3:10 to Yuma


3:10 to Yuma

Overview:

In Arizona in the late 1800's, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.

Votes 1178 (6.9/10)

Runtime: 122 minutes

Release Date 2007-09-06

Budget: $55,000,000.00

Revenue: $70,016,220.00

Website: Link

Tagline: Time waits for one man.

Production company:

  • Tree Line Films
  • Lionsgate
  • Relativity Media
  • Yuma

Production country:

  • United States of America

Genres:

  • Western

Trailer

Further Information

Ben Wade
Russell Crowe
Russell Crowe
Dan Evans
Christian Bale
Christian Bale
William Evans
Logan Lerman
Logan Lerman
Grayson Butterfield
Dallas Roberts
Dallas Roberts
Byron McElroy
Peter Fonda
Peter Fonda
Alice Evans
Gretchen Mol
Gretchen Mol
Charlie Prince
Ben Foster
Ben Foster
Doc Potter
Alan Tudyk
Alan Tudyk
Emmy Nelson
Vinessa Shaw
Vinessa Shaw
Glen Hollander
Lennie Loftin
Lennie Loftin
Campos
Rio Alexander
Rio Alexander
Jorgensen
Pat Ricotti
Pat Ricotti
Jackson
Shawn Howell
Shawn Howell
Tommy Darden
Johnny Whitworth
Johnny Whitworth
Tucker
Kevin Durand
Kevin Durand
Kinter
Ramon Frank
Ramon Frank
Nez
Deryle J. Lujan
Deryle J. Lujan
Nez
James 'Scotty' Augare
James 'Scotty' Augare
Sutherland
Brian Duffy
Brian Duffy
Tighe
Jason Rodriguez
Jason Rodriguez
Crawley
Chris Browning
Chris Browning
Kane
Chad Brummett
Chad Brummett
Walter Boles
Forrest Fyre
Forrest Fyre
Zeke
Luke Wilson
Luke Wilson
Mark Evans
Benjamin Petry
Benjamin Petry
Bill Moons
Arron Shiver
Arron Shiver
Marshal Will Doane
Sean Hennigan
Sean Hennigan
Deputy Harvey Pell
Girard Swan
Girard Swan
Deputy Sam Fuller
Christopher Berry
Christopher Berry
Evil Bartender
David Oliver
David Oliver
Train Clerk
Jason Henning
Jason Henning
Contention Woman (uncredited)
Barbara Bartleson
Barbara Bartleson
Gunfighter (uncredited)
James Blackburn
James Blackburn
Bad Guy #1 (uncredited)
Brian Brown
Brian Brown
William Marsh (uncredited)
Trevor Coppola
Trevor Coppola
Bisbee Townsman (uncredited)
Harp Corrigan
Harp Corrigan
Gunman (uncredited)
Hugh Elliot
Hugh Elliot
Gunman (uncredited)
Darren Gibson
Darren Gibson
Contention Gunman (uncredited)
KC King
KC King
Bisbee Townsperson (uncredited)
Melinda Kramer
Melinda Kramer
Merchant (uncredited)
Brent Lambert
Brent Lambert
Gunman (uncredited)
Billy Lockwood
Billy Lockwood
Town Drunk (uncredited)
J. Nathan Simmons
J. Nathan Simmons
Contention Gunman (uncredited)
Art Usher
Art Usher
Director
James Mangold
James Mangold
Screenplay
Michael Brandt
Michael Brandt
Screenplay
Derek Haas
Derek Haas
Producer
Cathy Konrad
Cathy Konrad
Director of Photography
Phedon Papamichael
Phedon Papamichael
Production Design
Andrew Menzies
Andrew Menzies
Editor
Michael McCusker
Michael McCusker
Costume Design
Arianne Phillips
Arianne Phillips
Music
Marco Beltrami
Marco Beltrami
Casting
Lisa Beach
Lisa Beach
Casting
Sarah Katzman
Sarah Katzman
Art Direction
Greg Berry
Greg Berry
Set Decoration
Jay Hart
Jay Hart
Costume Supervisor
Linda Matthews
Linda Matthews
Set Costumer
Aleah Ames
Aleah Ames
Story
Elmore Leonard
Elmore Leonard
Assistant Costume Designer
Terry Anderson
Terry Anderson
Assistant Costume Designer
Christine L. Cantella
Christine L. Cantella
Assistant Costume Designer
Carlos Rosario
Carlos Rosario
Set Costumer
Michael Castellano
Michael Castellano
Set Costumer
Bren Cook
Bren Cook
Set Costumer
Lorraine Crossman
Lorraine Crossman
Set Costumer
