Zabójcze maszyny


Zabójcze maszyny

Przegląd:

Cywilizacja człowieka została zniszczona przez kataklizm. Tysiące lat potem ludzkość dostosowała się do nowych warunków. Gigantyczne miasta przemieszczają się po Ziemi, niszcząc mniejsze metropolie. Tom Natsworthy, pochodzący z przedmieść miasta trakcyjnego – Londynu, walczy o przetrwanie. Na swojej drodze spotyka niebezpieczną uciekinierkę Hester Shaw. Dwa przeciwieństwa, których drogi nigdy nie powinny były się przeciąć, tworzą nieprawdopodobny sojusz. Sojusz, który ma zmienić bieg przyszłości.

Głosów 2406 (6,1/10)

Czas działania: 118 minut

Data wydania 2018-11-27

Budżet: $100,000,000.00

Dochody: $104,236,467.00

Strona internetowa: Link

Produkcji firmy:

  • Scholastic Productions
  • Silvertongue Films
  • Universal Pictures
  • WingNut Films
  • Media Rights Capital

Kraj produkcji:

  • New Zealand
  • United States of America

Gatunki:

  • Przygodowy
  • Fantasy

Przyczepa

Dalsze informacje

Hester Shaw
Hera Hilmar
Hera Hilmar
Tom Natsworthy
Robert Sheehan
Robert Sheehan
Thaddeus Valentine
Hugo Weaving
Hugo Weaving
Anna Fang
Jihae
Jihae
Bevis Pod
Ronan Raftery
Ronan Raftery
Katherine Valentine
Leila George
Leila George
Magnus Crome
Patrick Malahide
Patrick Malahide
Shrike
Stephen Lang
Stephen Lang
Chudleigh Pomeroy
Colin Salmon
Colin Salmon
Vambrace
Mark Mitchinson
Mark Mitchinson
Captain Khora
Regé-Jean Page
Regé-Jean Page
Sathya
Menik Gooneratne
Menik Gooneratne
Yasmina Rashid
Frankie Adams
Frankie Adams
Nils Lindstrom
Leifur Sigurdarson
Leifur Sigurdarson
Toa Heke
Kahn West
Kahn West
Herbert Melliphant
Andrew Lees
Andrew Lees
Clytie Potts
Sophie Cox
Sophie Cox
Governor Kwan
Kee Chan
Kee Chan
Dr. Twix
Sarah Peirse
Sarah Peirse
Stigwood
Mark Hadlow
Mark Hadlow
Pandora Shaw
Caren Pistorius
Caren Pistorius
Young Hester
Poppy Macleod
Poppy Macleod
Bürgermeister
Joel Tobeck
Joel Tobeck
Professor Arkengarth
Terry Norris
Terry Norris
Chief Navigator
Calum Gittins
Calum Gittins
Mrs. Wreyland
Megan Edwards
Megan Edwards
Mr. Wreyland
Peter Rowley
Peter Rowley
Gench
Aaron Jackson
Aaron Jackson
Pewsey
Stephen Ure
Stephen Ure
Pierrepoint
Nathaniel Lees
Nathaniel Lees
Dietrich
Paul Yates
Paul Yates
Waving Aviator
Nick Blake
Nick Blake
Young Mother
Beatrice Joblin
Beatrice Joblin
Lookout
Thomas Lahood
Thomas Lahood
Water Hawker
Simbarashe Matshe
Simbarashe Matshe
Salzhakener
Lee Tuson
Lee Tuson
Food Hawker
Jason Whyte
Jason Whyte
De Groot
Michael Homick
Michael Homick
Salvage Man #1
Royden Davys
Royden Davys
Salvage Man #2
Richard Mills
Richard Mills
Burly Salvageman
Shane Rangi
Shane Rangi
Major Chen
Yoson An
Yoson An
Himself
Nicholas Quirke
Nicholas Quirke
Medusa (voice)
Lynda Lester
Lynda Lester
Tube Tannoy (voice)
Rick Baker
Rick Baker
Londoner with Book
Katie Jackson
Katie Jackson
Londoner with Headphones
Billy Jackson
Billy Jackson
Scav Trader Carter
Carter Nixon
Carter Nixon
Shan Guo Man
Philip Reeve
Philip Reeve
Shan Guo Teenager
Sam Reeve
Sam Reeve
Nicholas Quirke
Nicholas Quirke
Nicholas Quirke
Shan Guo Control
Martin Kwok
Martin Kwok
Airhaven Control
Seth F. Miller
Seth F. Miller
Screenplay
Peter Jackson
Peter Jackson
Producer
Peter Jackson
Peter Jackson
Screenplay
Fran Walsh
Fran Walsh
Producer
Fran Walsh
Fran Walsh
Screenplay
Philippa Boyens
Philippa Boyens
Co-Producer
Philippa Boyens
Philippa Boyens
Casting
Liz Mullane
Liz Mullane
Production Design
Dan Hennah
Dan Hennah
Sound Editor
Brent Burge
Brent Burge
Producer
Deborah Forte
Deborah Forte
Supervising Art Director
Simon Bright
Simon Bright
Producer
Zane Weiner
Zane Weiner
Original Music Composer
Junkie XL
Junkie XL
Casting
Ann Robinson
Ann Robinson
Set Decoration
Shane Vieau
Shane Vieau
Art Direction
Brendan Heffernan
Brendan Heffernan
Executive Producer
Ken Kamins
Ken Kamins
Producer
Amanda Walker
Amanda Walker
Director of Photography
Simon Raby
Simon Raby
Costume Design
Kate Hawley
Kate Hawley
Casting
Amy Hubbard
Amy Hubbard
Art Direction
Philip Thomas
Philip Thomas
Editor
Jonno Woodford-Robinson
Jonno Woodford-Robinson
Costume Design
Bob Buck
Bob Buck
Stunts
Yoshinao Aonuma
Yoshinao Aonuma
Sound Designer
Dave Whitehead
Dave Whitehead
Director
Christian Rivers
Christian Rivers
Art Direction
Helen Strevens
Helen Strevens
Stunt Coordinator
Isaac Hamon
Isaac Hamon
Art Direction
Simon Lowe
Simon Lowe
Sound Editor
Jason Canovas
Jason Canovas
Script Supervisor
Melissa Lawrence
Melissa Lawrence
Property Master
Phred Palmer
Phred Palmer
Script Supervisor
Veronique Lawrence
Veronique Lawrence
Stunts
Peter Hassall
Peter Hassall
Art Direction
Matt Austin
Matt Austin
Stunts
Damien Bryson
Damien Bryson
Fight Choreographer
Mark Trotter
Mark Trotter
Novel
Philip Reeve
Philip Reeve
Art Direction
Vanessa Cole
Vanessa Cole
Sound Editor
Emile de la Rey
Emile de la Rey
Stunt Double
Inge Sildnik
Inge Sildnik
Stunt Double
Rosalie van Horik
Rosalie van Horik
Stunts
Fintan Costelloe
Fintan Costelloe
Stunts
Tyrone Costelloe
Tyrone Costelloe
Stunts
Sarah Munn
Sarah Munn
Stunts
Matt Bennett
Matt Bennett
Art Department Coordinator
Anna Houghton
Anna Houghton
Construction Coordinator
Sally Foster
Sally Foster

