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Glasova 137 (7,9/10)

Vrijeme izvođenja: 117 minuta

Datum objave 1984-09-23

Proračun: $420,000.00

Produkcijska kuća:

  • Western-World Television Inc.
  • BBC
  • Nine Network Australia

Zemlja proizvodnje:

  • United Kingdom

Žanrovi:

  • War
  • Drama

Prikolica

Daljnje informacije

Ruth Beckett
Karen Meagher
Karen Meagher
Jimmy Kemp
Reece Dinsdale
Reece Dinsdale
Mr. Kemp
David Brierly
David Brierly
Mrs. Kemp
Rita May
Rita May
Michael Kemp
Nicholas Lane
Nicholas Lane
Alison Kemp
Jane Hazlegrove
Jane Hazlegrove
Mr Beckett
Henry Moxon
Henry Moxon
Mrs Beckett
June Broughton
June Broughton
Granny Beckett
Sylvia Stoker
Sylvia Stoker
Clive Sutton
Harry Beety
Harry Beety
Marjorie Sutton
Ruth Holden
Ruth Holden
Bob
Ashley Barker
Ashley Barker
Chief Supt. Hirst
Michael O'Hagan
Michael O'Hagan
Medical Officer
Phil Rose
Phil Rose
Information Officer
Steve Halliwell
Steve Halliwell
Accommodation Officer
Brian Grellis
Brian Grellis
Transport Officer
Peter Faulkner
Peter Faulkner
Food Officer
Anthony Collin
Anthony Collin
Scientific Officer
Michael Ely
Michael Ely
Manpower Officer
Sharon Baylis
Sharon Baylis
Works Officer
David Stutt
David Stutt
Mr Stothard
Phil Askham
Phil Askham
Mrs Stothard
Anna Seymour
Anna Seymour
Carol Stothard
Fiona Rook
Fiona Rook
Woman in Supermarket
Christine Buckley
Christine Buckley
Shopkeeper
Joe Belcher
Joe Belcher
Boy in Supermarket
David Major
David Major
Peace Speaker
Maggie Ford
Maggie Ford
Trade Unionist
Mike Kay
Mike Kay
Officer at Food Depot
Richard Albrecht
Richard Albrecht
Policeman
Ted Beyer
Ted Beyer
Policeman
Dean Williamson
Dean Williamson
Mr Langley
Joe Holmes
Joe Holmes
Patrol Officer
Andy Fenn-Rodgers
Andy Fenn-Rodgers
Soldier
Graham Hill
Graham Hill
Soldier
Nigel Collins
Nigel Collins
Looter
Jerry Ready
Jerry Ready
Looter
Dennis Conlon
Dennis Conlon
Woman at Hospital
Greta Dunn
Greta Dunn
Old Man at Graveyard
Nat Jackley
Nat Jackley
Street Trader
John Livesey
John Livesey
Jane
Victoria O'Keefe
Victoria O'Keefe
Spike
Lee Daley
Lee Daley
Gaz
Marcus Lund
Marcus Lund
Newscaster
Lesley Judd
Lesley Judd
Newscaster
Colin Ward-Lewis
Colin Ward-Lewis
Narrator (voice)
Paul Vaughan
Paul Vaughan
Woman with dead baby (uncredited)
Ingrid P. Frehley
Ingrid P. Frehley
Man who has leg amputated (uncredited)
Michael Shale
Michael Shale
Woman who urinates herself (uncredited)
Anne Sellors
Anne Sellors
Dead Boy Under Gate (uncredited)
Lee Cambell
Lee Cambell
Survivor on the Moors (uncredited)
Jonathan Harston
Jonathan Harston
Public Information Film Announcer (voice) (uncredited)
Patrick Allen
Patrick Allen
US President (voice) (uncredited)
Ed Bishop
Ed Bishop
Director
Mick Jackson
Mick Jackson
Producer
Mick Jackson
Mick Jackson
Director of Photography
Andrew Dunn
Andrew Dunn
Writer
Barry Hines
Barry Hines
Editor
Jim Latham
Jim Latham
Production Design
Christopher Robilliard
Christopher Robilliard
Director of Photography
Paul Morris
Paul Morris
Editor
Donna Bickerstaff
Donna Bickerstaff
Costume Design
Sally Nieper
Sally Nieper

znapper

This film was, for many, a turning-point regarding nuclear weapons, the cold war and nuclear-politics. Set in a 1984 UK industrial-suburbia, as the cold war gets hot, we follow regular people in their daily lives and how they prepare for the coming apocalypse. Barry Hines and Mick Jackson explains and shows us how the world is interconnected and woven together, each strand in this web is dependent on the others and when the threads start to break, the webbing that hold society together, unravel and we are quickly left with hardship and irreparable loss. There is no help from the outside, as most places are left in the same sorry state. With the lingering pollution from the war, there is only one way human kind can go from there. This film has no high-notes and there are no cheesy Hollywood-lines to comfort you during the viewing, just cold-hard facts and statistic. When the inevitable starts, we follow Ruth in particular, the main character, on her journey, 13 years into the future. We see how she tries to cope, as the remnants of the industrial world and human kind slowly crumble and whither around her. The film use simple effects and has a natural gritty style. This prevents the film from looking too dated. In addition, most of the film work with limited sets and scenes, so the time-period it is shot in, is somewhat removed from the story and experience. The acting is real and very good, they are real people, playing real people, 'no time for plastic Hollywood-figures here'. What we are left with, is most likely one of the bleakest, grimmest and most depressing film, that everyone needs to see at least once. It will remain a testament to the cold war, but as long as there are nuclear weapons, it will continue to be an ever-relevant warning. It will stick with you indefinitely.

Columbusbuck

Once again, I struggled to understand the British English. At least this time, I didn't really need to. Not a word needed to be spoken to convey the very real horror we might all be subjected to. Now, closer to that armageddon than ever before in our history. I just hope I die in the initial blast. The after is actually worse than the blast itself. God help us all.

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