ブリキの太鼓


ブリキの太鼓

概要:

ポーランドのダンチッヒを舞台に、3歳で自らの成長を止めた少年オスカルの視点で、1927年から1945年の激動の時代を描いた異色の大力作。ブリキの太鼓を叩き、奇声を発しガラスを割るという不思議な力も身につけたオスカル、従兄との不倫を続ける母、臆病者の父、画面は時代が産んだ奇異なキャラクターとグロテスクな描写に溢れ、その毒気たるや凄まじいばかりのものである。

票 200 (7.1/10)

ランタイム: 162 分

発売日 1979-05-02

制作会社:

  • Jadran Film
  • Artemis Film
  • Franz Seitz Filmproduktion
  • Bioskop Film
  • Argos Films
  • Film Polski
  • Hallelujah Films
  • GGB-14

生産の国:

  • Germany
  • Croatia
  • Poland
  • France

ジャンル:

  • ドラマ
  • 履歴
  • 戦争

トレーラー

さらに詳しい情報

Alfred Matzerath
Mario Adorf
Mario Adorf
Agnes Matzerath
Angela Winkler
Angela Winkler
Oskar Matzerath
David Bennent
David Bennent
Maria Matzerath
Katharina Thalbach
Katharina Thalbach
Jan Bronski
Daniel Olbrychski
Daniel Olbrychski
Anna Koljaiczek (jung)
Tina Engel
Tina Engel
Anna Koljaiczek (alt)
Berta Drews
Berta Drews
Joseph Koljaiczek
Roland Teubner
Roland Teubner
Onkel Vinzenz
Tadeusz Kunikowski
Tadeusz Kunikowski
Lina Greff
Andréa Ferréol
Andréa Ferréol
Greff
Heinz Bennent
Heinz Bennent
Gretchen Scheffler
Ilse Pagé
Ilse Pagé
Scheffler
Werner Rehm
Werner Rehm
Mutter Truczinski
Käte Jaenicke
Käte Jaenicke
Meyn
Otto Sander
Otto Sander
Sigismund Markus
Charles Aznavour
Charles Aznavour
Bebra
Fritz Hakl
Fritz Hakl
Roswitha
Mariella Oliveri
Mariella Oliveri
Löbsack
Ernst Jacobi
Ernst Jacobi
Dr. Hollatz
Henning Schlüter
Henning Schlüter
Producer
Anatole Dauman
Anatole Dauman
Original Music Composer
Maurice Jarre
Maurice Jarre
Editor
Suzanne Baron
Suzanne Baron
Screenplay
Jean-Claude Carrière
Jean-Claude Carrière
Screenplay
Volker Schlöndorff
Volker Schlöndorff
Director
Volker Schlöndorff
Volker Schlöndorff
Author
Günter Grass
Günter Grass
Director of Photography
Igor Luther
Igor Luther
Screenplay
Franz Seitz Junior
Franz Seitz Junior
Producer
Franz Seitz Junior
Franz Seitz Junior
Producer
Eberhard Junkersdorf
Eberhard Junkersdorf

MoHA

A smart movie powered by David Bennent's performance Oskar is a young man in World War II Germany who refuses to grow up when he was three years old. He deliberately let himself fall on a stair to injure himself and stop his growth. Oskar's refusal to grow and release his tin drum is an obvious metaphor about refusing the Nazi regime. This is made more obvious since he finally decided to grow and let go of his drum after the Nazi's defeat. The Tin Drum is based on a celebrated novel by German author Gunter Grass. Director Volker Schlöndorff brings it to life with profound elegance and intellectual humor. Made in 1979, in the middle of the German film renaissance, The Tin Drum pokes fun at the Nazi regime and at the same time presents an unforgettable and often hilarious story. The movie begins in the late 19th century when Oskar's grandmother helps his grandfather to escape German soldiers by letting him hide under her skirt. It is also where Oskar's mother Agnes (Angela Winkler) is conceived. Agnes grows up during the First World War and marries a man named Alfred Matzerath (Mario Adorf). She begins to have an affair with her cousin Jan Bronski, while Oskar slowly becomes aware of their relationship. David Bennent's performance as Oskar is simply amazing. He was about 12 years old at the time, and he plays Oskar from childhood to his 20s. Although Oskar's physical appearance never changes. We can see his aging process through Bennent's performance. Oskar's movement changes; he begins to become more mature and discover the world around him. Bennent plays the character with an impressive level of believability and intellectual maturity. The Tin Drum reminded me of one of my favorite movies-Forrest Gump. Both movies have central characters that are physically and mentally disabled, and both manage to have an interesting journey life. Both movies pass through an important historical event, with both heroes getting involved. The Tin Drum is not quite in the same league as Forrest Gump, but it still amazed and captivated me from beginning to end. The Tin Drum contains some really grotesque scenes. One scene in particular is when they show a fisherman using a dead horse's head as bait for eels. The fisherman removes the eels one by one from the horse's head, while Agnes vomits in disgust. To balance it out, the movie also contains moments of pure joy. I love the sequence where Oskar's drumming influences a band to change their music form a German march to Strauss' The Blue Danube. A Nazi officer screams in disgust, while the crowd joins together and dances. I enjoy watching intelligent satires. I laughed out loud a lot of times in this movie and I relished its lush story. The movie deals with many things, including warfare, adultery, and religion. It may be a little too long for some people at 140 minutes, but for me, no good movie is too long. The Tin Drum contains astonishing images powered by remarkable acting.

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