덤보


덤보

개요:

몸보다 훨씬 큰 귀를 가지고 태어나, 뒤뚱거리는 모습으로 서커스단의 웃음거리가 된 ‘덤보’. 어느 날 왕년의 서커스 스타 ‘홀트(콜린 파렐)’와 그의 아이들, 밀리와 조가 ’덤보’가 하늘을 날 수 있다는 것을 알게 되고, 유능한 사업가 ‘반데비어(마이클 키튼)’가 ‘덤보’를 스타로 만들기 위해 접근한다. 매력적인 공중 곡예사 ‘콜레트(에바 그린)’와 함께 하늘을 날게 된 ‘덤보’는 그의 친구들과 함께 환상적인 쇼를 둘러싼 어둠의 비밀을 발견하게 되는데…

표 2524 (6.6/10)

런타임: 112 분

출시 날짜 2019-03-27

예산: $170,000,000.00

수익: $215,832,199.00

웹사이트: Link

태그 행: 온 세상이 사랑한 아기 코끼리 ‘덤보’! 팀 버튼 감독의 상상력을 만나 다시 날아오른다!

생산 회사:

  • Tim Burton Productions
  • Walt Disney Pictures
  • Moving Picture Company
  • Infinite Detective
  • Secret Machine Entertainment
  • British Film Commission
  • UK Government's High End Television Tax Relief
  • Province of British Columbia Production Services Tax Credit
  • Government of Australia
  • South Australian Film Corporation

생산 국가:

  • United Kingdom
  • United States of America

장르:

  • 모험
  • 가족
  • 판타지

트레일러

추가 정보

Holt Farrier
Colin Farrell
Colin Farrell
V. A. Vandemere
Michael Keaton
Michael Keaton
Max Medici
Danny DeVito
Danny DeVito
Colette Marchant
Eva Green
Eva Green
J. Griffin Remington
Alan Arkin
Alan Arkin
Milly Farrier
Nico Parker
Nico Parker
Joe Farrier
Finley Hobbins
Finley Hobbins
Pramesh Singh
Roshan Seth
Roshan Seth
Hans Brugelbecker
Lars Eidinger
Lars Eidinger
Rongo
Deobia Oparei
Deobia Oparei
Skellig
Joseph Gatt
Joseph Gatt
Ivan the Wonderful
Miguel Muñoz Segura
Miguel Muñoz Segura
Catherine the Greater
Zenaida Alcalde
Zenaida Alcalde
Sotheby
Douglas Reith
Douglas Reith
Rufus Sorghum
Phil Zimmerman
Phil Zimmerman
Miss Atlantis
Sharon Rooney
Sharon Rooney
Puck the Organ Grinder
Frank Bourke
Frank Bourke
Pramesh's Nephew
Ragevan Vasan
Ragevan Vasan
Baritone Bates
Michael Buffer
Michael Buffer
Verna the Secretary
Sandy Martin
Sandy Martin
Teenager in Crowd
Tom Seekings
Tom Seekings
Stuffy Society Woman
Heather Rome
Heather Rome
Rancher
Scott Haney
Scott Haney
Rancher
Erick Hayden
Erick Hayden
Heckler
Greg Canestrari
Greg Canestrari
Heckler
Chris Rogers
Chris Rogers
Mean Teen
Max Gill
Max Gill
Mean Teen
Peter Brookes
Peter Brookes
Stage Manager
Simon Connolly
Simon Connolly
Armored Truck Driver
Nick Bartlett
Nick Bartlett
Power Tower Guard
Harry Taylor
Harry Taylor
Bridge Guard
Vincent Andriano
Vincent Andriano
Nightmare Island Guard
Liam Bewley
Liam Bewley
Dreamland Guard
Ben Crowe
Ben Crowe
Dreamland Security Guard
Josef Davies
Josef Davies
Burly Engineer
Clive Brunt
Clive Brunt
Pipsqueak Engineer
Richard Leeming
Richard Leeming
First Maid
Angela Ashton
Angela Ashton
Second Maid
Alice Bonifacio
Alice Bonifacio
Reporter
Philip Rosch
Philip Rosch
Reporters
Joseph Macnab
Joseph Macnab
Reporter
Rob Heanley
Rob Heanley
Indian Ship Captain
Amerjit Deu
Amerjit Deu
Coat Check Girl
Lucy DeVito
Lucy DeVito
Joplin Man
Richard James-Clarke
Richard James-Clarke
Joplin Man
Matthew Castle
Matthew Castle
Joplin Man
Bret Jones
Bret Jones
Joplin Woman
Zee Asha
Zee Asha
Joplin Woman
Carol Been
Carol Been
Joplin Woman
Jessica Barker-Wren
Jessica Barker-Wren
Woman
Arabella Neale
Arabella Neale
Woman
Rosie Akerman
Rosie Akerman
Vendor
Tim Southgate
Tim Southgate
'Dumbo' Performer
Edd Osmond
Edd Osmond
Clown
Anatoli Akerman
Anatoli Akerman
Circus Attendant (uncredited)
Kamil Lemieszewski
Kamil Lemieszewski
Dreamland Parade Guard (uncredited)
Lampros Kalfuntzos
Lampros Kalfuntzos
Lavish Apartment Maid (uncredited)
Zoë Scott
Zoë Scott
Fringe Girl Dancer (uncredited)
Suan-Li Ong
Suan-Li Ong
Joplin Audience Member
Bern Collaço
Bern Collaço
Production Design
Rick Heinrichs
Rick Heinrichs
Director
Tim Burton
Tim Burton
Executive Producer
Tim Burton
Tim Burton
Original Music Composer
Danny Elfman
Danny Elfman
Editor
Chris Lebenzon
Chris Lebenzon
Costume Designer
Colleen Atwood
Colleen Atwood
Screenplay
Ehren Kruger
Ehren Kruger
Producer
Ehren Kruger
Ehren Kruger
Producer
Katterli Frauenfelder
Katterli Frauenfelder
Executive Producer
Nigel Gostelow
Nigel Gostelow
Sound Designer
James Boyle
James Boyle
Director of Photography
Ben Davis
Ben Davis
Supervising Art Director
Chris Lowe
Chris Lowe
Novel
Helen Aberson
Helen Aberson
Novel
Harold Pearl
Harold Pearl
Producer
Derek Frey
Derek Frey
Producer
Justin Springer
Justin Springer
Production Coordinator
Donald Dowd
Donald Dowd

