Last Christmas


Last Christmas

Pregled:

Pregled nije dostupan na ovom jeziku.

Glasova 913 (7,2/10)

-A: 102 minuta

Datum objave 2019-11-07

Proračun: $30,000,000.00

Prihod: $121,550,750.00

Produkcijska kuća:

  • Universal Pictures
  • Feigco Entertainment

Zemlja proizvodnje:

  • United Kingdom
  • United States of America

Žanrovi:

  • Comedy
  • Romance
  • Drama

Prikolica

Daljnje informacije

Kate
Emilia Clarke
Emilia Clarke
Tom
Henry Golding
Henry Golding
Petra
Emma Thompson
Emma Thompson
Santa
Michelle Yeoh
Michelle Yeoh
Joyce
Patti LuPone
Patti LuPone
Theatre Director
Rob Delaney
Rob Delaney
Marta
Lydia Leonard
Lydia Leonard
Ice Show Director
Sue Perkins
Sue Perkins
Dr. Addis
Rebecca Root
Rebecca Root
Jacqueline Ramnarine
Jacqueline Ramnarine
Alba
Jade Anouka
Jade Anouka
Police Woman Churchill
Laura Evelyn
Laura Evelyn
Police Woman Crowley
Ingrid Oliver
Ingrid Oliver
Moroccan Vendor
Liran Nathan
Liran Nathan
Andy
Amit Shah
Amit Shah
Theatre Producer
Peter Serafinowicz
Peter Serafinowicz
Ivan
Boris Isaković
Boris Isaković
Klaus the German Clown
John-Luke Roberts
John-Luke Roberts
The Dane (aka ‘Boy’)
Peter Mygind
Peter Mygind
Casting Director
Sara Powell
Sara Powell
Jenna
Ritu Arya
Ritu Arya
Rufus
Ansu Kabia
Ansu Kabia
Nathan
Calvin Demba
Calvin Demba
Andrew Ridgeley
Andrew Ridgeley
Ed
Maxim Baldry
Maxim Baldry
SARAH
Margaret Clunie
Margaret Clunie
Guy in Pub
David Mumeni
David Mumeni
Young Kate
Madison Ingoldsby
Madison Ingoldsby
Executive Producer
Sarah Bradshaw
Sarah Bradshaw
Director of Photography
John Schwartzman
John Schwartzman
Original Music Composer
Theodore Shapiro
Theodore Shapiro
Costume Design
Renee Ehrlich Kalfus
Renee Ehrlich Kalfus
Screenplay
Emma Thompson
Emma Thompson
Producer
Emma Thompson
Emma Thompson
Casting Director
Fiona Weir
Fiona Weir
Editor
Brent White
Brent White
Makeup & Hair
Daniel Phillips
Daniel Phillips
Producer
George Michael
George Michael
Director
Paul Feig
Paul Feig
Production Supervisor
Michael Solinger
Michael Solinger
Casting Director
Alice Searby
Alice Searby
Production Design
Gary Freeman
Gary Freeman
Producer
David Livingstone
David Livingstone
Greensman
Peter Hooper
Peter Hooper
Supervising Art Director
Tom Still
Tom Still
Set Decoration
Raffaella Giovannetti
Raffaella Giovannetti
Makeup & Hair
Pippa Woods
Pippa Woods
Unit Production Manager
Simone Goodridge
Simone Goodridge
Art Department Coordinator
Cécile Bouquet
Cécile Bouquet
Art Direction
Richard Hardy
Richard Hardy
Makeup & Hair
Andrea Cracknell
Andrea Cracknell
Standby Property Master
Joel Block
Joel Block
Production Supervisor
Rebecca Adams
Rebecca Adams
Makeup & Hair
Jo Barrass-Short
Jo Barrass-Short
Art Department Assistant
Roberto Oliveri
Roberto Oliveri
Production Controller
Laura Richardson
Laura Richardson
Screenplay
Bryony Kimmings
Bryony Kimmings
Standby Art Director
Isona Rigau
Isona Rigau
Assistant Set Decoration
Sandro Piccarozzi
Sandro Piccarozzi
Third Assistant Director
Grant Butler
Grant Butler
Draughtsman
Ida Grundsoee
Ida Grundsoee
Assistant Set Decoration
Yasmin Al-Naib
Yasmin Al-Naib
Charge Scenic Artist
Dave Fisher
Dave Fisher
Production Executive
Sean T. Stratton
Sean T. Stratton
Producer
Erik Baiers
Erik Baiers
Crowd Assistant Director
Annie Hitchcock
Annie Hitchcock
Art Department Assistant
Shane Harford
Shane Harford
Props
John W. Wheatley
John W. Wheatley
First Assistant Director
Phil Booth
Phil Booth
Props
Colin Matthews
Colin Matthews
Second Assistant Director
Tom Mulberge
Tom Mulberge
Makeup & Hair
Holly Caddy
Holly Caddy
Makeup & Hair
Catherine Grove
Catherine Grove
Makeup & Hair
Nadine Moseley
Nadine Moseley
Makeup & Hair
Chloë Pyne
Chloë Pyne
Assistant Director of Photography
Sam Barry-Parker
Sam Barry-Parker
Set Painter
Grace James
Grace James
Production Assistant
Charlotte Amelia Miles
Charlotte Amelia Miles
Petty Cash Buyer
Dianah Jane Coleman
Dianah Jane Coleman
Greensman
Bevan de Kock
Bevan de Kock
Assistant Art Director
Cade Featherstone
Cade Featherstone
Art Department Assistant
Beth Hajdukiewicz
Beth Hajdukiewicz
Art Department Assistant
Lara Humphreys
Lara Humphreys
Additional Photography
George Knowles
George Knowles
Art Department Trainee
Laura McDonald
Laura McDonald
Art Department Assistant
Claire Peerless
Claire Peerless
Art Department Assistant
Heather Rackstraw
Heather Rackstraw
Props
Harry Stoyle
Harry Stoyle
Graphic Designer
Lauren Wakefield
Lauren Wakefield
Props
Paul Walsh
Paul Walsh
Props
Dale Walters
Dale Walters
Props
Martin Rookes
Martin Rookes

