우리에게 내일은 없다


우리에게 내일은 없다

개요:

클라이드는 차를 훔치려 하지만 차 임자인 여자가 자기를 쳐다보고 있는 것을 신경쓰지 못했다. 그녀의 이름은 보니. 보니는 클라이드에게 매섭게 달려들고 클라이드는 이런 그녀에게 오히려 매력을 느낀다. 보니 역시 당돌하고 어두운 개성을 가진 클라이드에게 점점 이끌린다. 두 사람은 범죄를 함꼐 저지르며 급속도로 가까와진다. 그 후 그들은 돌아다니면서 작은 은행을 터는 등의 객기를 부리고 클라이드의 형 부부와 우연히 알게된 프랭크 등이 합류하면서 대담한 강도 행각을 벌인다. 그러나 그들은 경찰의 추격이 가까워질수록 서로를 믿지 못하는데...

표 823 (7.6/10)

런타임: 111 분

출시 날짜 1967-07-18

예산: $2,500,000.00

수익: $50,700,000.00

태그 행: 불안한 세상 속, 진정 그들에게 내일은 없었다

생산 회사:

  • Tatira-Hiller Productions
  • Warner Brothers-Seven Arts

생산 국가:

  • United States of America

장르:

  • 범죄
  • 드라마

트레일러

추가 정보

Clyde Barrow
Warren Beatty
Warren Beatty
Bonnie Parker
Faye Dunaway
Faye Dunaway
C. W. Moss
Michael J. Pollard
Michael J. Pollard
Buck Barrow
Gene Hackman
Gene Hackman
Blanche
Estelle Parsons
Estelle Parsons
Frank Hamer
Denver Pyle
Denver Pyle
Ivan Moss
Dub Taylor
Dub Taylor
Velma Davis
Evans Evans
Evans Evans
Eugene Grizzard
Gene Wilder
Gene Wilder
Bonnie's mother (uncredited)
Mabel Cavitt
Mabel Cavitt
Bank Teller (uncredited)
Patrick Cranshaw
Patrick Cranshaw
Policeman (uncredited)
Owen Bush
Owen Bush
Deputy (uncredited)
Clyde Howdy
Clyde Howdy
Bank Guard (uncredited)
Russ Marker
Russ Marker
Bonnie's Sister (uncredited)
Ann Palmer
Ann Palmer
Sheriff Smoot (uncredited)
Ken Mayer
Ken Mayer
Art Direction
Dean Tavoularis
Dean Tavoularis
Stunts
Harvey Parry
Harvey Parry
Director
Arthur Penn
Arthur Penn
Producer
Warren Beatty
Warren Beatty
Director of Photography
Burnett Guffey
Burnett Guffey
Editor
Dede Allen
Dede Allen
Set Decoration
Raymond Paul
Raymond Paul
Costume Design
Theadora Van Runkle
Theadora Van Runkle
Original Music Composer
Charles Strouse
Charles Strouse
Writer
David Newman
David Newman
Writer
Robert Benton
Robert Benton
Makeup Artist
Robert Jiras
Robert Jiras
Writer
Robert Towne
Robert Towne
Title Graphics
Wayne Fitzgerald
Wayne Fitzgerald
Assistant Director
Jack N. Reddish
Jack N. Reddish
Stand In
Morgan Fairchild
Morgan Fairchild
Sound Re-Recording Mixer
Dan Wallin
Dan Wallin
Scoring Mixer
Dan Wallin
Dan Wallin
Stand In
George Sawaya
George Sawaya
Stunts
Dale van Sickel
Dale van Sickel
Stunts
Eddie Hice
Eddie Hice
Stunts
Clyde Howdy
Clyde Howdy
Stunts
Bob Harris
Bob Harris
Stunts
Bennie E. Dobbins
Bennie E. Dobbins
Stunts
Lucky Mosley
Lucky Mosley
Producer's Assistant
Elaine Michea
Elaine Michea
Script Supervisor
Crayton Smith
Crayton Smith
Stunts
Roydon Clark
Roydon Clark
Production Manager
Russell Saunders
Russell Saunders
Driver
Donald P. Desmond
Donald P. Desmond
Sound
Francis E. Stahl
Francis E. Stahl
Special Effects
Danny Lee
Danny Lee
Hairstylist
Gladys Witten
Gladys Witten
Script Supervisor
John Dutton
John Dutton
Wardrobe Master
Andy Matyasi
Andy Matyasi
Wardrobe Master
Norma Brown
Norma Brown

John Chard

Good afternoon, we are the Barrow gang. Bonnie & Clyde stands today as one of the most important films of the 60s, it's impact on culture alone marks it out as a piece of work to note, but as gangster films go this one is something of a landmark. Quite how writers Newman & Benton managed to craft a story of two deadbeat outlaws into cinematic heroes is up for any individual viewers scrutiny, but they bloody well do it because we all want to be in the Barrow gang, because we get lost in this romanticised outlawish tale unfolding in front of our eyes. The film is a fusion of incredible violence and jaunty slapstick, and smartly pauses for delicate moments to let us into the psyche of the main protagonists, we know they have hangups, and with that we know they are fallible human beings, and this sets us up a treat for the incredible jaw dropping finale, and the impact of this finale hits as hard now as it did back with the audience's of 1967. The cast are incredible, Warren Beatty gives a truly brilliant performance as Clyde, he looks good and suave tooting those guns, but it's in the tender troubled scenes where he excels supreme. Faye Dunaway as Bonnie is the perfect foil for Beatty's layers, she nails every beat of this gangsters troubled moll. Gene Hackman, Michael J Pollard, and Estelle Parsons put the cherry on the icing to give depth and range to the rest of the Barrow gang, and these fine actors are clothed in gorgeous cinematography courtesy of Burnett Guffrey. To round out the plaudits I finish with love for director Arthur Penn because it's his vision that gives us something of a nostalgic movie that plays up and down with its subjects with cheeky aplomb, in fact it's just like the banjo music that features so prominently throughout this wonderful film. Nominated for 9 Oscars it won just the two, the entire actors who played the Barrow gang were nominated, and truth be told they all would have been worthy winners, as it is they gave out just the one to the least strongest performance from Estelle Parsons, go figure. It's legacy both in culture and box office lives on and for me Bonnie & Clyde is not only one of the best films of the 60s, it's also one of the best in history. 10/10

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