Asesinato... 1-2-3


Asesinato... 1-2-3

Resumen:

Una pareja de adolescentes -Richard (Ryan Gosling), el más popular de clase, y el tímido Justin (Michael Pitt)-, ambos de buena familia y con una mente fría y siniestra, intentan conseguir el crimen perfecto. Para demostrarlo asesinan a una mujer con el único fin de demostrar que son lo suficientemente inteligentes como para salir impunes de cualquier situación. La detective Cassie Mayweather (Sandra Bullock, también la productora ejecutiva del film) y su compañero Sam (Ben Chaplin) serán los encargados de investigar el caso.

Votos 567 (6,1/10)

Tiempo de ejecución: 120 minutos

Fecha de lanzamiento 2002-04-19

Presupuesto: $50,000,000.00

Ingresos: $56,714,147.00

Productora:

  • Castle Rock Entertainment
  • Schroeder Hoffman Productions
  • Warner Bros. Pictures

País de producción:

  • United States of America

Géneros:

  • Crimen
  • Drama
  • Suspense

Trailer

Para obtener más información

Cassie Mayweather
Sandra Bullock
Sandra Bullock
Sam Kennedy
Ben Chaplin
Ben Chaplin
Richard Haywood
Ryan Gosling
Ryan Gosling
Justin Pendleton
Michael Pitt
Michael Pitt
Lisa Mills
Agnes Bruckner
Agnes Bruckner
Ray Feathers
Chris Penn
Chris Penn
Captain Rod Cody
R.D. Call
R.D. Call
Asst. D.A. Al Swanson
Tom Verica
Tom Verica
Ms. Elder
Janni Brenn
Janni Brenn
Restaurant Manager
John Vickery
John Vickery
Mr. Chechi
Michael Canavan
Michael Canavan
Olivia Lake, the Victim
Krista Carpenter
Krista Carpenter
Male Officer in Flashback
Neal Matarazzo
Neal Matarazzo
Lab Technician
Adilah Barnes
Adilah Barnes
Lawyer
Jim Jansen
Jim Jansen
Female Officer in Flashback
Paula Scarpino
Paula Scarpino
Parole Board Marshall
Brian Stepanek
Brian Stepanek
Nurse
Sharon Madden
Sharon Madden
Fingerprint Technician
John Doolittle
John Doolittle
Criminalist #1 at Ray's House
Dennis Cockrum
Dennis Cockrum
Criminalist #2 at Ray's House
Eric Saiet
Eric Saiet
Richard's Mother
Nancy Osborne
Nancy Osborne
Paramedic
Ralph Seymour
Ralph Seymour
Justin's Mother
Christine Healy
Christine Healy
Cop at Richard's House
Nick Offerman
Nick Offerman
Cop at First Crime Scene
Todd Leatherbury
Todd Leatherbury
Casting
Howard Feuer
Howard Feuer
Editor
Lee Percy
Lee Percy
Original Music Composer
Clint Mansell
Clint Mansell
Set Decoration
Hilton Rosemarin
Hilton Rosemarin
Art Direction
Thomas Valentine
Thomas Valentine
Production Design
Stuart Wurtzel
Stuart Wurtzel
Director
Barbet Schroeder
Barbet Schroeder
Producer
Barbet Schroeder
Barbet Schroeder
Costume Design
Carol Oditz
Carol Oditz
Director of Photography
Luciano Tovoli
Luciano Tovoli
Supervising Sound Editor
Ron Bochar
Ron Bochar
Supervising Sound Editor
Nicholas Renbeck
Nicholas Renbeck
Screenplay
Tony Gayton
Tony Gayton
Stunt Coordinator
Norman Howell
Norman Howell
Costume Supervisor
Linda Matthews
Linda Matthews
Art Department Coordinator
Robert Blasi
Robert Blasi
Music Editor
Nic Ratner
Nic Ratner
Script Supervisor
Kerry Lyn McKissick
Kerry Lyn McKissick
Steadicam Operator
Bob Gorelick
Bob Gorelick
Unit Production Manager
Steph Benseman
Steph Benseman
Still Photographer
Suzanne Hanover
Suzanne Hanover
Makeup Artist
Pamela S. Westmore
Pamela S. Westmore
First Assistant Editor
Julie Carr
Julie Carr
Key Hair Stylist
Lori Guidroz
Lori Guidroz
Hairstylist
Lona Vigi
Lona Vigi
Production Coordinator
Eileen A. O'Donnell
Eileen A. O'Donnell
Camera Operator
Dustin Blauvelt
Dustin Blauvelt
Music Supervisor
Deva Anderson
Deva Anderson
Rigging Gaffer
Kevin J. Lang
Kevin J. Lang
Production Supervisor
Cindy Hochman
Cindy Hochman

John Chard

A pact made with relentless fire that requires that, while some live, others die. A modern spin on the Leopold and Loeb case, directed by Barbet Schroeder and starring Sandra Bullock as a cop with emotional baggage trying to prove that two high school kids (Ryan Gosling and Michael Pitt) have committed what they think is the perfect murder - just for kicks, allegedly. There's nothing exactly awful about the film, it's well performed by the principal players, engrossing in narrative, beautifully lensed by Luciano Tovoli and Schroeder layers the production with a suitable feeling of unease. Sadly there's no psychological depth given the two boys by writer Tony Gayton, which renders the whole motives and means, and the investigation of such, as being a shallow exercise in thriller film making. Running at two hours in length doesn't help matters, because this further irritates that more meat was not written onto Gosling and Pitt's bones, while it also exposes just how hackneyed and clichéd the picture is. Which when the story should be psychologically profound, marks this out as a frustrating viewing experience. 6/10

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