Lucy


Lucy

Översikt:

Lucy är en amerikansk student i Taipei som tvingas till att smuggla droger efter att ha blivit satt i en prekär situation av sin pojkvän. Hon är en av fyra som får den nyuppfunna drogen inopererad i sitt innandöme i syfte att smuggla den till Europa. Efter att ha misshandlats av en av knarkkungen Jangs män läcker substanserna ut i hennes blodomlopp, vilket förvandlar henne till en metamänniska som gradvis får tillgång till större och större del av den mänskliga hjärnan.

Röster 12284 (6,4/10)

Runtime: 89 minuter

Releasedatum 2014-07-25

Budget: $40,000,000.00

Intäkter: $458,863,600.00

Webbplats: Link

Produktionsbolag:

  • EuropaCorp
  • Canal+
  • Ciné+
  • TF1 Films Production

Produktionsland:

  • France

Genrer:

  • Action
  • Science Fiction

Släpvagn

Ytterligare Information

Lucy Miller
Scarlett Johansson
Scarlett Johansson
Professor Samuel Norman
Morgan Freeman
Morgan Freeman
Mr. Jang
Choi Min-sik
Choi Min-sik
Pierre Del Rio
Amr Waked
Amr Waked
The Limey
Julian Rhind-Tutt
Julian Rhind-Tutt
Richard
Pilou Asbæk
Pilou Asbæk
Caroline
Analeigh Tipton
Analeigh Tipton
Jang's Lieutenant
Shin Yoo-ram
Shin Yoo-ram
Jang's Lieutenant
Seo Chong-ju
Seo Chong-ju
Jii
Nicolas Phongpheth
Nicolas Phongpheth
French Mule
Paul Lefèvre
Paul Lefèvre
German Mule
Jan Oliver Schroeder
Jan Oliver Schroeder
Italian Mule
Luca Angeletti
Luca Angeletti
Professor
Pierre Poirot
Pierre Poirot
Professor
Pierre Grammont
Pierre Grammont
Professor
Bertrand Quoniam
Bertrand Quoniam
Professor
Loïc Brabant
Loïc Brabant
Drug Addict
Pascal Loison
Pascal Loison
Airport Doctor
Pierre Gérard
Pierre Gérard
Airport Nurse
Isabelle Cagnat
Isabelle Cagnat
Cabin Manager
Frédéric Chau
Frédéric Chau
Flight Attendant
Claire Tran
Claire Tran
Business Man Plane
François Legrand
François Legrand
Customs Officer
Bob Martet
Bob Martet
Cop Robert
Alexis Rangheard
Alexis Rangheard
Cop Sergeant
Tonio Descanvelle
Tonio Descanvelle
Cop
Julien Personnaz
Julien Personnaz
Cop
Christophe Lavalle
Christophe Lavalle
Student
Renaud Cestre
Renaud Cestre
Student
Thibault Segouin
Thibault Segouin
Student
Matthew Bravais
Matthew Bravais
Student
Claire Zaniolo
Claire Zaniolo
Marco Brezzi
Alessandro Giallocosta
Alessandro Giallocosta
Berlin Custom Officer
Wolfgang Pissors
Wolfgang Pissors
Chinese Doctor
Sifan Shao
Sifan Shao
Taipei Surgeon
Paul Chan
Paul Chan
Jang's Man
Chou Chung-Wei
Chou Chung-Wei
Jang's Man
Huan Jhih-Cyuan
Huan Jhih-Cyuan
Jang's Man
I. Cheng-Sheng
I. Cheng-Sheng
Jang's Man
Frank Ma
Frank Ma
Jang's Man
Tseng Sheng-En
Tseng Sheng-En
Mahjong Room Man
Liu Hsieh-Min
Liu Hsieh-Min
Prehistoric Lucy
Sandra Abouav