Gimly

Shocking nobody, _Mortal Engines_ was not very good. Trying to jam way too much into two hours than is reasonable, it instead delivers on zero things. I guess I was **kind of** interested in the character of Shrike, but that was really the whole of my positive experience with _Mortal Engines_. Maybe if this thing had come out about eight years ago in the **height** of the bizarre Steam Punk obsession that gripped the globe (even if it was a weird sort of obsession where everybody called everything they like, and themselves Steam Punk but it really wasn't required to have any relation to actual Steam Punk) then the movie could have at least done well financially, but there's no world wherein this version of _Mortal Engines_ is a consumate film. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

TalisBriedis

Good attempt. Different, unique, and the sets are great. Yeah, it has some weak points, and some of the writing/editing could have been better. But this is a refreshing change in the usual sci-fi stuff that has been coming out. Marvel and DC are flooding the market with their super heroes (not all bad, just too much) I detest all these vampire/werewolf/zombie crap (all of it) This is a nice change, and I enjoyed it! I did not know what to expect when I started to watch this, but I was pleasantly surprised. Ignore the negative reviews. Those are probably written by zombies/vampires/werewolves....

Per Gunnar Jonsson

I have to say that I liked this movie a lot. It is kind of fantasy, science fiction (emphasis on fiction here) and steam punk (or perhaps I should say diesel punk) mixed together. The world is a fairly dark post apocalyptic world where moving predator cities prays on each other. The entire concept is really quite ridiculous of course but it makes for some really fantastic and spectacular special effects and I am a sucker for spectacular special effects. In addition the overall story holds together fairly well. That is, in the context of the ludicrous world that is the background of this story in the first place of course. It is quite straightforward without too much annoying social or green preaching that plagues so many movies nowadays. Somewhat predictable but overall a good vehicle for the plentiful action. I also liked most of the characters. Both the bad guy and the good guys had decent charisma with the exception of Tom who was a bit of a naive whiner although he got it together towards the end. There where few flaws. Nothing really major except that, in one scene at the end, the city of London was shown against the wall and it was bloody tiny compared to the wall. The main bad guy’s last resort was to pummel London against the wall and was expected to break it down. Before in the movie London was depicted as really huge. That scene really screwed that and made him delusional. Apart from that, end Tom’s whining and naivety, I really liked this movie. It was the kind of over the top, fantasy/fiction movie with a big budget that you do not see every day. Of course the dickwads, a.ka “critics”) at Rotten Tomatoes and other mainstream media assholes did their best to tell everyone how bad it was. As usual that’s just the stuff that comes out of the south end of a north bound bull.

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