garethmb

Disney has continued their trend of live-action remakes of their animated classics with “Dumbo”. The film follows the same premise as the 1941 classic in that a baby elephant with giant ears is born into a travelling circus. Like in the animated film he is separated from his mother and soon becomes an unlikely circus act when it is discovered that his giant ears give him the power of flight. In the new version we are introduced to Holt Farrier (Colin Farrell); who returns from WWI injured and dealing with the fact that his wife has died and he must raise their two children alone. Further complicating matters is the fact that Circus owner Max Medici (Danny DeVito), has sold the prized horses Holt used in his act in an effort to keep his struggling circus alive. What has become a tragedy soon becomes a boon when wealthy industrialist V.A. Vandevere (<ichael Keaton) offers to make Max a partner and take him and his troup on at his fabled entertainment park with Dumbo as his featured star. It is at this point where the film takes some wild deviations and becomes very linear with paper thin characters and an emphasis on effects over story. Director Tim Burton has once again crafted a film filled with lavish visuals as his take on the entertainment park and circus is amazing; but it as usual comes at a cost. Like most of Burton’s works, the visuals are the star and key element and the development of characters and story are often given little more than lip service. The same is true fro this film as we learn noting about the motivation of the characters and the villains play out as stock baddies without even a nod as to why they are so inclined to tehir action.s They are being evil just for the sake of being evil. The same can be said for the other characters as we are given very little reasons to care for them. There is a nice subplot with Eva Green but it is never fully developed and the worst part is that the title star almost becomes an afterthought in the final acts so we can be given scene after scene of lavinsh park visuals. The film may be a bit to dark and intense at times for younger viewers and those who remember the original may have a hard time with this take of the film. It entertains at times but could have been so much better. 3 stars out of 5 Second review by Tracey Barrientos In 1941 Walt Disney Pictures brought audiences around the world the fourth animated Disney feature film Dumbo. 78 years later Disney has partnered with Tim Burton to bring audiences of new generations a fresh and live action take on the classic tale. After returning home and left injured from the war, Holt Farrier (Collin Farrell) unites with his kids and his beloved job and home. His home is a traveling circus and his act has been cut due to his injury. Max Medici (Danny DeVito) the owner of the circus asks him to forget about the act and instead take care of a newborn elephant with hopes that the young elephant would help the once booming but now looming circus. The peculiar pachyderm nicknamed Dumbo with extremely oversized ears is the new laughingstock of the circus until Holt’s children discover the magic within Dumbo. He can fly and is attracting attention from all around. As a huge Tim Burton fan I was ecstatic to hear that he was set to direct the live action version of the beloved film. A fantastic cast was put together and to be honest I don’t know that anybody else could’ve played those roles as well as Collin Farrell, Michael Keaton, Danny DeVito, Eva Green and Alan Arkin just to name a few. They brought a sense of magic and true emotion to each character which added depth and soul to the film. Every time the first note from Danny Elfman’s music reaches my ear I instantly get goosebumps. I was extremely happy to here that familiar music in this film. As with all of Tim Burton’s films, it gave a touch of magic and intrigue that Dumbo deserved. The colors were beautiful and vibrant but still held drab contrast to what we are normally used to. I was asked a little bit ago if the film made me cry. The answer is I did. Both with sad and happy tears. A film that encapsulates so many emotions in only two hours and leaves you with a happy heart, THAT is what I look for in a film. That is what a film should make an audience feel. A good tug at those heart strings along with happiness and laughter is the perfect formula. Well done Mr. Burton! I recommend this film to be seen by fans old and new because you won’t be disappointed. 5 out of 5!