Sandra Abouav
Prehistoric Man
Abel Aboualiten
Abel Aboualiten
Regent Hotel Concierge #1
Ken Lin
Ken Lin
Lucy's Driver
Hsing Feng
Hsing Feng
Warehouse Man Driver
Hao-Hsiang Hsu
Hao-Hsiang Hsu
Lucy's Mother (voice)
Laura D'Arista
Laura D'Arista
Phone Voice Royal Suite (voice)
Eunyul Hong
Eunyul Hong
The Receptionist
Samuel Churin
Samuel Churin
Regent Hotel Concierge #2
Mason Lee
Mason Lee
Fakir
Mohammad Aslam Ansari
Mohammad Aslam Ansari
American Native Indian
Kevin Dust
Kevin Dust
American Native Indian
Diego Llano
Diego Llano
American Native Indian
Timothy Reevis
Timothy Reevis
American Native Indian
Jaysson Reyes De La Cruz
Jaysson Reyes De La Cruz
American Native Indian
German Tintaya Mamani
German Tintaya Mamani
Rubik's Cube Boy
Kanneti Sawe Han
Kanneti Sawe Han
Doctor (uncredited)
Jimmy Star
Jimmy Star
Cop Daniel
Cédric Chevalme
Cédric Chevalme
Director
Luc Besson
Luc Besson
Writer
Luc Besson
Luc Besson
Original Music Composer
Éric Serra
Éric Serra
Director of Photography
Thierry Arbogast
Thierry Arbogast
Casting
Nathalie Cheron
Nathalie Cheron
Sound Designer
Shannon Mills
Shannon Mills
Supervising Sound Editor
Shannon Mills
Shannon Mills
Special Effects Coordinator
Jean-Christophe Magnaud
Jean-Christophe Magnaud
Costume Design
Olivier Bériot
Olivier Bériot
Production Design
Hugues Tissandier
Hugues Tissandier
Still Photographer
Jessica Forde
Jessica Forde
Editor
Didier Lozahic
Didier Lozahic
Sound Re-Recording Mixer
Didier Lozahic
Didier Lozahic
Producer
Virginie Besson-Silla
Virginie Besson-Silla
Stunt Driver
Stéphane Lefebvre
Stéphane Lefebvre
Stunt Coordinator
Laurent Demianoff
Laurent Demianoff
Stunt Coordinator
Alain Figlarz
Alain Figlarz
Executive Producer
Marc Shmuger
Marc Shmuger
Stunts
Stéphane Orsolani
Stéphane Orsolani
Steadicam Operator
Larry McConkey
Larry McConkey
Art Direction
Gilles Boillot
Gilles Boillot
Script Supervisor
Isabelle Querrioux
Isabelle Querrioux
Makeup Artist
Stéphane Robert
Stéphane Robert
Stunts
Michelle Figlarz
Michelle Figlarz
Stunt Double
Alicia Vela-Bailey
Alicia Vela-Bailey
Boom Operator
Régis Boussin
Régis Boussin
Sound Re-Recording Mixer
Matthieu Dallaporta
Matthieu Dallaporta
Dialogue Editor
Matthieu Dallaporta
Matthieu Dallaporta
Visual Effects Supervisor
Kevin Berger
Kevin Berger
Visual Effects Producer
Simon Descamps
Simon Descamps
Music Editor
Samuel Potin
Samuel Potin
Wigmaker
Anne Moralis
Anne Moralis
Art Direction
Dominique Moisan
Dominique Moisan
Art Direction
Stéphane Robuchon
Stéphane Robuchon
Art Direction
Thierry Zemmour
Thierry Zemmour
Set Decoration
Evelyne Tissandier
Evelyne Tissandier
Sculptor
Christophe Chabenet
Christophe Chabenet
