Tử Chiến Trường Thành


Tử Chiến Trường Thành

Tổng quan:

Lấy bối cảnh thời kỳ Bắc Tống, chuyện phim xoay quanh câu chuyện của William Garin (Damon) – thành viên trong nhóm lính đánh thuê châu Âu được cử sang Trung Quốc để đánh cắp công thức chế tạo thuốc súng. Sau khi bị phát hiện và bị tống giam bên trong Vạn Lý Trường Thành, anh đã vô tình phát hiện ra những bí ẩn đáng sợ đằng sau công trình được coi là Đệ nhất kỳ quan của thế giới.

Lượt đánh giá 3645 (5,9/10)

Thời gian chạy: 103 phút

Ngày phát hành 2016-12-16

Ngân sách: $150,000,000.00

Doanh thu: $331,957,105.00

Trang web: Link

Công ty sản xuất:

  • Legendary East
  • Universal Pictures
  • Atlas Entertainment
  • Le Vision Pictures
  • Kava Productions
  • China Film Group Corporation
  • DENTSU
  • Fuji Television Network
  • Legendary Pictures

Quốc gia sản xuất:

  • China
  • Hong Kong

Thể loại:

  • Phim Hành Động
  • Phim Phiêu Lưu
  • Phim Giả Tượng

Trailer

Thông tin thêm

William Garin
Matt Damon
Matt Damon
General Lin Mei
Jing Tian
Jing Tian
Ballard
Willem Dafoe
Willem Dafoe
Wang Junshi
Andy Lau
Andy Lau
Pero Tovar
Pedro Pascal
Pedro Pascal
General Shao
Zhang Hanyu
Zhang Hanyu
Rizzetti
Johnny Cicco
Johnny Cicco
Peng Yong
Luhan
Luhan
Commander Chen
Lin Gengxin
Lin Gengxin
Commander Wu
Eddie Peng
Eddie Peng
Commander Deng
Huang Xuan
Huang Xuan
Bouchard
Pilou Asbæk
Pilou Asbæk
Shen
Ryan Zheng Kai
Ryan Zheng Kai
Imperial Officer
Chen Xuedong
Chen Xuedong
Najid
Numan Acar
Numan Acar
Lin Mae's 2nd Lieutenant Li Qing
Bing Liu
Bing Liu
Emperor
Karry Wang
Karry Wang
Lieutenant Xiao Yu
Vicky Yu
Vicky Yu
Editor
Craig Wood
Craig Wood
Producer
Charles Roven
Charles Roven
Casting
Victoria Thomas
Victoria Thomas
Casting
John Papsidera
John Papsidera
Director
Zhang Yimou
Zhang Yimou
Sound Designer
Kyrsten Mate
Kyrsten Mate
Director of Photography
Stuart Dryburgh
Stuart Dryburgh
Foley Artist
Dennie Thorpe
Dennie Thorpe
Foley Artist
Jana Vance
Jana Vance
Story
Edward Zwick
Edward Zwick
Story
Marshall Herskovitz
Marshall Herskovitz
Makeup Designer
Paul Engelen
Paul Engelen
Dialect Coach
Tim Monich
Tim Monich
Sound Effects Editor
Teresa Eckton
Teresa Eckton
Set Decoration
Gordon Sim
Gordon Sim
Editor
Mary Jo Markey
Mary Jo Markey
Producer
Peter Loehr
Peter Loehr
Production Design
John Myhre
John Myhre
Costume Design
Mayes C. Rubeo
Mayes C. Rubeo
Screenplay
Tony Gilroy
Tony Gilroy
Supervising Art Director
Helen Jarvis
Helen Jarvis
Makeup Artist
Jana Carboni
Jana Carboni
Visual Effects Supervisor
Samir Hoon
Samir Hoon
Original Music Composer
Ramin Djawadi
Ramin Djawadi
Executive Producer
Alex Gartner
Alex Gartner
Music Supervisor
Peter Afterman
Peter Afterman
Music Supervisor
Margaret Yen
Margaret Yen
Producer
Thomas Tull
Thomas Tull
Unit Production Manager
Kwame Parker
Kwame Parker
Executive Producer
E. Bennett Walsh
E. Bennett Walsh
Visual Effects Coordinator
Joanie Croteau
Joanie Croteau