Juliet Hyde-White
Juliet Hyde-White
Seamstress
Pilar Agoyo
Pilar Agoyo
Seamstress
Debra Chapman
Debra Chapman
Set Costumer
Wendy M. Craig
Wendy M. Craig
Hair Department Head
Kathrine Gordon
Kathrine Gordon
Key Hair Stylist
Gloria Pasqua Casny
Gloria Pasqua Casny
Key Hair Stylist
Betty Lou Skinner
Betty Lou Skinner
Hairstylist
Susan Germaine
Susan Germaine
Makeup Department Head
Jane Galli
Jane Galli
Makeup Artist
John Caglione Jr.
John Caglione Jr.
Makeup Artist
Lisa Taylor Roberts
Lisa Taylor Roberts
Art Department Coordinator
Roberta Marquez Seret
Roberta Marquez Seret
Casting
Jo Edna Boldin
Jo Edna Boldin
Casting Associate
Charla Bowersox
Charla Bowersox
Casting Associate
Marie A. Kohl
Marie A. Kohl
Music Editor
Jim Schultz
Jim Schultz
Script Supervisor
Sheila Waldron
Sheila Waldron
Script Supervisor
Mamie Mitchell
Mamie Mitchell
Armorer
David Fencl
David Fencl
Gaffer
Cory Geryak
Cory Geryak
Camera Operator
Philip C. Pfeiffer
Philip C. Pfeiffer
Camera Operator
Paul Sanchez
Paul Sanchez
Steadicam Operator
David Luckenbach
David Luckenbach
Still Photographer
Melissa Moseley
Melissa Moseley
Still Photographer
Richard Foreman Jr.
Richard Foreman Jr.
Rigging Gaffer
Stephen Mullen
Stephen Mullen
Second Unit Cinematographer
Mark Vargo
Mark Vargo
First Assistant Camera
Chip Byrd
Chip Byrd
First Assistant Camera
Bob Hall
Bob Hall
First Assistant Camera
J. Steven Matzinger
J. Steven Matzinger
Rigging Grip
Blake Pike
Blake Pike
First Assistant Camera
Philip Shanahan
Philip Shanahan
Stunt Coordinator
Freddie Hice
Freddie Hice
Special Effects Coordinator
Ron Bolanowski
Ron Bolanowski
Dialogue Editor
Simon Coke
Simon Coke
Foley
David Betancourt
David Betancourt
Foley
Dawn Lunsford
Dawn Lunsford
Foley
John Murray
John Murray
Foley
Elizabeth Rainey
Elizabeth Rainey
Foley
Alicia Stevenson
Alicia Stevenson
Sound Designer
Donald Sylvester
Donald Sylvester
Sound Effects Editor
Ted Caplan
Ted Caplan
First Assistant Sound Editor
Nico Salvato
Nico Salvato
Construction Coordinator
Dan Pemberton
Dan Pemberton
Property Master
John Paul 'J.P.' Jones
John Paul 'J.P.' Jones
Carpenter
Arthur Arndt
Arthur Arndt
Carpenter
Colin Dennis
Colin Dennis
Digital Intermediate
Shawn Broes
Shawn Broes
Digital Intermediate
Marisa Clayton
Marisa Clayton
Digital Intermediate
Marcie Jastrow
Marcie Jastrow
Visual Effects Editor
Sara Cueva
Sara Cueva
Visual Effects Producer
Christina Graff
Christina Graff
Visual Effects Supervisor
Robert Stromberg
Robert Stromberg
Visual Effects Supervisor
Mark Dornfeld
Mark Dornfeld
Visual Effects Supervisor
Paul Graff
Paul Graff
Visual Effects Coordinator
Paulina Kuszta
Paulina Kuszta
Screenplay
Halsted Welles
Halsted Welles
Unit Production Manager
Stuart M. Besser
Stuart M. Besser
Post Production Supervisor
Aaron Downing
Aaron Downing
Assistant Director
Nicholas Mastandrea
Nicholas Mastandrea
Thanks
Alexander Mackendrick
Alexander Mackendrick
Thanks
Doug Hemphill
Doug Hemphill
Thanks
Mark Jan Wlodarkiewicz
Mark Jan Wlodarkiewicz
Assistant Editor
Lee Grubin
Lee Grubin
Associate Producer
Dixie J. Capp
Dixie J. Capp
Executive Producer
Ryan Kavanaugh
Ryan Kavanaugh
Executive Producer
Lynwood Spinks
Lynwood Spinks
Location Scout
Kenneth Hunter
Kenneth Hunter
Other
David Alper
David Alper
Set Dressing Artist
Pierre Barrera
Pierre Barrera
Grip
Joe Bacharka
Joe Bacharka
Lighting Technician
Bradley Barnes
Bradley Barnes