Assistant Art Director
Charlie Clerc
Charlie Clerc
Assistant Art Director
Anne-Sophie Delaunay
Anne-Sophie Delaunay
Assistant Art Director
Paulo Gonçalves
Paulo Gonçalves
Assistant Art Director
Virginie Irdel
Virginie Irdel
Property Master
Stéphane Linet
Stéphane Linet
Conceptual Design
Ben Mauro
Ben Mauro
Property Master
Guy Monbillard
Guy Monbillard
Property Master
Olivier Nguyen
Olivier Nguyen
Conceptual Design
Eduardo Pena
Eduardo Pena
Sound Designer
Guillaume Bouchateau
Guillaume Bouchateau
Supervising Sound Editor
Guillaume Bouchateau
Guillaume Bouchateau
Sound Designer
Aymeric Devoldère
Aymeric Devoldère
Boom Operator
Lionel Dousset
Lionel Dousset
Sound Recordist
Aiden Ramos
Aiden Ramos
Visual Effects Supervisor
Richard Bluff
Richard Bluff
Visual Effects Producer
Marie-Cecile Dahan
Marie-Cecile Dahan
Visual Effects Producer
Valerie Delahaye
Valerie Delahaye
Visual Effects Supervisor
François Dumoulin
François Dumoulin
Visual Effects Producer
Brice Liesveld
Brice Liesveld
Visual Effects Supervisor
James Pastorius
James Pastorius
Gaffer
Gregory Fromentin
Gregory Fromentin
Location Manager
Adrien Adriaco
Adrien Adriaco
Stunts
Raimundo Querido
Raimundo Querido
Sound Effects Editor
Jeremy Bowker
Jeremy Bowker
Visual Effects Producer
Sophie Leclerc
Sophie Leclerc
Steadicam Operator
Lorenzo Donati
Lorenzo Donati
Makeup Artist
Florence Batteault
Florence Batteault
Makeup Artist
Marie Gombeaud-Antoine
Marie Gombeaud-Antoine
Makeup Artist
Nathalie Regior
Nathalie Regior
Makeup Artist
Marthe Faucouit
Marthe Faucouit
Special Effects Makeup Artist
Sylvie Ferry
Sylvie Ferry
Special Effects Makeup Artist
Frédérique Foglia
Frédérique Foglia
Production Manager
Thierry Guilmard
Thierry Guilmard
Sound Effects Editor
Sébastien Jeannot
Sébastien Jeannot
Visual Effects Producer
Ryan Wiederkehr
Ryan Wiederkehr
CG Supervisor
Daniel Perez Ferreira
Daniel Perez Ferreira
Camera Operator
Jean-Baptiste Jay
Jean-Baptiste Jay
Helicopter Camera
Mark Gerasimenko
Mark Gerasimenko
Additional Camera
Marion Gaillard
Marion Gaillard
Location Manager
Marc Guidetti
Marc Guidetti
Location Manager
Jérémy Petetin
Jérémy Petetin
Production Accountant
Nour Rakotobe
Nour Rakotobe
Production Accountant
Todd Spears
Todd Spears
Stunt Driver
Virginie Arnaud
Virginie Arnaud
Stunt Driver
Sybille Blouin
Sybille Blouin
Stunt Driver
Francis Bataille
Francis Bataille
Stunts
Marc Bizet
Marc Bizet
Stunt Driver
Alice Naigeon
Alice Naigeon
Stunt Driver
Alain Villain
Alain Villain
Stunt Driver
Pascaline Girardot
Pascaline Girardot
Stunt Driver
Yvonne Ho
Yvonne Ho
Stunt Driver
Catherine Lebegue
Catherine Lebegue
Stunt Driver
Eric Barone
Eric Barone