Dialect Coach
Judy Dickerson
Judy Dickerson
Producer
Jon Jashni
Jon Jashni
Stunt Coordinator
Hiro Koda
Hiro Koda
Gaffer
Sean O'Neill
Sean O'Neill
Screenplay
Doug Miro
Doug Miro
Helicopter Camera
Dylan Goss
Dylan Goss
Orchestrator
Stephen Coleman
Stephen Coleman
Story
Max Brooks
Max Brooks
Concept Artist
Simon Webber
Simon Webber
Screenplay
Carlo Bernard
Carlo Bernard
Stunt Coordinator
Brad Martin
Brad Martin
Sound Re-Recording Mixer
Beau Borders
Beau Borders
Art Direction
Colin Gibson
Colin Gibson
Casting Associate
Deanna Brigidi
Deanna Brigidi
Title Designer
Kyle Cooper
Kyle Cooper
Pilot
Alan D. Purwin
Alan D. Purwin
Co-Producer
Eric Hedayat
Eric Hedayat
Executive Producer
Zhang Zhao
Zhang Zhao
Animation
Marc Aubry
Marc Aubry
Set Costumer
Daniela Castillero Ramos
Daniela Castillero Ramos
Armorer
Joe Dunckley
Joe Dunckley
Production Coordinator
Rachel Weng
Rachel Weng
Hairstylist
Felicity Wright
Felicity Wright
Script Supervisor
Anna Rane
Anna Rane
Conductor
Isobel Griffiths
Isobel Griffiths
Utility Stunts
Scott R. Fisher
Scott R. Fisher
Stunt Double
Timothy Eulich
Timothy Eulich
Conceptual Design
Ben Mauro
Ben Mauro
Conceptual Design
Eduardo Pena
Eduardo Pena
Supervising Sound Editor
Gwendolyn Yates Whittle
Gwendolyn Yates Whittle
Set Designer
Kris Bergthorson
Kris Bergthorson
Dialect Coach
Francie Brown
Francie Brown
Sound Re-Recording Mixer
Michael Semanick
Michael Semanick
Executive Producer
Jillian Share
Jillian Share
Property Master
Simone Leclerc
Simone Leclerc
Costume Supervisor
Janice MacIsaac
Janice MacIsaac
Still Photographer
Jasin Boland
Jasin Boland
Camera Operator
Peter McCaffrey
Peter McCaffrey
Steadicam Operator
Colin Hudson
Colin Hudson
Wigmaker
Alex Rouse
Alex Rouse
Second Unit Director of Photography
Duane Manwiller
Duane Manwiller
Visual Effects Art Director
Lubo Hristov
Lubo Hristov
Key Scenic Artist
Dena Skalin
Dena Skalin
Hairstylist
Maralyn Sherman
Maralyn Sherman
Rigging Gaffer
Mark Jefferies
Mark Jefferies
Leadman
Sean Ginevan
Sean Ginevan
Stunt Coordinator
Buster Reeves
Buster Reeves
Assistant Sound Editor
Stuart McCowan
Stuart McCowan
VFX Editor
Tom Barrett
Tom Barrett
Animation
Steve Cady
Steve Cady
Assistant Sound Editor
Lisa Chino
Lisa Chino
Foley Mixer
Chris Manning
Chris Manning
Assistant Costume Designer
Koreen Heaver
Koreen Heaver
First Assistant Director
P.J. Voeten
P.J. Voeten
Music Editor
Alex Levy
Alex Levy
Visual Effects Supervisor
Matt Russell
Matt Russell
Dialogue Editor
Will Ralston
Will Ralston
Hair Department Head
Tracey Wells
Tracey Wells
Assistant Costume Designer
Stacy Caballero
Stacy Caballero
Visual Effects Producer
Thomas Elder-Groebe
Thomas Elder-Groebe
Sound Effects Editor
Ryan J. Frias
Ryan J. Frias
Rigging Grip
Oscar Gomez
Oscar Gomez
First Assistant Editor
Simon Morgan
Simon Morgan
VFX Editor
Lei Zhang
Lei Zhang
Assistant Costume Designer
Liz Krause
Liz Krause
Visual Effects Supervisor
