FILLIB

Ulteriori Informazioni

Ethan Hunt

Tom Cruise

Jim Phelps

Jon Voight

Claire Phelps

Emmanuelle Béart

Eugene Kittridge

Henry Czerny

Franz Krieger

Jean Reno

Luther Stickell

Ving Rhames

Sarah Davies

Kristin Scott Thomas

Max

Vanessa Redgrave

Frank Barnes

Dale Dye

Alexander Golitsyn

Marcel Iureș

Zozimov

Ion Caramitru

Hannah Williams

Ingeborga Dapkunaite

Drunken Female IMF Agent

Valentina Yakunina

Drunken Male IMF Agent

Marek Vašut

Kittridge Technician

Nathan Osgood

Jack Harmen

Emilio Estevez

Large man

Michael Rogers

Fireman (uncredited)

Keith Campbell

TV Interviewer

John McLaughlin

Matthias

Karel Dobrý

Max's Companion

Andreas Wisniewski

Denied Area Security Guard

Ricco Ross

Denied Area Security Guard

Mark Houghton

Flight Attendant

Annabel Mullion

CNN Reporter

Garrick Hagon

Kiev Room Agent

Olegar Fedoro

Train Engineer

David Schneider

Female Executive in Train

Helen Lindsay

Passenger on Train in Tunnel (uncredited)

John Knoll

CIA Analyst William Donloe

Rolf Saxon

Producer

Tom Cruise

Screenplay

David Koepp

Original Music Composer

Danny Elfman

Production Design

Norman Reynolds

Sound Designer

Christopher Boyes

Director

Brian De Palma

Director of Photography

Stephen H. Burum

Casting

Mali Finn

Screenplay

Steven Zaillian

Casting

Patsy Pollock

First Assistant Director

Nick Moore

Costume Design

Penny Rose

Set Decoration

Peter Howitt

Dialogue Editor

Michael Silvers

Special Effects Supervisor

Eric Allard

Producer

Paula Wagner

Location Manager

Sandrine Ageorges

Sound Mixer

David Crozier

Stunt Coordinator

Greg Powell

Supervising Art Director

Fred Hole

Screenplay

Robert Towne

Dialect Coach

Tim Monich

Original Story

Bruce Geller

Editor

Paul Hirsch

Makeup Artist

Jirí Farkas

Music Editor

Ellen Segal

Special Effects

Ian Wingrove

Visual Effects Coordinator

Alexandra Altrocchi

Stunts

Keith Campbell

Unit Manager

Michal Prikryl

Art Direction

Jonathan McKinstry

Casting Associate

Emily Schweber

Assistant Art Director

David Lee

Orchestrator

Steve Bartek

Executive Producer

Paul Hitchcock

Second Unit

Ernest Day

Set Designer

Dawn Swiderski

Aerial Camera

Michael Kelem

Makeup Effects

Rob Bottin

Production Accountant

David Kerney

Associate Producer

J.C. Calciano

Supervising Sound Editor

Tom Bellfort

Propmaker

Tony Allard

Steadicam Operator

Larry McConkey

Prosthetic Makeup Artist

Margaret Prentice

Set Costumer

Sarka Zvolenska

Costume Supervisor

Hana Kucerova

Visual Effects Art Director

George Hull

Still Photographer

Richard Blanshard

Digital Compositors

Stephane Bidault

Script Supervisor

Diana Dill

Sound Effects Editor

Christopher Scarabosio

Visual Effects Editor

Michael Gleason

Visual Effects Supervisor

John Knoll

Location Scout

Olivier Servanin

Production Manager

Christine Bodelot

Camera Operator

Gordon Hayman

Unit Publicist

Kathy Orloff

Foley

Tom Barwick

First Assistant Director

Chris Soldo

Loader

Peter Batten

Sculptor

Moto Hata

Armorer

Jon Baker

Color Timer

Dennis McNeill

Driver

Václav Kocman

Visual Effects

Eve Ramboz

Gaffer

Laurie Shane

Sound Recordist

Philip Rogers

Production Illustrator

Tony Chance

Utility Stunts

Lee Millham

Boom Operator

Clive Copland

Unit Production Manager

Steve Harding

Assistant Costume Designer

Kirsten Hecktermann

Post Production Supervisor

Ruth Hasty

Assistant Sound Editor

Jessica Bellfort

Costume Design

Timothy Everest

Digital Effects Supervisor

Kim Libreri

Key Grip

Kevin Fraser

Visual Effects Producer

Roni McKinley

Art Department Coordinator

Kate Garbett

First Assistant Camera

Rawdon Hayne

Grip

Tony Cridlin

Hairstylist

Lynn Rodgers

Carpenter

David Coley

Software Engineer

Graham Bartram

Special Effects Coordinator

Douglas D. Kelley

Transportation Captain

Zdenek Flídr

Best Boy Electric

Ron Shane

Electrician

Andy Cole

Production Coordinator

Patsy de Lord

3D Modeller

Mathew C. Judd

Elio Sbrocchi

Fra Praga, Londra, Langley (sede della CIA) vive l'intreccio misto fra James Bond, Die Hard e...il M.I. televisivo. Elettronica, Internet, elicotteri che entrano in gallerie. Insomma gli immancabili effetti speciali col valore aggiunto di un regista che ha sempre avuto qualcosa in più. Destinato a un grande successo già prima dell'approdo nelle sale. Gradevole anche se sopravvalutato. Tutto sommato Cruise non vale Connery. Registriamo il passaggio della Béart attraverso il film: a disagio come un fantasma al sole, monocorde e monoespressiva.