The Girl King


The Girl King

Genel bakış:

Genel bakış bu dilde kullanılamaz.

Oy 105 (6,3/10)

Çalışma süresi: 106 dakika

Yayın tarihi 2015-12-11

Yapım şirketi:

  • Anagram Film
  • Starhaus Filmproduktion
  • Triptych Media
  • Marianna Films
  • Galafilm

Üretim Ülke:

  • Canada
  • Finland
  • France
  • Germany
  • Sweden

Türler:

  • Dram
  • Tarih
  • Romantik

Römork

Daha fazla bilgi

Kristina
Malin Buska
Malin Buska
Countess Ebba Sparre
Sarah Gadon
Sarah Gadon
Chancellor Axel Oxenstierna
Michael Nyqvist
Michael Nyqvist
Count Johan Oxenstierna
Lucas Bryant
Lucas Bryant
Countess Erika Erksein
Laura Birn
Laura Birn
Ambassador Pierre Hector Chanut
Hippolyte Girardot
Hippolyte Girardot
Bishop of Stockholm
Peter Lohmeyer
Peter Lohmeyer
Karl Gustav Kasimir
François Arnaud
François Arnaud
Maria Eleonora
Martina Gedeck
Martina Gedeck
René Descartes
Patrick Bauchau
Patrick Bauchau
The General
Jarmo Mäkinen
Jarmo Mäkinen
Guard
Petri Aulin
Petri Aulin
Abortion Nurse
Janina Berman
Janina Berman
King Gustav II Adolf
Samuli Edelmann
Samuli Edelmann
Second Italian Jesuit
Gabriele Goria
Gabriele Goria
Aide de Camp
Mikko Kouki
Mikko Kouki
Count Magnus de la Gardie
Mikko Leppilampi
Mikko Leppilampi
Père Viogué
Timo Torikka
Timo Torikka
Director
Mika Kaurismäki
Mika Kaurismäki
Producer
Mika Kaurismäki
Mika Kaurismäki
Editor
Hans Funck
Hans Funck
Production Design
Markku Pätilä
Markku Pätilä
Director of Photography
Guy Dufaux
Guy Dufaux
Producer
Rainer Kölmel
Rainer Kölmel
Steadicam Operator
Jari Mutikainen
Jari Mutikainen
Producer
Arnie Gelbart
Arnie Gelbart
Music
Anssi Tikanmäki
Anssi Tikanmäki
Makeup Designer
Marjut Samulin
Marjut Samulin
Supervising Sound Editor
Michel B. Bordeleau
Michel B. Bordeleau
ADR & Dubbing
Michel B. Bordeleau
Michel B. Bordeleau
Casting
Sara Kay
Sara Kay
Screenplay
Michel Marc Bouchard
Michel Marc Bouchard
Visual Effects Supervisor
Jon Campfens
Jon Campfens
Visual Effects Producer
Peter Denomme
Peter Denomme
Producer
Wasiliki Bleser
Wasiliki Bleser
Casting
Pia Pesonen
Pia Pesonen
Producer
Martin Persson
Martin Persson
Casting
Laura Munsterhjelm
Laura Munsterhjelm
Visual Effects Supervisor
Tuomo Hintikka
Tuomo Hintikka
ADR & Dubbing
Anja-Corinne Welter
Anja-Corinne Welter
Gaffer
Jani Lehtinen
Jani Lehtinen
First Assistant Camera
Andrus Prikk
Andrus Prikk
Script Supervisor
Marjorie Hamel
Marjorie Hamel
ADR & Dubbing
Rachelle Bergeron
Rachelle Bergeron
Casting
Jenny Lewis
Jenny Lewis
Producer
Anna Stratton
Anna Stratton
Foley
Simon Meilleur
Simon Meilleur
Costume Design
Marjatta Nissinen
Marjatta Nissinen
Visual Effects Coordinator
Beau Parsons
Beau Parsons
Production Design
Petri Neuvonen
Petri Neuvonen
Set Decoration
Sasu Joutsi
Sasu Joutsi
Set Decoration
Mikko Kuivasto
Mikko Kuivasto
Property Master
Tommi Hourula
Tommi Hourula
Casting
Tutsa Huuhka
Tutsa Huuhka
Seamstress
Tytti Helles
Tytti Helles
Seamstress
Kaarina Kopola
Kaarina Kopola
Seamstress
Annariina Kurvinen
Annariina Kurvinen
Seamstress
Eszter Lehtonen
Eszter Lehtonen
Seamstress
Arja Rasinkangas
Arja Rasinkangas
Seamstress
Izabela Vuorio
Izabela Vuorio
Second Unit Cinematographer
Stefan Sosna
Stefan Sosna
First Assistant Camera
Jan Granström
Jan Granström
First Assistant Camera
Jarkko Liikanen
Jarkko Liikanen
Dialogue Editor
Carole Gagnon
Carole Gagnon
ADR & Dubbing
Claire Pochon
Claire Pochon
Sound Re-Recording Mixer
Isabelle Lussier
Isabelle Lussier