Joseph Kasparian
Joseph Kasparian
Executive Producer
La Peikang
La Peikang
Creature Design
Christian Scheurer
Christian Scheurer
Animation
Caroline Labrie
Caroline Labrie
Animation
Emmanuel Gatera
Emmanuel Gatera
Visual Effects Coordinator
Martine Losier
Martine Losier
Visual Effects Coordinator
Karina Mariano
Karina Mariano
Art Direction
Joe Celli
Joe Celli
Art Direction
Sherrie Dai
Sherrie Dai
Art Direction
Paul Gelinas
Paul Gelinas
Assistant Art Director
Hana Sooyeon Kim
Hana Sooyeon Kim
Assistant Costume Designer
Chloe Aubry
Chloe Aubry
Camera Operator
Saba Mazloum
Saba Mazloum
Camera Operator
William DiCenso
William DiCenso
Animation Manager
Nikhil Deshmukh
Nikhil Deshmukh
Visual Effects Coordinator
Brianna Domont
Brianna Domont
Visual Effects Coordinator
Erika Gourvitz
Erika Gourvitz
Visual Effects Coordinator
Deborah Zadzora
Deborah Zadzora
Visual Effects Supervisor
Phil Brennan
Phil Brennan
Visual Effects Supervisor
Matt Hartle
Matt Hartle
Makeup Artist
Daniel Lawson Johnston
Daniel Lawson Johnston
Post Production Supervisor
Graham Stumpf
Graham Stumpf
Concept Artist
Kelton Cram
Kelton Cram
Production Coordinator
Billy Bonifield
Billy Bonifield
Costume Coordinator
Martin Mandeville
Martin Mandeville
Casting Assistant
Andrew Hadzopoulos
Andrew Hadzopoulos
Foley Supervisor
Kimberly Patrick
Kimberly Patrick
Foley Editor
Jim Likowski
Jim Likowski
First Assistant Camera
Huifang Esther Tan
Huifang Esther Tan
Casting Assistant
Kim Winther
Kim Winther
Second Assistant Director
Scott Lovelock
Scott Lovelock
First Assistant "A" Camera
Brenden Holster
Brenden Holster
Co-Producer
Alex Hedlund
Alex Hedlund
Co-Producer
Zhang Wang
Zhang Wang
Set Designer
Nicolas Vallet
Nicolas Vallet
Title Designer
Nadia Tzuo
Nadia Tzuo
Stunt Double
Gáspár Szabó
Gáspár Szabó
Concept Artist
Christian Pearce
Christian Pearce
Art Direction
Adam Wheatley
Adam Wheatley
Dolly Grip
Lech Gunovic
Lech Gunovic
Key Grip
Guy Micheletti
Guy Micheletti
ADR Mixer
Thomas J. O'Connell
Thomas J. O'Connell
Foley Artist
Geoff Vaughan
Geoff Vaughan
Assistant Sound Editor
Richard Gould
Richard Gould
Utility Stunts
Christopher Leps
Christopher Leps
Assistant Sound Editor
Cameron Barker
Cameron Barker
First Assistant "B" Camera
Philip A.T. Smith
Philip A.T. Smith
Assistant Editor
Jenny Caceres
Jenny Caceres
Stunt Double
Rob Cooper
Rob Cooper
Aerial Coordinator
Michael J Tamburro
Michael J Tamburro
Post Production Coordinator
Sorta Lim
Sorta Lim
Second Assistant Director
Kevin Feng Ke
Kevin Feng Ke
Graphic Designer
Heather Pollington
Heather Pollington
Boom Operator
Shanti Burn
Shanti Burn
ADR Mixer
Mike Xu
Mike Xu
Visual Effects Producer
Ashwin Agrawal
Ashwin Agrawal
Best Boy Electric
Scott Harman
Scott Harman
Drone Pilot
Drew Roberts
Drew Roberts
Rigging Grip
Ray Valerio
Ray Valerio
Location Manager
Candy Rong Peng
Candy Rong Peng
Props
Christopher Alex Menges
Christopher Alex Menges