msbreviews

If you enjoy reading my spoiler-free reviews, please follow my blog :) 1941’s Dumbo was never a favorite of mine. It’s a great movie with a sweet message (as most Disney flicks), but I was curious to see how a remake of a 60-min film would develop. Obviously, changes to the story not only will occur, but they need to. People have to stop desiring these live-action remakes to be a literal copy-paste of their originals and start being fair to these movies. Pure animation is different from live-action, and the latter provides a much more realistic environment than the former, so it’s evident that every remake they produce will have some “updates” in the more “silly” aspects. Furthermore, I’ve witnessed a couple of “critics” hating this Dumbo. Hating! Calling it one of the worst films of the year! Now that’s a strong feeling to have against a movie that improves so much regarding its original. Yes, it has a bunch of narrative issues, and the dialogues can be cringe-worthy, but hating this 2019 remake while defending the original as it was some kind of masterpiece is ridiculous. Complaining about the 2019’s ending when the 1941’s is absolutely inadmissible is being a hypocrite. Whining about Dumbo not being 100% the star of the show when the original has the elephant discover his flight abilities four minutes before the end is dumb. In addition to that, this film runs for twice the original’s runtime! What did you expect?! That human characters wouldn’t be a necessary modification? Some “critics” are even complaining about animal abuse or their unnecessary exploration … Are they joking?! Have they seen the original? Do they remember how racist it was? How discrimination was treated as comedy? Even alcohol was handled as a plot point for God’s sake! 2019’s Dumbo barely has any animal violence, and its final message is against animal captivity or exploration, so any person who criticizes this ending is either a despicable human being or not a fan of the original Dumbo, at all. Enough about those “critics”. I feel sick just remembering what they wrote/said. Unfortunately, 2019’s Dumbo does have a lot of screenplay issues. There’s no way of denying it. The human characters are filled with cliche storylines and child-written dialogues. I know that analyzing children’s acting is not exactly a fair critic, but I’ve seen so many remarkable young actors nowadays, who make Nico Parker and Finley Hobbins performances look not that good (their scripts also don’t help). The visual style characteristic of Tim Burton is definitely present, even if its magic becomes overwhelming at times. 1941’s Dumbo was very concentrated in one small location contrary to its 2019 remake where V. A. Vandevere‘s park feels like Disneyland. The stiff dialogues don’t help the movie’s pacing, and its tone could be better balanced. Nevertheless, just the opportunity to watch such a gorgeous, magnificent, and visually jaw-dropping live-action elephant come to life is absolutely delightful and entertaining as hell. When a character like Dumbo makes you cry when he’s crying, makes you feel sad when he’s feeling sad, makes you happy when he’s feeling happy, that’s when you know the visual effects team has reached a point where live-action is pretty much reality. The little elephant looks like an adorable little elephant. I mean, what better compliment can I give a live-action character than “it looks and feels real”? Even with the issues mentioned above, it’s still a heartfelt story, filled with emotional moments, and a wonderful message. Technically, it might lack consistency and some overall quality, but I end up enjoying myself. Experiencing Dumbo‘s pain, happiness, and his bond with the kids flourish is special. Colin Farrell and Eva Green deliver good performances, and their character arcs, cliche as they may be, still carry some efficiency. There’s a wrong vibe surrounding the word “cliche”, like it’s a bad thing. Not at all! Something being cliche just means we’ve seen that before a lot of times, it doesn’t mean we’ve seen it performed better or worse. Dumbo is a remake of a very influential 1941 film, so obviously, cliches are a certainty. It’s a Disney tale, after all. In the end, cliche as it might be, 2019’s Dumbo improves on a lot of aspects of its predecessor. I do believe these movies are almost incomparable since the dimension, runtime, and even the main plot are surprisingly (or not) different. Still, not remembering or even acknowledging the original not only is an absolute flaw, but it can ultimately make you a hypocrite, so be careful with what you write/say. I understand a person not enjoying this film or not liking it as much as I did, but if you hate (!) it, you better give me good enough reasons. Dumbo is probably the most visually stunning and incredibly realistic live-action character Disney was able to produce so far. This little elephant alone is worth the price of admission. His arc is way bigger and complex than the one in the original, which can either delight or disappoint you. To me, it not only worked, but it finished strong and way better than the original. It’s upsetting that the screenplay couldn’t accompany Burton‘s impressive visual style, even if overwhelming at times, as well as the human characters who feel a bit detached from the actual story to tell. It’s still a good time at the movie theater, so go see it! Rating: B

Myles

The visuals are done well, but this movie is crowded and there wasn't enough working room to make this the great movie I'd hoped for.

Gimly

Can't believe I got cheated out of Pink Elephants on Parade like that. Literally the only reason I watched this. _Final rating:★½: - Boring/disappointing. Avoid where possible._

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