La Chambre Des Tortures


La Chambre Des Tortures

Vue d’ensemble :

Espagne, xvie siècle. Afin d'éclaircir les mystères qui entourent la mort de sa sœur Elizabeth, Francis Barnard se rend au château où elle vivait en compagnie de son mari Nicholas. Nicholas Bernard, fils d'un redoutable inquisiteur espagnol, sombre lentement dans la folie, persuadé d'avoir enterré vivante sa femme...

Votes 153 (6,9/10)

Duree : 77 minutes

Date de sortie 09/06/1965

True

Budget : $200,000.00

Chiffre d’affaires : $2,000,000.00

Société de production :

  • Alta Vista Productions
  • American International Pictures

Pays de production :

  • United States of America

Genres :

  • Horreur
  • Mystère
  • Thriller

Remorque

Plus d’informations

Nicholas Medina / Sebastian Medina
Vincent Price
Vincent Price
Francis Barnard
John Kerr
John Kerr
Elizabeth Barnard Medina
Barbara Steele
Barbara Steele
Catherine Medina
Luana Anders
Luana Anders
Doctor Leon
Antony Carbone
Antony Carbone
Maximillian
Patrick Westwood
Patrick Westwood
Maria
Lynette Bernay
Lynette Bernay
Isabella
Mary Menzies
Mary Menzies
Bartolome
Charles Victor
Charles Victor
Young Nicholas
Larry Turner
Larry Turner
Director
Roger Corman
Roger Corman
Producer
Roger Corman
Roger Corman
Director of Photography
Floyd Crosby
Floyd Crosby
Screenplay
Richard Matheson
Richard Matheson
Sound Recordist
Roy Meadows
Roy Meadows
Set Decoration
Harry Reif
Harry Reif
Makeup Artist
Ted Coodley
Ted Coodley
Executive Producer
Samuel Z. Arkoff
Samuel Z. Arkoff
Production Design
Daniel Haller
Daniel Haller
Art Direction
Daniel Haller
Daniel Haller
Editor
Anthony Carras
Anthony Carras
Story
Edgar Allan Poe
Edgar Allan Poe
Music Editor
Eve Newman
Eve Newman
Executive Producer
James H. Nicholson
James H. Nicholson
Original Music Composer
Les Baxter
Les Baxter
Production Manager
Bartlett Carré
Bartlett Carré
Special Effects
Pat Dinga
Pat Dinga
Visual Effects
Ray Mercer
Ray Mercer
Costume Design
Marjorie Corso
Marjorie Corso
Sound Editor
Kay Rose
Kay Rose
Second Unit Director
Paul Rapp
Paul Rapp
Assistant Director
Jack Bohrer
Jack Bohrer
Matte Painter
Albert Whitlock
Albert Whitlock
Construction Coordinator
Ross Hahn
Ross Hahn
Still Photographer
Frank Tanner
Frank Tanner
Property Master
Richard M. Rubin
Richard M. Rubin
Script Supervisor
Betty Crosby
Betty Crosby
Music Coordinator
Al Simms
Al Simms
Unit Manager
Robert Agnew
Robert Agnew
Scenic Artist
Tom Matsumoto
Tom Matsumoto
Production Assistant
Jack W. Cash
Jack W. Cash

John Chard

Price, Corman and Matheson, Gothic splendour. Upon hearing of his sister Elizabeth's death, Francis Barnard travels to Spain to find out just exactly how she met her end. Arriving at the Medina castle, he finds the Medina family deeply suspicious characters and the castle itself a foreboding place harnessing a deadly past. The Pit And The Pendulum is the second film in the series of Edgar Allan Poe adaptations that director Roger Corman tackled, it's also easily one of the best. Part horror, part dreamy thriller, and of course with little dashes of humour within, it all comes together rather well. We open with a beach approach to the Medina castle, a big monolithic structure hulking on a cliff edge - naturally accompanied by a misty shroud - we know from this moment on that unease is about to become our middle name. Once inside the castle it's evident that it is a major player in our story, roaring fireplaces and secret chambers all excellently framed by Corman and his team. A story of madness, deceit and sadistic ancestry then plays out to the full to make The Pit And The Pendulum one of the Poe adaptations leading lights. Enlisting the brilliant Richard Matheson to flesh out and extend the Poe short story, he's the perfect man to bring about a Gothic classic. Corman again uses Vincent Price as his leading man and he's rewarded with a quite delicious performance from the big man, where camp and burgeoning madness go hand in hand like they were always meant to be a team. The rest of the cast are naturally trailing in the shadow of Price's greatness, but a noteworthy mention must also go to the good work from Barbara Steele as Elizabeth. Floyd Crosby is again on board for cinematography duties, beautifully realising the lush colour and the doom laden feel of the Medina castle. Then there's Corman himself, who puts in some of his best work here, his use of the camera really adding to the burgeoning sense of dread that flows throughout the piece - the high point a stunning POV victim sequence of the pendulum of the title that is just one of the many technical highlights on show. 8/10

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