ColinJ

Entertaining nonsense. I went in expecting gorgeous junk and that's exactly what I got.

CraigJamesReview

Impressive in it's visual style as many Zhang Yimou films are. He has this fascination with weaponry and following it as it soars through the air. Also loved the color of the armor on the soldiers. The characters are pretty bland, really just doing things because the script requires them to do it. The monsters are also crappy looking CGI iguanas. Overall the whole thing just comes off silly. For a full review: Trying to create a channel based on interpreting, reviewing, and even giving you something to laugh about film. Hope you feel like giving my channel a chance. https://youtu.be/6yTGEw3Agzw

Per Gunnar Jonsson

This is a movie that made me soooo happy that I decided to jump and fork out some money (way too much actually, I’m on a bread and water diet now) for a nice OLED screen. This movie is a stunning visual adventure. The two main characters are described as mercenary warriors but the terms thieves and rascals are probably better suited. They do know how to fight though and they get plenty of opportunity to prove it in the menu. This is another one of those movies that live and die by the visuals. The plot is a basic enough adventure story with some additional twists, like mysterious meteorites and really really nasty monsters, thrown in. It is not bad but not exactly groundbreaking either. The same with the characters. They are perhaps not exactly flat but not really fantastic either. What makes the movie great is the action and the visuals. The story and the characters are just there to prop the visuals up and they are doing a perfectly adequate job of it. The movie starts off in a rather dry and deserted landscape. The first scenes are actually rather dark and somewhat blurry. Luckily we rather quickly arrive at The Great Wall and the colors explode onto the screen. The Chinese army in their shining colored armor is really visually impressive. It does not take very long for the action to start and apart from the usual arrow flinging, acrobatic stabbing and slashing the Chinese army starts to deploy their various contraptions for fighting the oncoming swarm of nasty creatures. I found all the things that they had cooked up quite fascinating and contributing nicely to the visuals and the fun. For example, bungee jumping into a hord of jumping and snapping monsters wanting to take a (huge) bit of you armed with a spear. Is that cool or what? Heck, I want to do that. Well, without the monsters of course … and the bungee part. Okay, I confess, I was just watching the girls. Did I mention that all the bungee jumpers where hot chicks? And if any of you go all feminist and gender crap on me for those remarks you can shove it somewhere. If you think the bungee jumping stuff sounds like I was watching a silly comedy then trust me, it makes sense … kind of … in the context of this movie at least. Then there are rotating knifes sticking out of slits in the wall, fireball throwing catapults, various applications of gunpowder (that was after all why the two scoundrels where there in the first place) etc. etc. All accompanied by various acrobatics by the different combattants. Each scene was both cool action and a great symphony of elegance and colors. The one part of the movie that I thought was a bit of a letdown was the parts where the emperor of China appeared. Why portray him as an arrogant, lazy thundering idiot? It is really not funny. The chain of events that he caused could really had been started in a more intelligent way without going down that overused and boring route. The movie works itself forward to a nice final, desperate, fight to defeat the monster queen and her hord of baddies. It is a nice fight, as visually stunning as the rest of the movie, filled with lots of stunts of all kinds. The huge hords of beasts climbing, jumping and moving in big patterns on command from the queen was really cool. For me this was one hour and forty minutes of much enjoyment.

