ロスト・イン・トランスレーション


ロスト・イン・トランスレーション

概要:

ハリウッドのスター、ボブ・ハリス(ビル・マーレイ)はウイスキーのCM撮影のために来日し、滞在先のホテルへと向かっていた。ホテルで出迎える日本人スタッフに軽く挨拶をし部屋に入るとアメリカの妻からファックスが入る……。

票 4715 (7.4/10)

ランタイム: 102 分

発売日 2003-09-18

予算: $4,000,000.00

売り上げ高: $119,723,856.00

制作会社:

  • American Zoetrope

生産の国:

  • Japan
  • United States of America

ジャンル:

  • ドラマ
  • ロマンス
  • コメディ

トレーラー

さらに詳しい情報

Bob Harris
Bill Murray
Bill Murray
Charlotte
Scarlett Johansson
Scarlett Johansson
John
Giovanni Ribisi
Giovanni Ribisi
Kelly
Anna Faris
Anna Faris
Ms. Kawasaki
Akiko Takeshita
Akiko Takeshita
Charlie Brown
Fumihiro Hayashi
Fumihiro Hayashi
Press Agent
Kazuyoshi Minamimagoe
Kazuyoshi Minamimagoe
Press Agent
Kazuko Shibata
Kazuko Shibata
Press Agent
Take
Take
Hiroko
Hiroko Kawasaki
Hiroko Kawasaki
Bambie
Daikon
Daikon
Jazz Singer
Catherine Lambert
Catherine Lambert
P Chan
Akiko Monô
Akiko Monô
Sausalito Piano
Françoise Dubois
Françoise Dubois
American Businessman #1
Gregory Pekar
Gregory Pekar
Ikebana Instructor
Ikuko Takahashi
Ikuko Takahashi
Doctor
Osamu Shigematu
Osamu Shigematu
TV Host
Takashi Fujii
Takashi Fujii
Sexy Businesswoman
Lisle Wilkerson
Lisle Wilkerson
Hospital Receptionist
Kazuo Yamada
Kazuo Yamada
Bellboy
Akira Yamaguchi
Akira Yamaguchi
Commercial Director
Diamond Yukai
Diamond Yukai
Suntory Client
Jun Maki
Jun Maki
Premium Fantasy Woman
Nao Asuka
Nao Asuka
Stills Photographer
Tetsuro Nakagawa
Tetsuro Nakagawa
Bartender in nightclub
Hiroshi Kawashima
Hiroshi Kawashima
Kun
Kunichi Nomura
Kunichi Nomura
Mr. Valentine
Shigekazu Aida
Shigekazu Aida
TV Translator
Kei Takyo
Kei Takyo
Politician's Aide
Yumi Ikeda
Yumi Ikeda
Lydia Harris (voice) (uncredited)
Nancy Steiner
Nancy Steiner
Concierge
Ryuichiro Baba
Ryuichiro Baba
Sausalito Piano
François du Bois
François du Bois
Sausalito Guitar
Tim Leffman
Tim Leffman
American Businessman #2
Richard Allen
Richard Allen
Make-Up Person
Kanako Nakazato
Kanako Nakazato
Kelly's Translator
Asuka Shimuzu
Asuka Shimuzu
Bartender, NY Bar
Koichi Tanaka
Koichi Tanaka
Aerobics Instructor
Hugo Codaro
Hugo Codaro
French Japanese Nightclub Patron
Akimitsu Naruyama
Akimitsu Naruyama
Hiromix
Hiromi Toshikawa
Hiromi Toshikawa
Nobu
Nobuhiko Kitamura
Nobuhiko Kitamura
Nao
Nao Kitman
Nao Kitman
Charlie's Friend
Yasuhiko Hattori
Yasuhiko Hattori
Politician
Ryo Kondo
Ryo Kondo
Politician's Aide
Yumika Saki
Yumika Saki
Politician's Aide
Yuji Okabe
Yuji Okabe
German Hotel Guest
Dietrich Bollmann
Dietrich Bollmann