Reno

**Caught between the national duty and a personal affair.** A biographical film set in the 17th century about the queen of Sweden. If a film was made based on the real means it has to be something very important thing to tell us like about the person or the historical events surrounding that person. It is a good film to learn the history of that part of the world if you do not belong there, and even for the natives with less knowledge about it. Multi- nationally produced film with a decent cast and production in the English language despite a Scandinavian tale. Besides, it is also a lesbian theme and one of the oldest real account I have seen in a film. Even today, not the whole world accepts it with the open arm. So on that perspective, I was curious about the film. Not to know how the film was made, but how they are, the real people dealt with such sexual concept in those days. Particularly, how the people around reacted to it. On that topic, the narration was not explicit. That means watching it expecting one of the best among its kind is a disappointment. But the film offers more from other angles of importance. After her father's death, the young Kristina was trained all her childhood to be the next ruler of the Sweden. When she came of age to take the crown, her aim is to mark the presence of Sweden all over the Europe. She's a fine sword woman, but also very interested in philosophy and art. But she has never been so confused as one day when she felt something for a woman in her court. She begins to learn more about it from an expert and on the other side, her duty to the nation and its people seems not getting better. How the fate of Sweden and her personal life collides covered in the remaining parts. > ❝I know how to set a bear trap, how to clean a musket, but I don't know how to place my lips on yours.❞ The film was not received well. Critically failed, but it was not that bad if you ask me. Yes, it was boring in parts, due to lack of progression. There's lots of things happened in the story, yet seems was not enough to impress its viewers. Especially switching between national duty and personal affairs strongly collides. Thus leaving both the subjects behind half baked. The real events took place for decades was put into a hundred minutes film did not justify. It's particularly about picking the right story segment to add in the screenplay and the some of the parts looked fine, but not the overall film. On the other hand, some people might find it a propaganda. Protestants, Roman Catholic, I don't know which way it leans, but started with one way and ended with another. So it could be the end that counts. On the humanitarian ground, morally, all looked fine to me. So if that's what made this film to become prey, then it's a totally wrongly judged. Otherwise the film is acceptable for being a biopic, telling the truth. Of all the kings and queen of the world we learnt about, Kristina is different and one should know about her for that. I feel she was very modern and modern in the wrong century. Born in the royal family, had all the power, it's very sad how her fate has changed at the end. But that's not the end of her tale. There's more to reveal, though this film covered only that takes place in the Sweden and being the ruler. I'll be happy if a sequel was made to tell her latter life and self-discovery. I'm sure it would be more a philosophical, but some people might raise the voice propaganda. Since this flick did not do well, that's not going to happen, I guess. One of the reasons I wanted to watch it was Sarah Gadon. She was in one of the main roles, but had a less preference. The other actress was really good and she was almost in every frame of the film. It might not be the best film to represent the LGBT, but it had its share and definitely a decent film from all the other angles. Should have been better, that's what those who saw it would say and so am I. Once watchable, but it does not have quality to I say the word, recommended! _6/10_

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