Reno

**Decent visuals, but has no fresh vision.** I always thought what they call the great wall of China is the symbol of the Chinese scary-ism against the mighty Mongolians in the ancient time. So when I first saw this trailer, I shocked and then I said: what the heck. You can't just hide the truth and recreate whatever new thing you want. But That's how the China and Chinese evolved for thousands of years. Like it could be martial arts, rice, noodles or the dragon, all of them came from outside. Then when I saw the film, the first scene itself cleared my doubt. It states the film was based on the legend. I thought it was a good start after the misleading promos. So this is China's effort to make a product at home par with Hollywood. They had hired top technicians from the west, that's including Matt Damon. With this kind of attempt, they should have triumphed. Yeah, the graphics were good and then if you check it out the end credits, it was actually not a pure Chinese made product as what we see on the screen, which was 99 per cent Chinese cast. 'Kung Fu Yoga' is a fine example, what the made in China looks like. The director is known for traditional films, like mixing art, martial arts and culture, particularly the middle age. I like his films of the 00s, but this one was utterly commercial crap. When it comes to the ideas for the scenes, every segment and every frame reminded me some Hollywood's greatest graphic film from the recent decade. Particularly the monsters as the zombies from 'World War Z' and the Chinese soldiers totally replicates the Elves of Woodland Realm. That proves, the Chinese are masters of copying/duplicating. IT HAS A DECENT VISUAL, BUT NOT FRESH VISION. They should have handed it over entirely, except producing it for the better outcome. It is the early 11th century, at one of the sections of northern China wall, where a couple of white men caught by the Chinese army after they were chased by a group of bandits. They have come with an agenda, but there's something big is going on. First, they have to win the Chinese trust and so they succeed on that, but things changes as the weather of the place has changed. Besides, they have no choice than to cooperate with them, but then the differences divide the two men. Who takes what path and their fates are decided at the film's climax. > ❝They have trained all their lives for this war.❞ Many western actors, filmmakers had tried their luck in Chinese filmdom, but not all were succeeded. Tapping Chinese market is not that simple. There are too many complications like restriction in thematic and using content in the story. If that complies, then they must use Chinese cast and crew for some percentage. From all, the greatest surprise was, like Jimmy Kimmel said, why would Damon had given up the Oscar award winning role from his own production for this cheap flick from the east. I always appreciate the good films, no matter where it had come from. It all depends on the quality and the contents, but sometimes there is exemption if the production was under a limited, small cost. There's no such excuse for this film. Besides my issue was not the graphics, except borrowing the ideas from others, but it was the poor screenplay. You can clearly say that I'm not happy with this one. This is just another film that looks like a computer game as similar to the 'Resident Evil' film series. The west had given up on digital 3D, but China has a special obsession with that, and so am I. That is the reason those failed films, bet against the Dollars, which were strongly influenced by that technology, such as 'Age of Extinction', 'Warcraft' et cetera survived by earning Yuan. Like I mentioned, the director is not this kind of cheap filmmaker. But it clearly understandable that he wanted to give what the domestic audience wanted, a good digital 3D film. For that, it has to be full scale action-adventure, not filled with drama kind he's famous for. This film lacks character developments, as well as the story. You might enjoy it if you like actions. Even though, many of them are silly like acrobat women jumping down to just kill one-two monsters. On the other hand, they are the baits without followup strategic offense. Hence well planned suicide. Like that, they just wanted to give some actions without any logic behind. The common man like Chinese people (Common means Communism; definition) might be fooled, not the rest of the world. So this film is not everybody's suitable. It is a watchable film, but why? No worth at all. _3/10_

Gimly

I suuuuuper don't care. This looks like an advertisement for a brand I wouldn't bother buying. _Final rating:★½: - Boring/disappointing. Avoid where possible._

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