Matthew Sanders

There is no excuse for basing a screenplay on taking seriously a well known urban myth and writing it as if the audience believes the myth. Did no one up the entire production line step out and call bullshit on the discredited 'we only use 10% of our brain,' idea? I am so embarrassed by seeing actors I admire, Scarlett Johansson and Morgan Freeman, deliver solid performances on the basis of an idea at which most people laugh.

Andres Gomez

I've also struggled to appreciate several o Luc Besson's movies but this is is by far the worst one. A lot of jibber-jabber bullshit with sexy Scarlett Johansson, lots of FX, predictable ending in Paris and a pointless car race on its streets. Better spend your time on something else ...

John Chard

Ignorance brings chaos, not knowledge. Lucy is one of those films that brings about furious reactions, it is after all a science fiction type action thriller. They always divide film fans right from the off. It's a film that to all intents and purposes needs to be viewed just as a cinematic experience, as a piece of popcorn fodder that may try to be something more cerebral, but ultimately is a daft - but hugely fun - piece of film. Luc Besson writes and directs a film that sees Scarlett Johansson duped into being a drug mule, with the transportation of drugs sewn into her abdomen. It's a new drug, boy is it a new drug, and when things go belly up and the drugs are unleashed into Scarlett's system, she's a threat - or hope - to mankind. It can be, and has been, called pretentious et al, such is the science factor, which is perfectly understandable, so any hope of tight science fiction musings will only end up in a crushing disappointment. Undeniably Besson and his backers thought they had something to say, to open up the film watchers' minds to something deep and probable, to be relevant and viable. But unlike the makers we the viewers didn't have access to donepezil, so we sadly couldn't all turn into Bradley Cooper and be limitless in our viewing capabilities. Personally, it's a rollicking fun film for two thirds, when it's about Scarlett kicking butt, a revenge driven babe, it grips and shakes all the genre compliant cinematic senses. The ending, the grand finale, infuriated me, and by the looks of Morgan Freeman (coasting for easy money), he was also a little frustrated. But I had fun, yet on the flip side if anyone fronted me up and said they hated the film with a passion? Then I would understand and take them home to play with my chemistry set. 7/10

Per Gunnar Jonsson

A lot of people appears to have gotten into some hate-mode when watching this movie. I guess they did not check up what the movie was really about before watching it. The movie is not perfect, it has its flaws, but a 1 or 2 star bullshit rating is hugely unfair. Personally, I really liked this movie. It is science fiction, pure and simple. If you expect science without the fiction, well then you should go and see some other movie. With Luc Besson both writing and directing and statements like “merciless warrior evolved beyond human logic” in the blurb … well I got pretty much what I expected. The movie starts off making you think it is a “simple” revenge story with science fiction elements in the form of the superhuman Lucy. However it gradually evolves into something else. Lucy knows that she cannot survive in her new state and it becomes a quest to preserve the knowledge that she has acquired while she still has the time and at the same time dodging the drug dealers that are the cause of her situation in the first place. Lucy is great. Her powers and how they develop are awesome. I really like surprise effects in movies and books of the kind that you get when someone like Lucy reveals her powers to the “mundane”. Especially when the revealing means swatting a few bad guys. This movie is full of moments like that. It is quite a roller coaster ride of action with Lucy exhibiting her growing powers. Not too surprisingly the movie is also full of scientific bullshit and plot holes. I do not really care. I’m in for the ride and it is a fun ride. Scarlett Johansson is very good in her role as Lucy. Most of the other actors are ok although the Asian drug boss could have been better. He came out more like a brainless thug than anything else. Certainly not as the mastermind of a criminal organization. The ending was a bit unsatisfactory compared to the rest of the movie though. I was a bit disappointed that the big fight at the end more or less was done without Lucy. The long cinematic sequences where Lucy wondered about in time and space felt a bit like yawn-filler-material. The actual ending, well that “I am everywhere” bit was really been there, seen that, done that. Also, if she was indeed everywhere, why the hurry to create that fancy memory stick? Anyway, apart from that I really enjoyed this movie.

