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Alexa Woods

Sanaa Lathan

Sebastian de Rosa

Raoul Bova

Graeme Miller

Ewen Bremner

Maxwell Stafford

Colin Salmon

Mark Verheiden

Tommy Flanagan

Joe Connors

Joseph Rye

Adele Rousseau

Agathe de La Boulaye

Rusten Quinn

Carsten Norgaard

Thomas Parks

Sam Troughton

Charles Bishop Weyland

Lance Henriksen

Klaus

Kieran Bew

Sven

Adrian Bouchet

Supervisor

Liz May Brice

Grid

Tom Woodruff Jr.

Scar

Ian Whyte

Stone

Petr Jákl ml.

Bass

Pavel Bezdek

Mikkel

Carsten Voigt

Boris

Jan Pavel Filipensky

Karl

Eoin McCarthy

Sacrificial Maiden

Karima Adebibe

Technician

Glenn Conroy

Juan Ramirez

Andy Lucas

High Priest (uncredited)

Joseph Balderrama

Spaceship Crew (uncredited)

Alex Lorre

Screenplay

Paul W.S. Anderson

Director

Paul W.S. Anderson

Costume Design

Magali Guidasci

Producer

David Giler

Author

Jim Thomas

Author

John Thomas

Producer

Walter Hill

Editor

Alexander Berner

Producer

John Davis

Co-Producer

David Minkowski

Co-Producer

Matthew Stillman

Screenplay

Dan O'Bannon

Screenplay

Ronald Shusett

Producer

Gordon Carroll

Original Music Composer

Harald Kloser

Director of Photography

David Johnson

Production Design

Richard Bridgland

Executive Producer

Wyck Godfrey

Production Supervisor

Brian Donovan

Supervising Art Director

Adam O'Neill

Assistant Art Director

Mark Bartholomew

Associate Producer

Henning Molfenter

Set Decoration

Peter Walpole

Set Designer

Marco Bittner Rosser

Set Designer

Stephen Bream

Set Designer

Stephan O. Gessler

Art Direction

Jindrich Kocí

Executive Producer

Mike Richardson

Additional Editing

Les Healey

Associate Producer

Thierry Potok

Makeup Effects

Barrie Gower

Co-Producer

Chris Symes

Unit Production Manager

Adam Goodman

Casting

Nancy Bishop

First Assistant Editor

Charles Ladmiral

Makeup Effects

Dawn Dininger

Orchestrator

James Seymour Brett

Second Unit Cinematographer

Bharat Nalluri

Executive Producer

Thomas M. Hammel

Post-Production Manager

Patrick Esposito

Visual Effects Editor

Ian Differ

Associate Producer

Grace Gilroy

Conceptual Design

Steve Burg

Sound Re-Recording Mixer

Andrew Stirk

Makeup Effects

Simon Webber

Sculptor

Colin Jackman

Dialect Coach

Andrew Jack

Driver

Miroslav Caslavka

Boom Operator

Tomas Cervenka

Visual Effects Supervisor

David Vána

Visual Effects Supervisor

Adam Valdez

Makeup Artist

Ivo Strangmüller

Key Hair Stylist

Ivo Strangmüller

Propmaker

Graham Riddell

Art Direction

Ray Chan

Location Manager

Lukás Bech

Dolby Consultant

Mark Kenna

Post Production Supervisor

Emma Zee

Art Direction

Stephen Dobric

Art Direction

Milena Koubkova

Art Direction

Justin Warburton-Brown

Music Editor

John Warhurst

Foley

Jason Swanscott

Sound Recordist

Michal Holubec

Conceptual Design

Richard K. Buoen

Sound Effects Editor

Mike Grimes

Script Supervisor

Jessica Clothier

Digital Effects Supervisor

Ben Shepherd

Dialogue Editor

Simon Price

Line Producer

Jennifer Silver

Unit Manager

Jiri Husak

Visual Effects Producer

Arthur Windus

Supervising Sound Editor

Simon Gershon

Sound Re-Recording Mixer

Simon Gershon

