Análisis final


Análisis final

Resumen:

Diana Baylor, una mujer frágil y nerviosa, visita al prestigioso psiquiatra Isaac Barr. La personalidad de Diana, muy marcada por la influencia de un padre incestuoso y violento y por una serie de hechos anómalos, atrae al psiquiatra, que acepta tratarla para averiguar qué se esconde detrás de esa hermosa e inestable mujer. Para Barr, Diana es un desafío. Cansado de casos más o menos previsibles, tiene la oportunidad de adentrarse en una mente oscura y llena de fascinantes recovecos.

Votos 132 (5,7/10)

Tiempo de ejecución: 117 minutos

Fecha de lanzamiento 30/04/1992

True

Ingresos: $28,590,665.00

Lema: Un psiquiatra y dos hermosas hermanas jugando el juego psicológico definitivo.

Productora:

  • Warner Bros. Pictures
  • Witt/Thomas Productions

País de producción:

  • United States of America

Géneros:

  • Drama
  • Suspense
  • Romance

Trailer

Para obtener más información

Isaac Barr
Richard Gere
Richard Gere
Heather Evans
Kim Basinger
Kim Basinger
Diana Baylor
Uma Thurman
Uma Thurman
Jimmy Evans
Eric Roberts
Eric Roberts
Mike O'Brien
Paul Guilfoyle
Paul Guilfoyle
Detective Huggins
Keith David
Keith David
Alan Lowenthal
Robert Harper
Robert Harper
Pepe Carrero
Agustin Rodriguez
Agustin Rodriguez
Dr. Grusin
Rita Zohar
Rita Zohar
Anwalt
Harris Yulin
Harris Yulin
Production Design
Dean Tavoularis
Dean Tavoularis
Art Direction
Angelo P. Graham
Angelo P. Graham
Set Decoration
George R. Nelson
George R. Nelson
Producer
Charles Roven
Charles Roven
Director of Photography
Jordan Cronenweth
Jordan Cronenweth
Producer
Richard Gere
Richard Gere
Original Music Composer
George Fenton
George Fenton
Producer
Paul Junger Witt
Paul Junger Witt
Producer
Tony Thomas
Tony Thomas
Costume Design
Aude Bronson-Howard
Aude Bronson-Howard
Executive Producer
Maggie Wilde
Maggie Wilde
Editor
Thom Noble
Thom Noble
Screenplay
Wesley Strick
Wesley Strick
Novel
Wesley Strick
Wesley Strick
Director
Phil Joanou
Phil Joanou
Novel
Robert Berger
Robert Berger
Casting
David Rubin
David Rubin

John Chard

Stuck in between its aims. *** This review may contain spoilers *** It is one of those films that I never cared for back in the early 90s, but sifting through the ex-rentals for a pound at Blockbuster I thought it was worth a purchase to revisit with older eyes. Well, sadly it still fails to grab me with any urgency and still comes across as a poor man's Hitchcock movie, and one the big man probably would of discarded himself. The story works on a basic thriller level, and some decent sequences are worth spending the time viewing, but the film suffers for drawing out the characters for far too long in the first hour, and to compound matters by then killing off the best character on show. I mean sure everyone loves a bad guy but here Eric Roberts' villain turn is the shining light, and it leaves such a hole in the film when he departs it never manages to recover. The rest of the cast are merely average, I like Richard Gere, in fact I'm a big fan, but he is going through the motions here, whilst the solid Keith David overdoes his role and becomes annoying come the final reel. Kim Basinger looks gorgeous but struggles to put any conviction into a layered role calling for femme fatale devilment, while Uma Thurman is fresh and honest but she also gets bogged down by the maudlin writing. Nice sets, nice ending, shame about its core. 5/10

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