Wuchak

_**Time to GROW UP**_ "Lucy" (2014) is about an average hot babe named Lucy, played by Scarlett Johansson, who increasingly taps into her mind's full capacity and, consequently, acquires superhuman powers (or are they just fully-human powers?). She hooks up with the leading expert on the human mind (Morgan Freeman) to share her discoveries and also teams-up with a Paris police captain (Amr Waked) to destroy the malevolent schemes of an arrogant Asian mob boss (Min-sik Choi). It should be emphasized that this is not comic book superhero movie (Don't we have enough of those yet?), it's an ordinary-person-reaching-full-human-potential movie. There were two of these in the mid-90s, "Powder" (1995) and "Phenomenon" (1996). They're both good, but the latter played it too safe, particularly at the end, while "Powder" reached for greatness and got a finger in. Francis Ford Coppola added his take on the genre with 2007's "Youth Without Youth," a dense film with many interesting elements; too bad he forgot to include an entertaining story. "Lucy" is the best of these and is, in fact, one of my all-time favorite movies. "Lucy" includes the mindfood of Coppola's film, but doesn't forget to be entertaining. As such, the film mixes interesting, inspiring elements with thrills, action, eye candy and ear candy (a notable score). On top of this, "Lucy" is stylish and "hip," whatever that means; in other words, it's got pizzazz. Some complain that the film is flawed because it's based on the notion that we only use 10% of our brain power, but this is only a plot device to illustrate that most people are functioning way under their potential and are obsessed with usually worthless things and blowing precious time accordingly. Take, for instance, the people who blow hour upon hour of valuable time watching sports. Viewing a game here or there is great, but these types have lost all sense of moderation. Or how about those who feel they have to numb themselves with alcohol or drugs just to have a good time? They're, in essence, running away from reality. What's funny about this criticism that the film's based on humans only using 10% of their brain power is that, in most cases, the number's more like 1-2%. Lol, just kidding. (Or am I?) In regards to Lucy's powers illustrated in the film, and the other films noted above, I've had my own run-ins with such phenomena. For instance, about seven years ago I was in bed having an intense dream when my wife burst into the room to wake me up. The smoke alarm outside the door was blaring like crazy, but there was no smoke or fire or heat. The potent energy evoked by my dream obviously set it off because, as soon as I awoke, it suddenly stopped. If there was any doubt, the same thing happened the next week. What can explain this except the untapped power of the mind and focused energy? Another example comes to mind, albeit different: when I was around 8 years old my family and I were walking the trails of Theodore Wirth Park in Minneapolis when we came to the edge of a baseball field. As soon as we entered the outfield somehow I just knew that the current batter was going to hit the ball and it was going to hit me right in the face. I knew this but I didn't know how I knew it. I just knew. Next thing you know the batter hits the ball high into the air -- it was like slow-motion -- and it came and hit me right on the cheek! (Good thing it was a softball, huh?). How did I KNOW this was going to happen? I don't know, but it's pretty amazing and it shows the power of the mind and spirit to warn us, which some call intuition. Less spectacular is something that I experience every day with my wife: One of us will be thinking something and give voice to it and the other says, "I was thinking the exact same thing." What's going on? We're picking up each other's immaterial thoughts, otherwise known as telepathy. What if we developed this further? Other paranormal phenomena featured in the story include psychokinesis, extraordinary empathy and what the Bible calls "the word of knowledge." Although they're exaggerated in the film, they're REAL. "Lucy" is inspiring in that it's an encouragement to GROW UP. As Lucy evolves she stops at her apartment and runs into her roommate, who's the typical bimbo party girl who spends too much of her free time "partying" and pursuing a "cute guy with nice buns" (or however she puts it). Not that there's anything intrinsically wrong with these things, except that these people obsess over them and they become their PURPOSE for living. Whatever happened to "All things in moderation"? The beginning of the movie shows that Lucy was just like her roommate but something happened and... she GREW UP. My praise of the movie's philosophical and theological ideas shouldn't be interpreted to mean that I agree with every jot and tittle. It's a sci-fi/thriller blockbuster, after all; it's just that this one has more interesting ideas than most. Secondly, who agrees with everyone about everything? Is that even healthy? Needless to say, I love "Lucy"! The film doesn't wear out its welcome at a mere 1 hour, 29 minutes, and was shot in Taiwan, France and a German airport. GRADE: A

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