Un homme est passé


Un homme est passé

Vue d’ensemble :

Pour la première fois depuis quatre ans, un train s'arrête à Black Rock, bourgade perdue en plein désert. Le visiteur, John J. Macreedy (qui est amputé d'un bras entier), interroge les quelques habitants qu'il rencontre sur le moyen de se rendre en un lieu-dit alentour : Adobe Flat, et ce sans préciser clairement ses motivations. Bizarrement, l'évocation de ce lieu associée à cette visite totalement inattendue génèrent une forte agressivité de la population locale. Plus Macreedy essaye de comprendre et pose de questions, plus la population se montre menaçante.

Votes 173 (7,3/10)

Duree : 81 minutes

Date de sortie 1955-01-13

Budget : $1,271,000.00

Chiffre d’affaires : $3,788,000.00

Société de production :

  • Loew's
  • Metro-Goldwyn-Mayer

Pays de production :

  • United States of America

Genres :

  • Western
  • Thriller

Remorque

Plus d’informations

John J. Macreedy
Spencer Tracy
Spencer Tracy
Reno Smith
Robert Ryan
Robert Ryan
Liz Wirth
Anne Francis
Anne Francis
Doc T.R. Velie Jr.
Walter Brennan
Walter Brennan
Coley Trimble
Ernest Borgnine
Ernest Borgnine
Hector David
Lee Marvin
Lee Marvin
Tim Horn
Dean Jagger
Dean Jagger
Pete Wirth
John Ericson
John Ericson
Mr. Hastings
Russell Collins
Russell Collins
Sam
Walter Sande
Walter Sande
Cafe Lounger
Billy Dix
Billy Dix
Cafe Lounger
K.L. Smith
K.L. Smith
Second Train Conductor
Robert Griffin
Robert Griffin
First Train Conductor
Harry Harvey
Harry Harvey
One of Two Porters
Bobby Johnson
Bobby Johnson
Tall - White-haired Cafe Lounger
Francis McDonald
Francis McDonald
Orchestrator
Alexander Courage
Alexander Courage
Recording Supervision
Wesley C. Miller
Wesley C. Miller
Original Music Composer
André Previn
André Previn
Assistant Director
Joel Freeman
Joel Freeman
Art Direction
Malcolm Brown
Malcolm Brown
Art Direction
Cedric Gibbons
Cedric Gibbons
Set Decoration
Edwin B. Willis
Edwin B. Willis
Set Decoration
Fred M. MacLean
Fred M. MacLean
Director
John Sturges
John Sturges
Director of Photography
William C. Mellor
William C. Mellor
Producer
Dore Schary
Dore Schary
Orchestrator
Leo Arnaud
Leo Arnaud
Screenplay
Millard Kaufman
Millard Kaufman
Adaptation
Don McGuire
Don McGuire
Associate Producer
Herman Hoffman
Herman Hoffman
Other
John Indrisano
John Indrisano
Editor
Newell P. Kimlin
Newell P. Kimlin
Stunts
Roger Creed
Roger Creed
Story
Howard Breslin
Howard Breslin
Orchestrator
Wally Heglin
Wally Heglin
Stunts
Danny Sands
Danny Sands
Color Timer
Alvord Eiseman
Alvord Eiseman

John Chard

Hateful subject given a master class telling. Produced by Dore Schary out of MGM, Bad Day at Black Rock is directed by John Sturges and stars Spencer Tracy, Robert Ryan, Anne Francis, Dean Jagger, Walter Brennan, John Ericson, Ernest Borgnine and Lee Marvin. It's adapted by Don McGuire and Millard Kaufman from the story "Bad Day at Hondo" written by Howard Breslin. It's shot on location in CinemaScope and Eastman Color at Lone Pine, Death Valley & Alabama Hills in California, with William C. Mellor on photography and André Previn scoring the music. A classy production that combines elements of Westerns and film noir, Bad Day at Black Rock deals with racism and all the hate and bully tactics that come with such a vile subject. It tells the story of a mysterious one armed stranger, John J. Macreedy (Tracy), who arrives at a tiny isolated town in a desert of the Southwest United States in search of a Japanese-American man. From the moment he arrives he is met with hostility and mistrust. Over the course of the day Macreedy picks apart the town to uncover the secret that the towns folk had hoped had gone away forever. From the opening sequence of a bright red train rushing towards us, it's evident that we are in the modern day West. It's just after World War II and the horse trails of the old West are now frequented by jeeps and cars. Yet the hallmarks of the old West exists and thrives because of the inhabitants of Black Rock. An ignorant group of people consisting of bullies, drunks and the head in the sand weak willed type. Yet even though the film is set mostly in the blazing sun, in a barren one horse Western town that time forgot, the film exudes a film noir sensibility. Dark secrets from the past weigh heavy on the shoulders of the towns' big players - and Tracy's High Noon like situation is moodily paced by the wily Sturges. In fact, that a film with so little "gun play" action can be so tense is actually no mean feat, with him yet again directing an ensemble cast to great effect. Tracy is at his best when he is as he is here, playing subdued. Here he is a thinking man's protagonist, calm and reflective in the face of constant hostility. That he is facing an impressive line up of heavies really brings home just how thoughtful a performance Tracy gives in the piece. Robert Ryan does yet another fine turn as a complicated villain whose rage is bubbling away under the surface. Borgnine and Marvin are memorably vile as his right hand thugs, Dean Jagger as the drunken cowardly sheriff manages to pang the heart and Walter Brennan is his usual solid scene influencing self. Anne Francis adds the glamour but really - and sadly - it's a nondescript role that the film could easily have survived without. Clocking in at just 81 minutes the film never outstays its welcome. It looks great on home format issue, and for those interested in commentary tracks, this one comes with a very good one from Dana Polan. Anyone who has not seen this film should try and seek it out. It was considered controversial back on release but now can be viewed as a smart message movie about racial tolerance. Tight, taut and expertly directed and acted, Bad Day At Black Rock is an important film from the 50s that still rings the bells loudly even today. 8/10

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