John Chard

When you think about it, which I have been lately, is they weren't paying me to walk away. They were paying me so they could walk away. 3:10 to Yuma is directed by James Mangold and co-adapted to screenplay by Halsted Welles, Michael Brandt and Derek Haas. A remake of Delmer Daves' 1957 film of the same name, it's based on a story written by Elmore Leonard. It stars Russell Crowe, Christian Bale, Peter Fonda, Ben Foster and Logan Lerman. Music is by Marco Beltrami and cinematography by Phedon Papamichael. After the capture of notorious outlaw Ben Wade (Crowe), a posse is put together to escort him to the town of Contention from where he will be put on the 3:10 train to Yuma prison. Joining this posse is broke rancher Dan Evans (Bale), disabled in the Civil War, Dan is struggling to keep hold of his land and to support his family. Seen as a flop in the eyes of his eldest son William (Lerman), Dan sees this opportunity as a way out of his problems. But with Wade an intelligent foe, and the outlaw boss' gang on their trail, Evans and the posse will do well to make it to Contention alive... Daves' original film is a fine effort, very much pulsing with psychological beats and cloaked in claustrophobic atmospherics. Backed up by two excellent Western performers in Glenn Ford and Van Heflin, there is many a Western fan who cherish it and never felt it was a genre piece ripe for a remake; myself included. But the logic behind the reasons Mangold and his team put forward for remaking it made sense. A story of great thematics for the adults, and action a go-go for the younger modern film fan. Thus putting a Western back in the headlines at yet another time when the genre was gasping for air. All that was left to do was get two of the modern era's biggest stars to play Wade and Evans-which of course they duly did-and it was good to go. Just don't mess it up was all that was asked of the makers. Running at nearly half an hour longer than the original, Mangold's movie slots in a new mid-section and changes the ending. The former works a treat as the posse venture through hostile Apache country, meet some ne'er-do-well railroad ruffians, while Wade's gang, led by the supremely fiendish Charlie Prince (Foster), are on the bloody trail. The latter is a huge misstep, both in execution and character development. Most film fans are happy to suspend disbelief in the name of good entertainment, but here we are asked to ignore some impossible athletics while also being asked to swallow a character turn around that beggars belief. Such a shame because up till then the blend of traditional Western character themes such as morality and redemption, had dovetailed nicely with the pistol banging and all round breezy action construction. While the father and son axis gives the narrative some extra bite. Even bad guys love their mothers. The performances are also of a high standard. In the support slots Fonda, Foster and Lerman are top dollar. Fonda is all leather faced and gruff as bounty hunter McElroy, Foster does a quality line in sneering villainy, and Lerman, in a tricky role, utterly convinces as the conflicted boy breaking out into a man. But this is Crowe and Bale's movie. Crowe has Wade as an intelligent dandy, a man who loves and understands women, an artist who also has a tongue as quick as his hands are on his guns. We know that Wade is callous, but Crowe ensures that we never know what is around the corner or truly on his mind. Bale puts much dignity into Evans, he's a put upon man, tortured by his failings on the home front, but there is stoic nobility there and as he and Wade venture further on their journey, a grudging respect begins to form and Bale and Crowe really start to put credibility into their characters. And then that last quarter nearly undoes all their excellent work... In spite of this, 3:10 to Yuma is a good time to be had as a modern Western production with old traditional values. Energetic and never dull from first frame to last, it's recommended on proviso you don't mind unscrewing your head and taking out your brain for the last 15 minutes. 7.5/10

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