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I'm not the biggest fan of straight-up romantic comedies (rom-coms). I don't think I absolutely love a film from this genre, and if I do, it probably doesn't solely belong to the rom-com's list (they could also be musicals, dramas, etc). Most of the times, I appreciate them enough to feel fulfilled. Very rarely, I feel totally disappointed or with a hate feeling towards one. Paul Feig delivered a couple of great comedies during his career (Bridesmaids, Spy), and the underrated/overlooked A Simple Favor, which I enjoyed very much. With Emma Thompson (Adelia) as both supporting actress and screenwriter, Emilia Clarke and Henry Golding as protagonists, Last Christmas grew on me in the week of its premiere, making me genuinely excited for its session. This Christmas' movie sort of falls in the middle. I don't exactly "like" it that much, but I still left the theater happy and reasonably entertained. It actually possesses a dramatic tone deep within, but it never fully explores it, maintaining the lighthearted and festive vibe throughout most of its runtime. Clarke and Golding share amazing chemistry, and their scenes are very romantic, sweet, and emotional. However, it's more of the same. Last Christmas doesn't bring anything new since it follows the same cliches every other rom-com does. Its only bold and different take on the story is a plot twist that raises too many logical questions. Instead of carrying an emotionally powerful impact, it merely delivers an initial shock that goes away once people start to really think about it. Nevertheless, I praise this storytelling choice. It's never easy to pull off a twist, but the truth is that if Emma Thompson and Bryony Kimmings didn't take this missed shot, I wouldn't have spent the whole trip back home thinking about the film. I would have probably forgotten it as soon as I got into the car. So, congrats on trying something different, even if it didn't quite work for me. Thompson ultimately shines as Kate's mom, though. No missteps here. She's hilarious, and she has some of the funniest lines of the whole thing. Michelle Yeoh (Santa) also has a couple of fun moments, but her subplot feels a bit strained. Emilia Clarke incorporates the clumsiness and awkwardness of her character seamlessly. If you're familiar with Clarke's interviews and public persona, then you know that Kate is basically the over-the-top reflection of Clarke. Despite her lack of luck, she's still charming and a good person that went through a traumatic event that changed her life (duh). Golding is glamorous and perfect as expected, especially since his character needed precisely these attributes. Their relationship grows in a not-so-realistic way, and while this might be justified by the last act's twist, other plot points are not. My main issue with the movie is really those last 20 minutes. In addition to the twist, every single subplot is closed like nothing happened. From a particular family situation regarding sexual orientation to Yeoh's entire side story, all are either solved off-screen or way too easily. It's a rollercoaster of good and bad writing decisions. It has a couple of exciting downwards slopes and tight turns, but most of it is a slow ride with nothing truly thrilling or astonishing. Last Christmas tries to be "the next big thing" concerning Christmas classics, but it falls short of its goal. Boasting a fantastic cast, with two charming, compelling leads in Emilia Clarke and Henry Golding, Paul Feig delivers a lighthearted, festive film, but stuffed with cliches and a twist that doesn't quite work. Emma Thompson shines as a supporting character but has some missteps in co-writing the story with Bryony Kimmings, showing significant struggles in tying up the loose threads left by the side stories. Despite its storytelling issues, it's a flick I recommend to anyone who loves seasonal movies with a beautiful message, some fun moments, and a score packed with our favorite George Michael's songs. Rating: C+

JPV852

Some nice moments and I did like the cast as Emilia Clarke and Henry Golding had some nice chemistry. The twist felt forced but I guess I should expect it from a sappy Christmas movie. IDK, I enjoyed parts of this mostly for the core cast though doubt I'd have much desire to watch again (also feels odd watching a Christmas movie like this in February). **3.25/5**

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