German Hotel Guest
Georg O.P. Eschert
Georg O.P. Eschert
Carl West
Mark Willms
Mark Willms
Producer
Francis Ford Coppola
Francis Ford Coppola
Thanks
Francis Ford Coppola
Francis Ford Coppola
Executive Producer
Fred Roos
Fred Roos
Screenplay
Sofia Coppola
Sofia Coppola
Director
Sofia Coppola
Sofia Coppola
Producer
Sofia Coppola
Sofia Coppola
Producer
Ross Katz
Ross Katz
Original Music Composer
Kevin Shields
Kevin Shields
Director of Photography
Lance Acord
Lance Acord
Camera Operator
Lance Acord
Lance Acord
Editor
Sarah Flack
Sarah Flack
Production Design
K.K. Barrett
K.K. Barrett
Production Design
Anne Ross
Anne Ross
Costume Design
Nancy Steiner
Nancy Steiner
Thanks
Josh Hartnett
Josh Hartnett
Sound Designer
Richard Beggs
Richard Beggs
Music Editor
Richard Beggs
Richard Beggs
Sound Re-Recording Mixer
Richard Beggs
Richard Beggs
Assistant Editor
Jamie Kirkpatrick
Jamie Kirkpatrick
Thanks
Wes Anderson
Wes Anderson
Thanks
Spike Jonze
Spike Jonze
Thanks
Kelly Lynch
Kelly Lynch
Thanks
Paul Simon
Paul Simon
Art Direction
Rika Nakanishi
Rika Nakanishi
Associate Producer
Mitch Glazer
Mitch Glazer
Line Producer
Callum Greene
Callum Greene
Music Supervisor
Brian Reitzell
Brian Reitzell
Thanks
Roman Coppola
Roman Coppola
Production Coordinator
Masahiro Yoshikawa
Masahiro Yoshikawa
Thanks
Lorne Michaels
Lorne Michaels
Production Supervisor
Anthony Katagas
Anthony Katagas
Assistant Art Director
Ryo Sugimoto
Ryo Sugimoto
Line Producer
Kiyoshi Inoue
Kiyoshi Inoue
Set Decoration
Towako Kuwashima
Towako Kuwashima
Unit Production Manager
Keizô Shukuzaki
Keizô Shukuzaki
Sound Re-Recording Mixer
Kent Sparling
Kent Sparling
Key Hair Stylist
Morag Ross
Morag Ross
Production Sound Mixer
Drew Kunin
Drew Kunin
Gaffer
Yuji Wada
Yuji Wada
Boom Operator
Kira Smith
Kira Smith
Foley
Marnie Moore
Marnie Moore
Script Supervisor
Eva Z. Cabrera
Eva Z. Cabrera
ADR & Dubbing
Deborah Wallach
Deborah Wallach
Supervising Sound Editor
Michael Kirchberger
Michael Kirchberger
Assistant Director
Takahide Kawakami
Takahide Kawakami
Sound Effects Editor
Julia Shirar
Julia Shirar
Legal Services
Andrea F. Cannistraci
Andrea F. Cannistraci
Set Decoration
Tomomi Nishio
Tomomi Nishio
Additional Music
Roger Joseph Manning Jr.
Roger Joseph Manning Jr.
Sound Recordist
Glenn Kasprzycki
Glenn Kasprzycki
Set Costumer
Masae Sakurai
Masae Sakurai
Makeup Artist
Akemi
Akemi
Assistant Art Director
Momoko Nakamura
Momoko Nakamura
Music
Roy Hawkins
Roy Hawkins