Supervising Sound Editor

Jeremy Price

Visual Effects Supervisor

John Bruno

Casting

Suzanne M. Smith

Art Department Coordinator

Katerina van Gemundova

Property Master

Noel Cowell

Leadman

Jan Kodera

Foley

Andrea King

Foley

Melissa Lake

Sound Re-Recording Mixer

Howard Bargroff

Visual Effects Producer

Mei-Ming Casino

Visual Effects Producer

Stefan Drury

Visual Effects Producer

Angie Wills

Visual Effects Producer

Vít Komrzý

Stunt Coordinator

Rick Forsayeth

Still Photographer

Jürgen Vollmer

Camera Operator

Jaromir Sedina

Steadicam Operator

Jaromir Sedina

Gaffer

Petr Konrád

Transportation Coordinator

Jiri Kotlas

Visual Effects

James Clarke

Rigging Gaffer

Dean Brkic

Unit Publicist

Geoff Freeman

Modeling

Stephane Paris

Sound Editor

Blair Jollands

Production Coordinator

Claudia Dehmel

CG Supervisor

Mattias Lindahl

Animation

Gabriele Zucchelli

Assistant Director

Jakub Dvorak

Visual Effects Coordinator

Charles Howell

Associate Producer

Luca Marco Paracels

Production Sound Mixer

Petr Forejt

CGI Supervisor

Craig Lyn

Hair Designer

Lesley Lamont-Fisher

Makeup Designer

Lesley Lamont-Fisher

Special Effects Supervisor

Karl-Heinz Bochnig

Security

Robert Milicevic

Set Dressing Supervisor

Bara Barova

First Assistant Camera

Ladislav Hruby

Set Medic

Eva Dvorakova

Rigging Grip

Michal Houzvicka

Grip

Jiri Gazda

Stunts

Jaroslav Peterka

Post Production Assistant

Jason Keever

Loader

Vaclav Kares

Production Manager

Martina Burgetová

I/O Supervisor

Oliver Faldo

Video Assist Operator

Michal Chadima

Digital Compositors

Henry Badgett

Digital Intermediate

Paul Elman

Painter

David Selvadurai

Legal Services

Andreas Pense

Set Production Assistant

Petra Ratner

Electrician

Martin Tichy

Lighting Artist

Rafael Morant

Casting Associate

Minna Pyyhkala

Production Accountant

Mark Birmingham

Researcher

Julian Mann

3D Supervisor

Laurent Cordier

Translator

Lenka Rock

Translator

Lenka Rock

Translator

Lenka Rock

Translator

Lenka Rock

Translator

Lenka Rock

Elio Sbrocchi

La storia del cinema di genere è ricca di 'contro' spesso improbabili (Dracula contro Frankenstein, King Kong contro Godzilla e via combattendo). Questa volta vengono contrapposte due creature relativamente recenti. Una è più famosa e con quattro presenze sul grande schermo all'attivo (Alien) l'altra (Predator) lo è meno essendo giunta nei cinema solo due volte con i film di John McTiernan e Stephen Hopkins. Non è detto che in questa occasione la prevalenza debba per forza essere della specie più famosa e questo è uno degli scarsi elementi di interesse di un film portato sullo schermo da un esperto adattatore di videogiochi. Basta infatti leggere la filmografia di Paul W. Anderson per rendersi conto della sua competenza in materia. Ciò che colpisce negativamente è l'involontario clima da B-movie che pervade il film e contrasta palesemente con il budget (65 milioni di dollari) messo a disposizione dalla produzione. Perché tutti i personaggi, tranne forse quello interpretato da Lance Henriksen, sono stereotipati e perché l'orrore (quello vero) latita. Questo non è precisamente il massimo per questo genere di intrattenimento.