General Bonner Fellers
Matthew Fox
General Douglas MacArthur
Tommy Lee Jones
Aya Shimada
Eriko Hatsune
Takahashi
Masayoshi Haneda
Mitsuko Kajima
Kaori Momoi
General Kajima
Toshiyuki Nishida
General Richter
Colin Moy
Teizaburo Sekiya
Isao Natsuyagi
Emperor Hirohito
Takatarô Kataoka
CIC Commander
William Wallace
Lt Col. Rogers
Aaron Jackson
Head Palace Guard
Takanori Higuchi
Production Design
Grant Major
Costume Design
Ngila Dickson
Director of Photography
Stuart Dryburgh
Original Music Composer
Alex Heffes
Rigging Gaffer
John Enright
Art Direction
Jill Cormack
Scenic Artist
Troy Hannett
Scenic Artist
Wade Hannett
Stunt Coordinator
Allan Poppleton
Camera Operator
Ulric Raymond
Costume Supervisor
Jenny Rushton
Sound Designer
Tim Prebble
Set Costumer
Nicky Barron
Sound Re-Recording Mixer
Lora Hirschberg
Sound Effects Editor
Matthew Lambourn
Property Master
Matt Cornelius
Still Photographer
Kirsty Griffin
Visual Effects Producer
Ineke Majoor
Sound Re-Recording Mixer
Gilbert Lake
Script Supervisor
Kristin Witcombe
Set Decoration
Daniel Birt
Hairstylist
Hayley Atherton
Hairstylist
Claire Rutledge
Production Manager
Simon Ambridge
Assistant Art Director
Sam Storey
Construction Coordinator
Todd Smythe
Set Designer
Helen Strevens
Sound Recordist
Toby Lloyd
Sound Recordist
Jim Petrak
Sound Recordist
Nicolas Williams
Visual Effects Producer
Paul Glubb
Visual Effects Supervisor
Julian Dimsey
First Assistant Editor
Peter Skarratt
Transportation Coordinator
Linda Musson
Choreographer
Alyx Duncan
Unit Publicist
Diana Goulding
Location Manager
Mike Holloway
TomStensson
An ambitious attempt to describe a very important problem facing MacArthur when he became Supreme Commander over Japan: should he drag the emperor to a war crime tribunal in order to appease politicians back home in the US who felt that the voters wanted it, or should he be more concerned about restoring Japan as quickly as possible to ensure that communism didn't get a foothold there?<br/> Unfortunately, the story misses many opportunities to more deeply explore cultural differences and moral dilemmas, and instead is filled with several distracting short scenes and sidelines that confuse rather than enlighten.<br/>
It could have been a great film, but now it's just decent.
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