J4stringthang

Ok movie Lovers. If you didn't like The Life Aquatic with Steve Zissou, then don't even bother with Lost in Translation. The jokes are dry and the dialogue is weak. At least in Life Aquatic they wore funny outfits. Being a world traveler myself I could appreciate the jet lag and overall moping around thru out the whole film. You will definatly feel lost. Although I found myself laughing out loud a few times at Bill Murray and his quips, BY NO MEANS should the average movie fans think this is a comedy. It is an independent art film and should be treated as so.

Wuchak

True love transcends sexual expression RELEASED IN 2003 and written & directed by Sofia Coppola, "Lost in Translation" was a big hit in 2003-2004. It's about an aging actor, Bob Harris (Bill Murray), who's in Tokyo doing commercials for a week. His home-life is mundane and he's experiencing a bit of the mid-life crisis. He runs into an attractive 20 year-old something woman, Charlotte (Scarlett Johansson), who's in Tokyo with her photog husband (), but he's gone most of the time and takes her for granted. This is a mature, semi-arty film and you have to be in the right mode/maturity level to appreciate it. I said "maturity level" and not "age" because some people are pretty mature at 16 while others are completely immature at 50. For me, the story, music and visuals pulled me into these characters’ temporary world for the 102-minute runtime. The film succeeds as an amusing social commentary and a deep love story, as well as a visual/musical delight. I'll only focus on the deep love element. It's been noted that the story originated from Sofia's experience with an aging actor when she was younger, possibly Harrison Ford. Sofia is obviously Charlotte, while Charlotte's husband is Sofia's ex and Anna Faris plays the role of the other woman, which would be Cameron Diaz in real life. So there's a lot of reality in the picture. But it's not just a cathartic piece. Sofia has some potent insights to offer on the nature of true romantic love. For one, love transcends age difference (Bob is about 35 years older than Charlotte). For another, it's possible to be married and experience romantic love for another. Not that this ever justifies adultery, it's just a fact. As the story progresses you'll see how comfortable Bob and Charlotte are with each other, how they look into each other's eyes, the windows of the soul, in a profoundly naked sense. This can happen in the flash of a moment where the two people just KNOW, or it can take place over a period of time, as is the case with Bob and Charlotte (which is a handful of days). They see the same things and speak the same language, and I don't mean English. But this presents a conundrum for Bob. Bob COULD take advantage of Charlotte because she's so lonely in a sea of people, which is one of the movie's themes; she's also inexperienced and vulnerable. Will he or won't he take advantage? ***SPOILER ALERT*** Don't read further if you haven't seen the film. If Bob loves Charlotte so much, not to mention his wife & kids, why does he have a one-night stand with the lounge singer (Catherine Lambert)? Bob slept with her to release sexual tension that had been building up between him and Charlotte. This was a moral failure, but keep in mind he was drunk (another failure but, have pity, he was going through a mid-life crisis). While all this is obvious, it goes deeper... Bob could have taken advantage of Charlotte if he wanted to but didn't because he genuinely loved her, which is revealed at the end. Bob could sleep with the singer because he didn't love her (not that it justifies his actions). Simply put, true love transcends sexual expression and sexual union does not equal love. The ending is powerful and tear-inducing. No CGI, explosion or action stunt can compare. It's just an older man and a too-young woman embracing in the midst of 20 million strangers. Tears flow, kisses are given and unheard words are whispered. They could never be a couple, even if they weren't married, and they know they'll never see each other again, at least on this physical plane, but their love has been expressed and will be treasured for eternity. GRADE: A

JPV852

Lost in Translation is one of my all-time favorite movies. The film grabbed me when I first saw it in the theater (unusual for back then, but my cineplex got this one in) and since I've watched it dozens of times. Bill Murray and Scarlet Johansson are both great and Sofia Coppola's direction taking in the sights and sounds of Tokyo (a city I've always been curious about and wanted to visit) was amazing.

Peter M

The first time I watched Lost in Translation, many years ago, I really liked it. I am partial to quiet movies, which feature a good ensemble cast, wit and good dialogue. Often, as with this movie, the story is told simply from start to finish without complex bounces back and forth with flashbacks, or made complicated with multiple perspectives. And in fact, I bought a used copy of Lost in Translation on DVD. After all this time I finally watched it again recently. I still like the movie. I love watching Bill Murray and he gives a fine restrained performance of an actor past his prime and riding on name recognition. Scarlett Johansson does great also. They are witty and display a subtle sense of humor. Still, I did not like it as much as I remember from before; something seemed lacking. Then I watched the Behind the Scenes extra video. You know, The Making of... and I realized I likedjust as much as I did the movie itself. It made me think that maybe the movie was too laid back. When Scarlett’s character Charlotte spoke to her husband, they were quiet and civil, when she spoke to Bill Murray as Bob, they were quiet and civil, and when Bob spoke to his wife on the phone back home they were quiet and civil, even when she was clearly getting irritated. Perhaps the film would have benefited from a little passion, a little more intensity here and there. I am glad I watched it a second time, but I don’t expect I will hold onto the DVD for a future viewing.

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