Kirchner
Male Volunteer
Balázs Koós
Balázs Koós
Female Volunteer
Stephanie Belding
Stephanie Belding
Trout Farm Worker
Gerry Quigley
Gerry Quigley
Screenplay
David Cronenberg
David Cronenberg
Director
David Cronenberg
David Cronenberg
Producer
David Cronenberg
David Cronenberg
Director of Photography
Peter Suschitzky
Peter Suschitzky
Camera Operator
Peter Suschitzky
Peter Suschitzky
Editor
Ronald Sanders
Ronald Sanders
Original Music Composer
Howard Shore
Howard Shore
ADR & Dubbing
Mark Gingras
Mark Gingras
Production Design
Carol Spier
Carol Spier
Supervising Sound Effects Editor
David Evans
David Evans
Costume Design
Denise Cronenberg
Denise Cronenberg
Co-Producer
Michael MacDonald
Michael MacDonald
Set Decoration
Elinor Rose Galbraith
Elinor Rose Galbraith
Producer
András Hámori
András Hámori
Producer
Robert Lantos
Robert Lantos
Art Direction
Tamara Deverell
Tamara Deverell
Foley
Goro Koyama
Goro Koyama
Foley
Andy Malcolm
Andy Malcolm
Visual Effects Supervisor
James Isaac
James Isaac
Co-Producer
Damon Bryant
Damon Bryant
Dialogue Editor
Wayne Griffin
Wayne Griffin
Dialogue Editor
John Laing
John Laing
Dialect Coach
John Nelles
John Nelles
Music Editor
Suzana Peric
Suzana Peric
Makeup Artist
Shonagh Jabour
Shonagh Jabour
Sound Re-Recording Mixer
Graham Daniel
Graham Daniel
Sound Re-Recording Mixer
Ray Merrin
Ray Merrin
Casting
Deidre Bowen
Deidre Bowen
Co-Producer
Bradley Adams
Bradley Adams
Sound Effects Editor
Tom Bjelic
Tom Bjelic
Gaffer
David Moxness
David Moxness
Property Master
Christopher Geggie
Christopher Geggie
Script Supervisor
Dug Rotstein
Dug Rotstein
Scenic Artist
John Bannister
John Bannister
Scenic Artist
Janet Cormack
Janet Cormack
Costume Supervisor
Brenda Gilles
Brenda Gilles
Music Editor
Dan Evans Farkas
Dan Evans Farkas
Stunt Coordinator
Alison Reid
Alison Reid
Dolby Consultant
Nick Watson
Nick Watson
Art Department Coordinator
Dusty Reeves
Dusty Reeves
Construction Coordinator
Joe Curtin
Joe Curtin
Hairstylist
Mary-Lou Green-Benvenuti
Mary-Lou Green-Benvenuti
Unit Publicist
Prudence Emery
Prudence Emery
Hairstylist
Réjean Goderre
Réjean Goderre
Makeup Artist
Micheline Trépanier
Micheline Trépanier
Greensman
Jim Peters
Jim Peters
Leadman
J. Tracy Budd
J. Tracy Budd
Leadman
Paul Renaut
Paul Renaut
Scenic Artist
Carole Lord
Carole Lord
Scenic Artist
Bradley McInnis
Bradley McInnis
Scenic Artist
Doug Rennie
Doug Rennie
Scenic Artist
Mila Rolicz
Mila Rolicz
Sound Effects Editor
Paul Shikata
Paul Shikata
Still Photographer
Ava Gerlitz
Ava Gerlitz
Transportation Coordinator
Don Retzer
Don Retzer
Location Manager
Debra Beers
Debra Beers
Associate Producer
Sandra Tucker
Sandra Tucker

John Chard

Free will is obviously not a big factor in this little world of ours. Hee, yet another David Cronenberg picture that divides opinions, not just among the casual film watchers, but also his most ardent fans. Plot is a little nutty in actuality, as it finds Jennifer Jason Leigh as the world's most high profile games designer. While testing her new virtual reality game out with a focus group, an assassination attempt puts her on the run with an ally of sorts, marketing man Ted Pikul (Jude Law). With the prototype of the new game in their possession, the pair must enter the game's realm to unlock the various puzzles and threats that now confounds and stalks them. With Cronenberg back to writing something solely from his own head, eXistenZ finds the Canadian auteur happy to be back making a truer piece of work for his kinked visions. Unfortunately the advent of such virtual reality fare and various realist themes was well in filmic swing come the time eXistenZ was released, rendering it in some eyes as a band wagon jumper. That's unfair, because it's still a unique film, as Cronenberg blends body horror with visual invention to create a mind warp of gaming possibilities, a thrum thrum of futuristic verve. He gets top performances out of Leigh (great hair as well) and Law, while the narrative is constantly tricky enough to demand the viewer pays attention whilst being prepared to, perhaps, be surprised. Not prime Cronenberg, but still smart and funky, twisty and nutty, scary and oblique. So very much a Cronenberg original, then. 8/10

tmdb81799156

I'm sorry but this low budget disaster got zero interest from me. The props were horrid. The story was ridiculous; really, it was just so "stupid". Maybe I should be using bigger words, but this movie was just awful in every way. I rarely give up on a movie; I feel like someone shouldn't give a movie a bad review unless they've seen the entire thing. I've seen the entire thing, finally. It was almost painful to get through. It is just a cheap and dreadful production. The SyFy channel makes better quality garbage than this.

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